WEBVTT

NOTE
This transcript was created on 2026-06-07 at 22:02:38

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Maximum Power.

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Hello and welcome back to Maximum Power, the Empedoclean Blake 7 podcast that would happily jump into a volcano just to make some stupid political point.

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But before we do that, let's introduce ourselves.

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I'm Nathan.

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I'm Col, and I've got blue flashing balls.

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And Mark.

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And I'm Peter.

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Do you know, my 1st bullet point in my notes today is about how the robot has blue flashing balls.

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Oh, so sorry.

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We could do that again.

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I'm sorry.

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No, no, no, no.

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No, it's absolutely the most noticeable thing about the episode.

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And perhaps the best thing.

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The less said about 2 P3PO, the better.

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It's very high up in my notes as well, especially when the Android just moves into shop just to stand there, hands on hips and just inevitably draws your eyes to its 2 flashing bollocks.

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It crazy.

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So this is the new status quo, right?

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We spent 2 episodes getting here and now we are here.

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So what do we think?

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Why did we bother?

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So, Peter, what do we think of this new version of the show?

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I mean, I love Siri C.

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It's absolutely my favourite iteration of Blake 7 as I keep on saying, but this is not a stellar entry into the canon.

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It's Alan Pryor Strikes Again.

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It's his usual muddled storytelling with nothing very well developed, but a few fun lines, you know?

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I'm trying to sort of work out whether this is a normal Alan Pryor kind of thing because do you remember we did Horizon and found, to our surprise, it was really good.

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Now that just might be because...

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Yeah, yeah, probably good.

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And, you know, it had some pretty great actors and it was well directed, I think.

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So there's that.

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But maybe he just had one good script in him because after that, we have hostage, the keeper, this and animals.

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Which is pretty much scraping the bottom of the Blake 7 barrel.

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Yeah, he's down there scrabbling with Ben Steed at this point, I think.

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Because he's in a slave pit on her, surprise.

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I think the problem with this episode is it's kind of just boring.

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And I was thinking, well, what's Michael Goff been in that he's actually been interesting in?

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And then I thought, Arcum Infinity, Batman.

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Nothing.

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Nothing.

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Nothing.

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He's counsellor head and Colin.

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What does he play in this?

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Counsellor Harrow or something similar or something?

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He's actually really phoning it in, I thought.

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And there is a scene where he's talking with Dana, and he fluffs a couple of lines so badly that I'm surprised that the director continued.

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Yes, that's about a 102nd pause between words.

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Yeah, yeah, it's really, really quite bad.

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So he's kind of not bothering.

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And I guess, well, let's talk A-plot then.

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The, this is, I'm calling this the A plot, not because it's interesting or good or anything, but because it gets...

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Or indeed that there is a plot, a plot.

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But it gets the title, right?

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So we have the Pyroans, we're on the planet Obsidian.

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They're pacifists and Dana has gone down with Tarrant to kind of do something.

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I don't know. they want to stay there for a holiday or recruit people or something like that.

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Then there's a B plot, which is lots of space things and serve land and stuff going on.

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And I think the B plot is kind of woefully generic, but it's so much more fun than the A-plot.

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Absolutely right.

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There's just some really odd bits that don't make sense.

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I don't get the bit and I've watched this twice.

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When the 2 brothers come to meet Serviline and the Federation and they're sort of phasing in and out of existence.

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Right?

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Or is it, is that what they're trying to show that they've got some weird powers?

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Or are they just, is it supposed to be like a time lapse thing because it's such a long way to walk to run that they were, they just sort of they just sort of showed them to show parts of their journey rather than just show a little bit of it.

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But then nobody mentions the fact that they've just appeared and disappeared and to say phased in and out as they come towards them.

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And then it's never mentioned or commented on or explained.

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But sure, this is an ability that would be useful to the Federation, if they could adopt that technology, you know, sort of they could go on missions, they could sneak up on people.

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It's just what was going on?

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No, I mean, absolutely. that your takeaway from that scene would be that they have this magical power, but I don't think that that's what it is.

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I think it's just a directorial flourish from a not very flourishy director.

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He's just, it's just confusing because we don't know if they're magically doing it or if they're just showing the passage of time.

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But there's a sound which is digetic, which makes you think that they're actually doing it.

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It's very muddled.

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Well, and then Milus and his brother something turned out.

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And they're kind of, they're very kind of ethereal and stuff.

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And so they're kind of weird space people.

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And so that reinforces the idea that this is a thing that's really happening.

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But because it never gets referred to.

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Like, I just think they must have had like 5 minutes of footage of those people sort of slowly jogging up towards, you know, and then...

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Like in the Holy Grail when they roam towards the castle.

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And they just use the best bits, like maybe a pigeon landed on one of them at some and like one of them got distracted and they just sort of faded those bits out or something because it's a bad, like that's not how you do passage of time.

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No, do you think you could have cut away to serve land for reaction shots or something?

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It's really stupid.

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Yeah, that would have been really funny.

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Maybe they did that.

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Maybe it was like they're walking from the very long distance away and then sort of Servilan and that guy, what's his name?

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Murray.

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I thought he was called Murray.

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So Murray and Surverland look at each other and then they run a little bit more and then, you know, the the, the troopers shift nervously from foot to foot or something and then they run a bit more.

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And then they kind of fall over and die sort of thing.

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I mean, they're they're stupid and they're sort of ridiculous science fiction people.

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And our 2 main people, like our 2 main Pyroans, which are Michael.

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Yeah, I know.

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I don't know what that is Oh, well, because they live near a volcano, right?

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On the planet, Obsidian.

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Yeah, yeah.

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Why aren't they obsidians?

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I don't get it.

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But they live near a, yeah.

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Anyway.

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And why is there even a volcano in it?

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And why is the episode even called volcano?

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Because it's just around a volcano?

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It should just be called, you know, terror of the pacifists or something.

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It's just so unconnected.

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I mean, those 2 things do go together.

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But I guess the, the, like, there's that really shitty visual, you know, the really shitty sort of plastic visual of the volcano on the screen where like, and it looks like, like it looks like the planet is supposed to look like there's just a big volcano in the middle of it, right?

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And so I guess they're kind of final threat, their threat to kind of wipe themselves out and destroy the planet is kind of central to where they are and what their political position is and what's going on with this planet.

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And it's the centre of the planet.

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But we can't do the visual because we just can't, and that sort of deplorable, lamentable kind of polystyrene globe that looks like it's kind of fallen on the floor a bit, and then they've painted it.

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Like, it looks really, it looks really bad.

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So they can't have the big, they can't have a volcano as big as they want.

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They can't realise a volcano on location because they're in South England or something.

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No, rocky outcrop in Yorkshire.

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I think you'll find.

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Oh, echo, right?

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stock footage, yeah.

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Yeah, yeah, yeah.

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So I can see why they call it volcano.

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I can see why that's sort of central to the idea, but like, who thought that they were going to be able to kind of bring that off in any way that was going to be satisfactory?

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I mean, being blown to bits is pretty much what they deserve for being such a boring lot.

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But I actually found it quite similar to the plot device from Countdown last year where the self-destruct weapon was planted inside the planets, in that case, by the Federation.

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So they're kind of repeating their ideas a little bit.

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And also, I think too, that the, that in a show like Blake 7, where you have pacifists, um, that's not really a kind of sensible political kind of thing that we're doing.

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It's just super B movie.

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It's like Planet of the B movie, pacifists, and they're full of shit because like they, they, do you know what I mean?

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They burn out a bit of your brain or something and they brainwash them and stuff and they all live in sort of, you know, complete happiness and things like that.

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And, you know, they're pacifists who have a robot that they can just tell to fire the gun instead of firing the gun themselves.

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Like, I'm not quite sure what the moral distinction is between telling a device to use a device to kill your horrible, ugly son, Bersha, to just kill yourself.

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You know, like, so, you know, remember the pacifist in the Daleks where they're just stupid, you know, and Ian outwits them and explains to them why their position is wrong in about 5 minutes and they kind of go, oh, yes, we'd never thought of that.

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I mean, that's what they're doing here.

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There's nothing really more interesting than that.

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It is just while we're here.

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He's an incidental swipe at pacifists and let's kind of straw man them and make them look stupid.

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It's just a bit pathetic, I think.

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Pacifism is not an idea that you can do justice to in a show like Dr. or Blake 7.

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So you mentioned the Daleks.

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How about the dominators with its incredibly boring characters, and that's what it becomes.

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So in this episode, the characters are all totally boring because they're pacifists.

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It's awful.

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I don't think you get a sense of how many Pyroans there are either.

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So when Michael Goff proudly says, you know, there's no war.

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Yeah, exactly.

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And we don't fight amongst ourselves. then there's 8 after Milus and his brother get killed.

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Yeah, you'd think half a dozen people should be able to get on without wars or fighting without electric shocks and psychological propaganda.

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I was thinking this morning.

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It's like, okay, you know, they're trying to explain something about pacifism and it doesn't work and you're always going to need a stronger army.

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Wherever you are, you're always going to need an army or defences.

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I just don't get the bomb at the end.

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It's like, we can't have this perfect thing, then fuck it, everyone will die.

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It really just, it stops it from hanging together in any way.

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But I gather the idea is that that's a threat and that that thread has been very successful.

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And then, like, that little bit of better. which I quite like about Servoland, which is obviously the threat can only be like at some point you have to carry through on the threat. like parenting.

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It's like nuclear war, yeah.

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Yeah, so they do explode themselves and sort of no one else very much nearby.

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But there's that great bit where Servoland, it's not that Servoland didn't think they would do it.

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It's just that she didn't really give a shit.

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And that's super fun.

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Like, that's fun characterisation for Survland, I think.

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I mean, I think it's bad characterisation for Dana because they actually have Dana admire the pacifist ideal.

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They say, oh, it's brilliant.

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You know, you've really achieved something here and you think, what, Dana is saying that.

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Don't they hang a lantern on it though?

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Don't they say something like, doesn't Tarrant say, 0 my god, like that's coming from you?

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Like they do at least sort of acknowledge that.

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Yeah, okay.

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They saved it.

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Well, let's just leave them for a minute because they're all dead anyway.

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And let's just talk about the fact that we open with our 2 new regulars interacting together on a way mission.

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Do they call it that?

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They're down and safe anyway.

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No, no, they're safely down.

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Yeah, safely down.

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Yeah, yes.

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They don't know the terminology yet.

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Yeah.

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Apparently it was written for Blake and Jenner.

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So this might explain why Alan Pryor is so shit because if he wrote Horizon and then very quickly followed Hostage, the Keeper, and this, then maybe he didn't have time to make anything good.

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But apparently it was meant to be Blake and Jenner.

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And so this was written for like the last season format.

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Like Blake 7 never really properly kind of commits to like long-term character arcs or anything like that.

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And part of the fun of watching Blake 70s thinking about the relationships between the characters.

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There's something coming up, I think, in series C where, where because Avon and Callia are kind of the only adults.

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Do you know what I mean?

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Because Villa's silly and the other 2 are like terribly young.

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They're new.

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They have quite an interesting relationship and they seem to rely on one another, but it's not something that you could say that anyone sat down and thought about presenting.

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And here I think Chris Boucher does at least acknowledge, you know, he gets them to talk about how they feel, you know, um, Terrence still doesn't trust anyone.

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Dana's a little bit more there, but they're just kind of talking about being the new people and then upstairs on the Liberator.

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They're also talking about them as well, which I thought was, you know, that was something.

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I thought that that was pretty good.

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Yeah, it is good.

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And I mean, it does sort of set up.

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Previously, it's been the Avon and Dana show.

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They've been the pairing in the 1st 2 episodes of this season.

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And so there was no guarantee that actually we were going to have Dana and Tarrant as a pairing.

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But I think going forwards, they are sort of paired together the most, and it's not just because they're the newbies.

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They do work well together.

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I think it's new characters is quite interesting.

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They seem a bit more hard-edged than maybe some of the there's some of the original crew. you know, they're both quite sort of handy, aren't they?

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And they, you know, they'll kill people quite, quite easily and without compunction.

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So it feels like it's from, from my point of view of, say, watching through for the 1st time.

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Maybe they're going in a slightly different direction with that.

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And I thought it was interesting.

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They're looking for a home base as well, which isn't really something they've discussed or had a need for before, and I don't think I really thought that that was going to happen here with these people.

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Well, if they can't find home base and they can find B&Q or Texas.

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Just preempt.

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I thought that would be your dad joke, Mark.

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Everyone's wearing a judo outfit this week on the Liberator.

211
00:15:53.820 --> 00:16:04.860
There's that line where, you know, they make that joke about, uh, the volcano's bubbling away or Aurax bubbling away, and the look Avon just gives them a, it's like, fucking hell.

212
00:16:07.919 --> 00:16:10.259
Yes, remember, everyone, they're waiting by the rim.

213
00:16:10.259 --> 00:16:11.940
By the rim.

214
00:16:12.299 --> 00:16:18.240
You know, I actually think that Kelly and Villa look pretty great, but they're the only ones.

215
00:16:18.299 --> 00:16:21.720
I think this episode is let down heavily by its design work.

216
00:16:21.779 --> 00:16:23.460
I mean, what is Dana wearing?

217
00:16:23.519 --> 00:16:26.820
That white and peach thing that she's got on is just so unflattering.

218
00:16:26.940 --> 00:16:31.379
But actually, I think everything in the episode looks fairly awful.

219
00:16:31.440 --> 00:16:34.740
We've got a few things here which are new, which will recur through the season.

220
00:16:34.799 --> 00:16:42.840
We've got Servland's new reptile ship and that weird sort of uninspired command deck and the new look mutoids.

221
00:16:42.840 --> 00:16:49.379
And they're all quite sad looking and not as good as the fabulous space command donuts.

222
00:16:49.440 --> 00:16:52.559
So I think it sort of, unfortunately, sets a bit of a tone for the season.

223
00:16:52.620 --> 00:16:54.360
The mutoids are shit.

224
00:16:54.480 --> 00:16:58.500
Yeah, so they used to wear like leather or something.

225
00:16:58.559 --> 00:17:08.700
They used to be pretty creepy and, you know, like, uh, the, uh, was a duel, I think, one of the episodes where, with the, they're really creepy in that, where it's this.

226
00:17:08.759 --> 00:17:11.700
It's just someone to give exposition about where the ship is.

227
00:17:12.299 --> 00:17:15.000
She's like a receptionist, isn't she?

228
00:17:15.059 --> 00:17:17.579
She's like one of the ladies in Day of the Daleks.

229
00:17:17.640 --> 00:17:19.079
You know, he's...

230
00:17:19.140 --> 00:17:20.880
Yeah, I think that is a shame.

231
00:17:20.940 --> 00:17:26.099
And their outfits are like foam and they've got like space silver foil on them and it looks terrible.

232
00:17:26.160 --> 00:17:30.599
I mean, it's not as bad as they will look in coming season, so I'll just say that.

233
00:17:30.660 --> 00:17:33.599
Oh, no, the geometric bob in animals.

234
00:17:33.660 --> 00:17:34.319
I love that.

235
00:17:34.380 --> 00:17:37.380
I'm glad that the mutoids start going for that.

236
00:17:37.440 --> 00:17:38.400
That's tremendous.

237
00:17:38.460 --> 00:17:41.700
But even Servoland's outfit is pretty grim.

238
00:17:41.759 --> 00:17:46.980
It's kind of a sort of 80s space outfit, which is super unfortunate.

239
00:17:47.039 --> 00:17:51.420
And then the stupid space people, let's talk about their outfit.

240
00:17:51.480 --> 00:17:54.180
You know, the the Pyroans are all wearing white.

241
00:17:54.240 --> 00:17:56.700
You know, it's that that we've, we're people.

242
00:17:56.700 --> 00:17:57.420
Because that's pacifist.

243
00:17:57.480 --> 00:17:58.920
Yeah, that's it.

244
00:17:58.980 --> 00:17:59.640
That's it.

245
00:18:00.420 --> 00:18:04.319
They just wave Milus when they want to surrender.

246
00:18:06.119 --> 00:18:09.720
I mean, they're kind of wearing space robes, aren't they?

247
00:18:09.779 --> 00:18:10.380
It's awful.

248
00:18:10.440 --> 00:18:11.640
Yeah, yeah.

249
00:18:11.700 --> 00:18:13.079
No, it's super terrible.

250
00:18:13.140 --> 00:18:21.359
And the other thing too. and this director will do this next week is there's a lot of 70s shag carpet and stuff and like on the walls and things.

251
00:18:21.359 --> 00:18:25.380
And it's something that we commented on in aftermaths.

252
00:18:25.440 --> 00:18:37.980
Remember the, um, the tacky, I mean, the very, very shiny coloured walls of Dana's kind of space grotto on the planet Sarin.

253
00:18:38.039 --> 00:18:45.779
And then we'll get that sort of thing here and we mentioned Shrinkers Cavern from Rumours of Death.

254
00:18:45.779 --> 00:18:50.460
And, you know, it's also coming up in Dawn of the Gods.

255
00:18:50.519 --> 00:18:54.359
And that's a very, very kind of Siri C look.

256
00:18:54.420 --> 00:19:05.819
And it reminds me of kind of the houses of like my school friends when this was on, like the kind of the kind of cooler ones.

257
00:19:05.880 --> 00:19:13.140
Do you know what I mean that had lots of kind of thick carpet and glossy surfaces and lots of oranges and stuff like that.

258
00:19:13.200 --> 00:19:15.539
And that will go away next year.

259
00:19:15.599 --> 00:19:18.779
And I'm going to miss it, I have to say.

260
00:19:18.839 --> 00:19:21.720
Nathan, that's because they didn't live in houses.

261
00:19:21.839 --> 00:19:24.839
They lived in space stations that had been grounded on the sea bed.

262
00:19:24.900 --> 00:19:51.839
That's right The other bit that didn't quite make sense to me is when, um, I can't remember his name, Michael Goff's son asks Tarant, if he knows Servolan, and then the scene ends and it's sort of a dramatic end, like, oh, how do you know about Servolan?

263
00:19:51.839 --> 00:20:07.200
And then that's not followed up, and the very next time you see them, is Tarant and Dana quite happily sort of trotting out onto the planet's surface to be accosted by the Federation troops, and sort of that's when the son has betrayed them and hands them over.

264
00:20:07.259 --> 00:20:12.720
So it just seems why mention at that point that he knows who Servolan is.

265
00:20:12.779 --> 00:20:14.519
Yeah, because they don't react.

266
00:20:14.579 --> 00:20:15.960
They still follow to...

267
00:20:16.079 --> 00:20:21.240
Yeah, and there's no there's no next scene where he goes, how do you know about Servilan?

268
00:20:21.240 --> 00:20:24.420
and then he has to lie or make an excuse, but then why bring it up in the 1st place?

269
00:20:24.480 --> 00:20:27.480
So yeah, get another very odd piece of writing or direction or whatever.

270
00:20:27.539 --> 00:20:29.220
I think it is the writing.

271
00:20:29.279 --> 00:20:32.579
I mean, we mentioned even in Horizon, which is an episode which we loved.

272
00:20:32.640 --> 00:20:37.740
There's curious dead ends in scenes and things which don't just don't follow on.

273
00:20:37.799 --> 00:20:49.259
And so, either the editing process goes awry on Alan Pryor scripts or more likely he just lets threads drop and it doesn't really make a lot of sense. makes very unsatisfactory viewing.

274
00:20:49.859 --> 00:20:54.299
Do you guys remember the TV show Police Squad?

275
00:20:54.359 --> 00:20:55.380
Yes.

276
00:20:55.440 --> 00:20:59.640
Okay, all the naked gun films, but there's a...

277
00:20:59.640 --> 00:21:00.180
Okay.

278
00:21:00.240 --> 00:21:01.319
Okay, thank God.

279
00:21:01.380 --> 00:21:26.279
There's a scene where Leslie Nielsen and someone else are shooting at each other. and it's all filmed like on Leslie Nielsen, on the other person, on Leslie Nielsen, on the other person. and it pulls back and they're just next to each other behind 2 bins and it is just like that on the shootout on the liberator where Avon is just like, hide behind the sofa, get up and put the gun directly in someone's face.

280
00:21:26.339 --> 00:21:30.480
And it's just like, like, at least space them out a bit more.

281
00:21:30.539 --> 00:21:34.440
And I will have them running through the ship, which you can't do because the sets don't connect.

282
00:21:34.500 --> 00:21:41.700
But it's like a really weak kind of another episode of being on the liberator and the federation have boarded.

283
00:21:41.759 --> 00:21:43.380
It's pretty weak.

284
00:21:43.440 --> 00:21:49.680
In Avon's defence, he thinks there's only 3 federation troops aboard because Callie's telepathic messages.

285
00:21:49.740 --> 00:21:51.420
Avon, there are 3 of them.

286
00:21:51.539 --> 00:21:53.579
Three of them, and there's four.

287
00:21:53.640 --> 00:21:56.460
She's watched 4 people teleport aboard.

288
00:21:56.519 --> 00:22:02.940
I didn't know in the shootout whether this was like a thing where he was only expecting to be hitting 3 and that's how he managed to get shot by one of them.

289
00:22:03.000 --> 00:22:04.259
What is that?

290
00:22:04.259 --> 00:22:05.640
Because that must be ADR.

291
00:22:05.700 --> 00:22:09.539
They must have shot that part and known that there was 4 troops by then.

292
00:22:09.599 --> 00:22:12.599
What's what do things going on with that?

293
00:22:12.720 --> 00:22:14.640
Is she trying to take over the liberator?

294
00:22:14.700 --> 00:22:17.039
Is she not even killed?

295
00:22:17.099 --> 00:22:17.700
No.

296
00:22:17.759 --> 00:22:21.960
It's yes, another thing in an Alan Prior script that just doesn't quite add up.

297
00:22:22.019 --> 00:22:37.619
I mean, I have to say that sequence, while it is quite poorly shot, I think, is possibly the best sequence in the episode, just because Avon is actually quite clever in turning the tables on Maury with his covert orders to Zen and then shooting the troopers.

298
00:22:37.680 --> 00:22:40.319
I think it actually adds some welcome excitement to the piece.

299
00:22:40.380 --> 00:22:42.839
It's actually quite clever, isn't it?

300
00:22:42.900 --> 00:22:47.880
Because he goes Zen, and then he gives an order, but he gives the order in a weird way.

301
00:22:47.940 --> 00:22:54.180
And I think both you and the troops on board are kind of going, wait, what the fuck?

302
00:22:54.240 --> 00:22:55.019
What's he saying?

303
00:22:55.079 --> 00:23:00.180
And then kind of go, oh shit, he's just, he's just ordered Zen to fire on the other ships.

304
00:23:00.240 --> 00:23:02.460
And that is actually pretty good.

305
00:23:02.519 --> 00:23:07.980
That's right, because he finishes a sentence with Zen and puts emphasis on it and then goes off on this tangent.

306
00:23:08.099 --> 00:23:12.119
Yeah, yeah, yeah, conversationally drops the order in sort of conversationally, doesn't it?

307
00:23:12.180 --> 00:23:14.579
Yeah, it's yeah, it's really well done that part, yeah.

308
00:23:14.640 --> 00:23:21.119
It's like the way that you accidentally trigger Siri during a conversation, like conversation.

309
00:23:21.180 --> 00:23:23.880
And they knew about it back in 1979.

310
00:23:24.119 --> 00:23:25.559
So I think that is pretty great.

311
00:23:25.619 --> 00:23:34.019
I mean, how many times already has the Federation, I guess, not counting the break between seasons.

312
00:23:34.079 --> 00:23:38.759
Did it happen in series 2 as a federation taken over the ship?

313
00:23:38.819 --> 00:23:40.920
They're going to do it quite a bit from now on.

314
00:23:40.980 --> 00:23:41.819
Well, they are.

315
00:23:41.880 --> 00:23:47.160
And I mean, I think that's actually one of the problems with this episode and then it feels like it should be given a lot of important deal.

316
00:23:47.220 --> 00:23:52.799
Yeah, Servolan is trying to take the liberator from them rather than destroy it.

317
00:23:52.859 --> 00:24:00.420
Although in this episode, she does try and take the liberty from them and then retreat and then come back and then decide to destroy it anyway.

318
00:24:00.480 --> 00:24:03.599
So she's not really, you know, lacking in motivation there.

319
00:24:03.720 --> 00:24:08.220
And then decide it isn't a threat without Blake as well, which I thought was interesting.

320
00:24:08.339 --> 00:24:09.900
She says that threat without Blake.

321
00:24:09.960 --> 00:24:12.000
It wasn't a threat with Blake.

322
00:24:12.059 --> 00:24:14.039
He was the one who was making it, not a thread.

323
00:24:14.400 --> 00:24:19.859
It's all just quite muddled, but I think because this season, Sorry, Mark, spoilers.

324
00:24:19.920 --> 00:24:25.440
Servland will make a number of efforts to get hold of the liberator.

325
00:24:25.500 --> 00:24:31.799
You know, I'm thinking harvest of Chiros, children of our on, and of course, terminal, and they're all much better than this.

326
00:24:31.859 --> 00:24:34.680
And so in retrospect, it just doesn't look very good.

327
00:24:34.740 --> 00:24:37.799
Well, it's that bit where she goes, what should we do with the ship?

328
00:24:37.799 --> 00:24:39.900
And it's like she goes, no.

329
00:24:39.960 --> 00:24:41.700
And then she goes, oh no, fuck it.

330
00:24:41.759 --> 00:24:42.299
Blow it up.

331
00:24:42.660 --> 00:24:44.339
That's awesome.

332
00:24:44.400 --> 00:24:45.839
That's not inconsistent.

333
00:24:45.960 --> 00:24:48.720
That's just her going, oh, yeah, like what the fuck?

334
00:24:48.779 --> 00:24:49.319
Thatll be fun.

335
00:24:49.380 --> 00:24:50.220
Let's do that.

336
00:24:50.279 --> 00:24:52.200
I really like that bit.

337
00:24:52.259 --> 00:24:53.099
Yeah, me too.

338
00:24:53.099 --> 00:24:54.299
It's truly excellent.

339
00:24:54.359 --> 00:25:00.059
That's, again, her not giving a crap the way that she didn't care whether the Pyroans killed themselves.

340
00:25:00.119 --> 00:25:01.559
I just think that's awesome.

341
00:25:01.619 --> 00:25:07.559
So, I mean, this is kind of what the show has to be about now, though, isn't it?

342
00:25:07.619 --> 00:25:09.180
Because we wiped.

343
00:25:09.240 --> 00:25:09.720
It funny.

344
00:25:09.779 --> 00:25:20.700
We were talking in our aftermath episode about how the show has been kind of reconceived at this and has been given a completely new premise.

345
00:25:20.759 --> 00:25:32.160
And here we've walked it back a little bit because I think Tarrant says there's still a sizeable remnant of the Federation battle fleet still operational. 20% if you believe aftermath.

346
00:25:32.220 --> 00:25:33.000
Yeah, okay.

347
00:25:33.059 --> 00:25:35.339
So it's, but, you know, he's saying sizeable.

348
00:25:35.400 --> 00:25:46.799
So Servoland has her own sort of crappy melted ship and and we've got the liberator and stuff and it is what the opening titles say, isn't it?

349
00:25:46.859 --> 00:25:53.339
It's just we're in the galaxy and people are chasing the liberator which is running away and that's our new premise.

350
00:25:53.400 --> 00:25:58.740
And so the only thing that Serverland can really think of doing now is to try and take the liberator, I guess.

351
00:25:58.799 --> 00:26:06.240
I mean, it would have been more exciting trying to see Serveline consolidate her position as president now that she is president.

352
00:26:06.299 --> 00:26:09.299
I would have liked some more politics, a bunch of meetings, perhaps.

353
00:26:09.900 --> 00:26:14.279
Well, you could have brought back old, you know, Brontaine and Burkhole.

354
00:26:14.339 --> 00:26:16.680
I would have loved to have seen them in her office.

355
00:26:16.740 --> 00:26:23.759
Well, actually, didn't they get sucked out the side of the space donuts when the burrito attacked in trial?

356
00:26:24.180 --> 00:26:27.180
But yeah, no, I would have liked to have seen more of that.

357
00:26:27.240 --> 00:26:29.819
And actually, we will get on to that in rumours of death.

358
00:26:29.880 --> 00:26:36.900
We will see her actually leading rather than just being off on a melted spaceship trying to chase a liberator and it's more interesting.

359
00:26:36.960 --> 00:26:45.180
Yeah, there's that one great moment at the end of Star one where she says, I will not be president of a ruined empire, which is so good.

360
00:26:45.240 --> 00:26:47.279
And unfortunately, that is what happens to her.

361
00:26:47.339 --> 00:26:48.119
She is, though.

362
00:26:48.180 --> 00:26:49.440
Oh, yes, you're well loved.

363
00:26:49.500 --> 00:26:50.400
Yeah, yeah.

364
00:26:50.579 --> 00:27:03.900
So if we're taking the ship, you'll note that Ben Howard's Murray has been tasked with a job and is he Travis, if we thought this was going to be in series B?

365
00:27:04.019 --> 00:27:07.019
He's absolutely Travis.

366
00:27:07.079 --> 00:27:11.819
No one else gets away with that kind of attitude towards Servoland.

367
00:27:11.880 --> 00:27:16.079
And he's played by Stephen Senchman from the Green Death, and he can't pronounce Orak.

368
00:27:17.400 --> 00:27:21.299
He's really actually quite bad, I think.

369
00:27:21.359 --> 00:27:27.539
And there's there's that scene where, you know, Milus and his stupid brother.

370
00:27:27.599 --> 00:27:27.960
That it.

371
00:27:28.680 --> 00:27:30.779
He kind of goes, what?

372
00:27:30.839 --> 00:27:31.440
What?

373
00:27:31.440 --> 00:27:32.819
You know, like, what?

374
00:27:32.880 --> 00:27:35.220
It's really like terrible.

375
00:27:35.279 --> 00:27:37.680
And then he turns around to them and says, go on, run.

376
00:27:37.740 --> 00:27:43.140
And given what he's just seen with them running for 5 minutes across the filter, he's just thinking he'd be asking for that.

377
00:27:43.799 --> 00:27:47.160
Yeah, you would think if they're going to run, they'll just disappear.

378
00:27:48.059 --> 00:27:55.019
There's another space commander who's just like in a chair all the time like this. like, hello, Serverland, how are you?

379
00:27:55.079 --> 00:27:56.160
He's got no eyes as well.

380
00:27:56.220 --> 00:27:59.400
It's really... yeah.

381
00:27:59.460 --> 00:28:00.900
That's amazing.

382
00:28:00.960 --> 00:28:02.519
And he's all unshaven.

383
00:28:02.579 --> 00:28:05.640
It's a bit weird And he's in a completely different room altogether.

384
00:28:05.700 --> 00:28:06.960
Like he's not with any of them.

385
00:28:07.019 --> 00:28:20.880
They're not even kind of, they're just telling him his lines and sort of inexpertly cutting the conversation together because it usually takes a few seconds longer to react than, I mean, maybe he's had a recent blow to the head or something.

386
00:28:20.940 --> 00:28:27.119
You know, but he's not really engaging with with Serveland, you know, in any kind of realistic way.

387
00:28:27.180 --> 00:28:30.539
No, and if we're putting the boost into him, he's ugly as sin.

388
00:28:30.599 --> 00:28:31.740
Yeah, yeah.

389
00:28:35.759 --> 00:28:56.759
Yeah, in terms of Murray, it's interesting that he does seem to have some leeway to question the orders because he says something like, oh, yeah, that's the only reason I'm going along with this or something, isn't it, to get the liberator as if he's got any choice because surely she is the commander of the armed forces and everything, but yeah, he does seem to get away with a little bit of questioning.

390
00:28:56.819 --> 00:29:01.680
Yeah, it's clearly absolutely meant to be Travis and not late season, Travis.

391
00:29:01.740 --> 00:29:04.500
I thought it's meant to be, kind of, you know, pretrial, Travis.

392
00:29:04.559 --> 00:29:11.220
Although it does give rise to that quite nice line from Servland later where he says, oh, you know, don't forget about us.

393
00:29:11.279 --> 00:29:14.640
And she goes, no, of course not, and cuts the channel and says, you have Aurak.

394
00:29:14.700 --> 00:29:16.380
Yeah, that's great, yeah.

395
00:29:16.980 --> 00:29:26.940
So it was interesting that Aurak seems to help Murray and the other Federation troops by given the coordinates to arrive on the planet.

396
00:29:27.000 --> 00:29:48.960
So Cali having already betrayed Avon by giving him misinformation about the number of intruders on the ship, then Aurak is sort of turned to traitor as well and gives Servolander coordinates so that the ship can come down undetected and whether that's a self-preservation thing or what. sure, but I think it is that or I again kind of is above all that and doesn't really give a shit.

397
00:29:49.019 --> 00:30:02.099
And it's not the only time that he gets captured and just freely gives information to the enemies because he's more important or, you know, like he's arrogant and stuff like that.

398
00:30:02.099 --> 00:30:03.359
Or he's just a machine.

399
00:30:03.420 --> 00:30:08.039
You know, he has no loyalties, but I kind of, I do kind of like that.

400
00:30:08.099 --> 00:30:11.819
I mean, he's a bit of a blabbermouth to Dorian and rescue, isn't he?

401
00:30:11.880 --> 00:30:13.740
Yeah, yeah, yeah.

402
00:30:13.740 --> 00:30:17.400
And do Tarrant and Dana not know that Callie's a telepath?

403
00:30:17.460 --> 00:30:19.500
That would, sure, that would be some usual information.

404
00:30:19.559 --> 00:30:20.160
Right.

405
00:30:20.160 --> 00:30:20.940
You have told them.

406
00:30:21.000 --> 00:30:27.000
I mean, it possibly would have helped if Callie's telepathy worked at any point in this episode.

407
00:30:27.059 --> 00:30:28.980
The theory.

408
00:30:29.039 --> 00:30:30.180
It's funny, isn't it?

409
00:30:30.240 --> 00:30:35.880
When I was a kid, if Callie did telepathy, I was just hugely excited.

410
00:30:35.940 --> 00:30:37.920
It's kind of like, oh, she's doing telepathy.

411
00:30:38.039 --> 00:30:38.880
She can do that.

412
00:30:38.940 --> 00:30:44.880
And, you know, like, obviously it's a kind of stupid thing and it really only matters a couple of times.

413
00:30:44.940 --> 00:30:49.680
There's only, you know, a few times in Blake Seven's run that it matters at all.

414
00:30:49.740 --> 00:30:51.900
But I think he, and do you know, Nathan?

415
00:30:51.960 --> 00:30:53.940
All of those moments are written by Chris Boucher.

416
00:30:54.000 --> 00:30:55.799
So it really matters in shadow.

417
00:30:55.859 --> 00:30:57.359
It really matters in Death Watch.

418
00:30:57.420 --> 00:31:01.079
He uses her telepathy properly and aptly and no one else does.

419
00:31:01.200 --> 00:31:07.680
No, and so she's talking away to herself while Avon's in shot paying no attention to her.

420
00:31:07.740 --> 00:31:16.140
And you kind of think, I mean, you read that as just, you know, Avon's a prick and he's busy dealing with the attack or whatever.

421
00:31:16.559 --> 00:31:24.660
And so he's not listening, and then eventually he does start paying attention when she starts telling him the wrong number of troops, I guess.

422
00:31:25.740 --> 00:31:32.519
But it doesn't work on any level because that never gets addressed or like you would kind of expect it to be said.

423
00:31:32.579 --> 00:31:38.039
It seems like an odd thing that we get no explanation about why he doesn't hear.

424
00:31:38.099 --> 00:31:48.000
And then, and then we get that woman's voice thing down on the thing and, and again, that's just sort of slightly crappily done, I think.

425
00:31:48.059 --> 00:31:50.039
Yeah, by the rim, Nathan.

426
00:31:50.099 --> 00:31:51.660
Don't forget, by the rim.

427
00:31:51.960 --> 00:31:54.599
But then she says at the rim.

428
00:31:54.660 --> 00:31:55.559
Do you know what I mean?

429
00:31:55.619 --> 00:31:56.880
Like she's heard something different.

430
00:31:56.940 --> 00:31:58.619
Yeah, it's very confused.

431
00:31:58.740 --> 00:32:06.839
And it doesn't work on a character level because they could have made something out of it because Callie and Avon are as close as regular characters in this show can be.

432
00:32:06.900 --> 00:32:10.380
And so you would think Avon would be able to pick up quite easily on it.

433
00:32:10.500 --> 00:32:18.000
Whereas because Kelly doesn't know Dana and Tara, that would be a reason for them not to be able to pick up well on it, but they don't highlight that at all.

434
00:32:18.059 --> 00:32:20.759
I know, and she doesn't say, hey, it's Callie.

435
00:32:20.819 --> 00:32:25.619
I forgot to mention I'm a telepath, you know, this is me speaking inside your head.

436
00:32:25.680 --> 00:32:26.339
Don't panic.

437
00:32:26.400 --> 00:32:36.359
I know it's kind of weird and I can't hear you, by the way, so you needn't worry that I'm sort of eavesdropping on all of your gruesome sexual fantasies.

438
00:32:36.420 --> 00:32:38.759
But like none of that happens.

439
00:32:38.880 --> 00:32:39.660
You know what I mean?

440
00:32:39.720 --> 00:32:41.819
She just says something and like somehow they get it.

441
00:32:41.880 --> 00:32:45.420
So it's kind of half-heartedly done, isn't it?

442
00:32:45.480 --> 00:32:49.200
It's a bit of a shame because it can be great when it's done right.

443
00:32:49.259 --> 00:32:52.200
And, you know, like 10 year old me was very excited.

444
00:32:52.319 --> 00:32:58.319
I think she has been eavesdropping on villas, though, with that, you know, we've seen you not really noticing frequently.

445
00:32:59.819 --> 00:33:05.940
And then you get that bit of music from the, like, good life musical, Ronny Huzelhouse music.

446
00:33:06.900 --> 00:33:10.259
It's very, it's very Chris Boucher.

447
00:33:10.319 --> 00:33:12.119
It's very A, and it's quite good, I think.

448
00:33:12.180 --> 00:33:14.099
We get Villa drunk.

449
00:33:14.160 --> 00:33:19.799
He hasn't been drunk since when, since Freedom City or Space City.

450
00:33:19.859 --> 00:33:22.079
I can never remember which is which. one of those.

451
00:33:22.140 --> 00:33:24.779
What's the one that gets blown up in series one?

452
00:33:24.839 --> 00:33:27.720
Is it Freedom City or Space City?

453
00:33:27.779 --> 00:33:28.799
Space City probably.

454
00:33:28.859 --> 00:33:30.720
That'd be the name they reach for first.

455
00:33:30.779 --> 00:33:32.759
Freedom City, the Casino, is that?

456
00:33:32.819 --> 00:33:33.299
Yeah, that's right.

457
00:33:33.359 --> 00:33:34.319
Freedom Cities Casino.

458
00:33:34.380 --> 00:33:35.220
So it's the...

459
00:33:35.640 --> 00:33:37.920
Yeah, it's the 1st 1st one, isn't it?

460
00:33:37.980 --> 00:33:39.240
where he gets sort of horribly drunk.

461
00:33:39.299 --> 00:33:46.079
I mean, I think he was introduced to adrenaline and soma in a previous Alan Pryor script and, you know, that was the end of him.

462
00:33:46.140 --> 00:33:50.339
Although, you know, Villa actually does have some fairly good moments.

463
00:33:50.400 --> 00:33:59.220
I like just before he gets drunk on the adrenaline soma when he sees off Servland by saying, I'm in charge here and I can see you, you're at these coordinates.

464
00:33:59.339 --> 00:34:00.660
It's actually quite a nice villa moment.

465
00:34:00.960 --> 00:34:04.980
It kind of offsets him beaming them all up, though.

466
00:34:05.759 --> 00:34:07.859
Yeah, which is ridiculous.

467
00:34:07.920 --> 00:34:09.659
Yeah, yeah, yeah, yeah.

468
00:34:09.719 --> 00:34:12.659
I mean, and Kelly, like, what is it?

469
00:34:12.719 --> 00:34:20.460
It's just some weird voice, like, you would have thought, I mean, Villa was there when he yelled, teleport, teleport, teleport, and hostage.

470
00:34:20.519 --> 00:34:21.840
Do you know what I mean?

471
00:34:21.900 --> 00:34:27.119
He knows that you don't just beam up the person who says teleport teleport a bunch of times. could be anyone.

472
00:34:30.179 --> 00:34:31.920
All right, this episode is shit.

473
00:34:32.880 --> 00:34:49.019
And they half-heartedly put a lampshade on Villa actually sending Callie down to the planet with Murray and Co because they're ready to teleport down and she doesn't have a bracelet on and he puts the bracelet on her and she says Villano and he says, no, you'll be safer down there.

474
00:34:49.079 --> 00:34:50.519
It doesn't make any sense to do that.

475
00:34:50.639 --> 00:35:03.840
It also gives rise to one of my favourite bits of I'm over this shit from Jan Chapel, where she's gagged and she's about to teleport down with Murray, and her bracelet falls off to the floor with a platter.

476
00:35:03.900 --> 00:35:05.579
And she looks down at it.

477
00:35:05.639 --> 00:35:11.940
Then she looks offset to the PA, presumably waiting for a cut, then realises, no, we're really going on.

478
00:35:12.119 --> 00:35:17.519
Yeah, well, we're happy to let kind of Michael Goff fluff his important line.

479
00:35:17.579 --> 00:35:20.400
So obviously we don't really care at all.

480
00:35:21.300 --> 00:35:32.400
I thought for a 2nd actually, because I mean, like obviously I've seen this a bunch of times, but unsurprisingly, it's not one that I go back and sort of watch by choice kind of normally.

481
00:35:33.119 --> 00:35:43.320
I thought that he was rushing into the teleport bay to take her bracelet off so that they would beam down and she wouldn't.

482
00:35:43.380 --> 00:35:45.119
Is that how it works?

483
00:35:45.179 --> 00:35:46.860
What if you hold hands?

484
00:35:46.920 --> 00:35:48.659
Yeah, so Nathan, you're talking sad.

485
00:35:48.719 --> 00:35:51.239
But I just don't know what the deal is.

486
00:35:51.300 --> 00:35:56.940
Like, does it, like, obviously beams you down in your clothes and like, or like, in a box and stuff like that.

487
00:35:57.000 --> 00:35:59.519
But does it beam down someone you're holding?

488
00:35:59.579 --> 00:36:08.760
No, in fact, we will have an episode later this season where Kelly says that by touch, her bracelet can boost other bracelets, but everyone has to have one on.

489
00:36:08.820 --> 00:36:10.679
Well, well, there you go.

490
00:36:10.739 --> 00:36:11.760
So what the hell?

491
00:36:11.820 --> 00:36:12.719
What was with that?

492
00:36:12.780 --> 00:36:14.760
He just wanted to get rid of her.

493
00:36:15.719 --> 00:36:19.739
No, I think she's super judgy about the adrenaline and soma, actually.

494
00:36:21.420 --> 00:36:24.659
And he was so happy to see her last episode.

495
00:36:25.980 --> 00:36:29.820
It's quite harsh when Michael Goff has his son killed.

496
00:36:29.880 --> 00:36:38.280
He, you know, he says that my son, the animal rules you, but I think maybe the son needed to sell that a bit more like he actually needed to lose his temper.

497
00:36:38.340 --> 00:36:39.960
Have we seen any hint of passion or anything?

498
00:36:40.619 --> 00:36:42.059
Yeah.

499
00:36:42.119 --> 00:36:48.960
He just sort of says, I still believe in the theory of peace, which is sort of a weird thing to say, which phrase it, I thought.

500
00:36:49.019 --> 00:36:53.639
And then he just killed, gets the Android to shoot him.

501
00:36:53.699 --> 00:36:59.699
So that's the same thing that they use to put Tarrant and Dana to sleep.

502
00:36:59.760 --> 00:37:01.440
But only thought, isn't it?

503
00:37:01.500 --> 00:37:04.019
And then, it's a dose.

504
00:37:04.079 --> 00:37:04.500
Yeah, yeah.

505
00:37:04.559 --> 00:37:11.880
So it's the spray gun that makes you go unconscious or if you're given enough of it, you slowly lower yourself to the ground and then die.

506
00:37:12.179 --> 00:37:14.280
I knew you'd say that.

507
00:37:14.340 --> 00:37:16.380
I'm watching this episode twice.

508
00:37:16.440 --> 00:37:19.980
I thought he's going to say slowly lowering yourself to a friend.

509
00:37:21.000 --> 00:37:23.340
It's the best example of it.

510
00:37:23.400 --> 00:37:24.960
It's really pretty good, isn't it?

511
00:37:25.019 --> 00:37:25.800
It is pretty great.

512
00:37:25.920 --> 00:37:34.139
I mean, all of the guest cast, including horrible, ugly Bershire, are taking cue from Michael Goff, who is entirely energy free.

513
00:37:34.199 --> 00:37:34.920
Yeah, yeah.

514
00:37:34.980 --> 00:37:37.679
But is it because he's a space person and a pacifist?

515
00:37:37.739 --> 00:37:44.579
So it's like 2 ways of being boring, like 2 motivations. for not showing any emotion or anything like that.

516
00:37:44.639 --> 00:37:48.239
It is, it's that sort of B gradness.

517
00:37:48.300 --> 00:37:50.219
And I guess, I guess all that we have.

518
00:37:50.280 --> 00:37:53.579
And, you know, Horizon does this as well.

519
00:37:53.639 --> 00:37:57.659
Like Horizon has space things happening as well, doesn't it?

520
00:37:57.719 --> 00:38:01.500
It's got a kind of B plot with space things and even back on the ship.

521
00:38:01.559 --> 00:38:08.639
You know, I mean, it is, it's something that Alan Pryor does and it is something that the show does.

522
00:38:08.760 --> 00:38:16.619
And it's just a shame that the space things are so kind of half-hearted and uninspired because they're the best bid.

523
00:38:16.679 --> 00:38:22.559
You could almost ignore all the sort of horrible space people if there was some really exciting stuff going on.

524
00:38:22.619 --> 00:38:26.219
I mean, Mark, you mentioned duel before, I think.

525
00:38:26.280 --> 00:38:27.719
Well, someone mentioned duel.

526
00:38:27.840 --> 00:38:33.179
And, you know, it has a space thing going and a thing down on the planet.

527
00:38:33.239 --> 00:38:35.579
They kind of echo one another.

528
00:38:35.639 --> 00:38:37.679
They're both kind of tense and interesting.

529
00:38:37.739 --> 00:38:44.400
Like there's no reason that this material had to be quite so half-hearted, but there's a kind of sloppiness to the scripting.

530
00:38:44.519 --> 00:38:47.940
And I don't think Desmond McCarthy's direction helps at all.

531
00:38:48.840 --> 00:38:54.179
So he'll be here next week for Dawn of the Gods, but then he never comes back, right?

532
00:38:54.239 --> 00:38:55.619
That's correct.

533
00:38:55.679 --> 00:38:57.539
And, you know, thank God for that.

534
00:38:57.599 --> 00:39:00.840
So even by Blake 7's exacting standards.

535
00:39:02.880 --> 00:39:08.579
He was their pennant Roberts replacement for Siri C and everything's as good as that sounds.

536
00:39:08.699 --> 00:39:26.460
But yeah, it just, it just, it points out how important the direction is to Blake 7 because Horizon, while undoubtedly a better script than this, benefits from having a really good director at the helm who gets everyone on the same page gets them all delivering really nice nuanced performances.

537
00:39:26.519 --> 00:39:31.139
The central performance, Darian Angardis Row, is really great.

538
00:39:31.199 --> 00:39:33.480
And the design work is brilliant.

539
00:39:33.539 --> 00:39:39.599
And so you have a script which is pretty good, which is made excellent by the production team.

540
00:39:39.659 --> 00:39:44.940
And here you have a script which is not very good at all, made worse by the production team.

541
00:39:45.000 --> 00:39:56.519
Isn't the production team and maybe the like the cast and the designer and the director who decide to make horizon a little bit like the British Raj.

542
00:39:56.579 --> 00:40:01.980
Like the Federation become the British Empire colonising people.

543
00:40:02.039 --> 00:40:07.980
And so it manages to be about something, like it's not just space people doing things.

544
00:40:08.039 --> 00:40:10.800
Whereas this one is just absolutely not about anything.

545
00:40:10.860 --> 00:40:13.199
Like, it's about pacifism, Nathan.

546
00:40:13.800 --> 00:40:15.239
I...

547
00:40:18.360 --> 00:40:20.400
And that's the ending.

548
00:40:20.460 --> 00:40:23.820
Like the ending is so, so miserable, isn't it?

549
00:40:23.880 --> 00:40:25.800
So it ends on another crap joke.

550
00:40:25.860 --> 00:40:28.079
It's another Blake 7 that ends on a crap joke.

551
00:40:28.139 --> 00:40:36.900
And it's the crap joke about, like, Callie decides, is it, that the Pyroans are the only real winners here?

552
00:40:36.960 --> 00:40:44.159
I mean, Servoland got to blow people up and got rid of horrible Murray and and, you know, live to fight another day.

553
00:40:44.219 --> 00:40:56.039
She got to head off in her spaceship in the middle of the episode, giving a dramatic monologue, which, like, you know, that must have been a high point for her.

554
00:40:56.039 --> 00:41:02.460
Villa got to be drunk, and yet the Pyroans who've all exploded themselves are the real winners here.

555
00:41:02.519 --> 00:41:15.119
And then, like, the final line is Villa going, Well, if that's what you call winning, I'd take losing any day and you just think, Jesus Christ. is no one putting any effort into this at all.

556
00:41:15.420 --> 00:41:19.679
All you needed was a Scooby-Doo freeze frame with people chuckling.

557
00:41:19.739 --> 00:41:23.159
Because they say, well, they were dying anyway, don't they?

558
00:41:23.280 --> 00:41:27.480
But we never actually found out what was killing them because they have a conversation about it.

559
00:41:27.480 --> 00:41:30.840
And Taryn asks Michael Goff, or is it this?

560
00:41:30.900 --> 00:41:31.320
Is it this?

561
00:41:31.380 --> 00:41:32.760
And he goes, I don't want to talk about it.

562
00:41:32.820 --> 00:41:35.280
I thought it was that the thing was leaking.

563
00:41:35.340 --> 00:41:38.699
They all had radiation because someone put a bomb in the volcano.

564
00:41:38.760 --> 00:41:45.900
But it's like they go, they're trying to link, is the radiation leaking or all this stuff and then they can't be asked to figure out what's going on.

565
00:41:45.960 --> 00:41:47.579
So they just say, oh, I don't want to talk about it.

566
00:41:47.639 --> 00:41:50.280
We'll probably blow ourselves up before it becomes it.

567
00:41:52.199 --> 00:41:53.820
They were dying.

568
00:41:53.880 --> 00:41:56.460
Well, thank you for removing our final reason to care.

569
00:41:57.420 --> 00:42:00.719
Yeah, that just seems to be another thing, doesn't it?

570
00:42:00.780 --> 00:42:02.280
It's like he's stuck this in.

571
00:42:02.340 --> 00:42:06.960
I mean, it's so muddled towards the end there where everything's sort of come together.

572
00:42:07.019 --> 00:42:15.420
They've gone and got Callie, who was taken down to the planet for no reason, and Dana and Tarant have just been let go after being held hostage for a bit.

573
00:42:15.539 --> 00:42:22.860
Um, and then they, they head back up to the Liberator and Serve Land's Ugly Commander says, oh, you know, I can destroy the Liberator for.

574
00:42:22.920 --> 00:42:23.519
And she says, yes.

575
00:42:23.579 --> 00:42:27.780
So then he heads in, but he doesn't actually go and destroy the liberator, even though they can't get away.

576
00:42:27.840 --> 00:42:30.000
He goes to the planet and the planet blows up.

577
00:42:30.059 --> 00:42:33.780
And by that stage, like the Pyroans, I'd lost the will to live.

578
00:42:37.380 --> 00:42:40.380
Well, that's all we have time for this week.

579
00:42:40.440 --> 00:42:47.880
We'll be back next time to do some unsolved dynamic flux equations with pencil and paper in Dawn of the Gods.

580
00:42:48.000 --> 00:42:49.619
Until then good night.

581
00:42:49.679 --> 00:42:50.639
Good night.

582
00:42:50.699 --> 00:42:51.539
Good night.

583
00:42:51.599 --> 00:42:52.380
Good night.

584
00:42:52.440 --> 00:42:53.820
Switching to manual.

585
00:42:53.880 --> 00:42:55.980
Maximum power on all drives.

586
00:42:59.039 --> 00:43:01.079
Maximum power.

587
00:43:07.139 --> 00:43:07.800
How are we doing?

588
00:43:07.860 --> 00:43:08.760
That's an hour.

589
00:43:08.820 --> 00:43:10.199
I reckon we should wind it up.

590
00:43:10.260 --> 00:43:11.699
Yeah, that's an owl.

591
00:43:11.760 --> 00:43:12.300
That's an hour.

592
00:43:12.360 --> 00:43:13.079
I think that's an hour.

593
00:43:13.139 --> 00:43:16.380
Oh, so we'll do a music thing and then while I do a thing?

594
00:43:16.440 --> 00:43:17.519
Who does?

595
00:43:17.579 --> 00:43:19.380
I'm do a thing.

596
00:43:20.159 --> 00:43:22.260
Oh, like an outro?

597
00:43:22.320 --> 00:43:25.079
Do you reckon that's an out enough of an out or do we need to?

598
00:43:26.579 --> 00:43:30.179
Yeah, I think I think that was, I think that's fine.

599
00:43:30.239 --> 00:43:31.920
I think so too.

600
00:43:31.980 --> 00:43:32.820
I, yeah.

601
00:43:32.880 --> 00:43:34.860
Is there more to talk about it?

602
00:43:34.980 --> 00:43:36.900
It feels like there's more much more to talk about.

603
00:43:37.019 --> 00:43:38.460
It feels like we've been ringing it out.

604
00:43:38.519 --> 00:43:39.539
I think we have.

605
00:43:39.659 --> 00:43:42.599
This is our outro, by our saying.

606
00:43:42.659 --> 00:43:43.500
We've had enough.

607
00:43:43.559 --> 00:43:44.639
Yeah, yeah, yeah, yeah.

608
00:43:46.320 --> 00:43:52.500
We're just filling airtime like Avon and Servlane running around on location for pretty much no reason.

609
00:43:53.099 --> 00:43:54.840
Oh my god.

610
00:43:54.900 --> 00:44:15.000
I remember watching this when it, like, maybe when it 1st screened, like, on the ABC, and I have, like, I've got really strong, like, that time I watched Horizon, remember I watched, I said that I had a really strong, like, we gone to my friend's place, and I said I had to watch Blake 7, and they put it on, and, like, I remember that.

611
00:44:15.059 --> 00:44:19.619
And I remember watching this really, really like, I can't think why.

612
00:44:19.679 --> 00:44:25.980
And I think it was just the, the way that they were kind of doing the volcano on location.

613
00:44:26.039 --> 00:44:30.179
The one thing that we didn't mention is, of course, how does he get killed?

614
00:44:30.300 --> 00:44:31.619
How does um...

615
00:44:32.760 --> 00:44:36.179
Oh yeah, Dana throws a shoe bomb.

616
00:44:36.300 --> 00:44:39.000
It's the 1st of, it looks like tampon bomb.

617
00:44:39.059 --> 00:44:40.440
No, no, no, no.

618
00:44:40.500 --> 00:44:42.780
So there's her vange bomb, which turns up...

619
00:44:42.840 --> 00:44:43.920
No, no, no, not a badgeball.

620
00:44:44.039 --> 00:44:44.820
It's tampon bomb.

621
00:44:44.880 --> 00:44:45.719
She takes out of her shoe.

622
00:44:45.780 --> 00:44:47.820
Do people put tampons in their shoe?

623
00:44:47.880 --> 00:44:53.219
I don't think they do Well, no, they don't, but it's sort of long then, and it looks like it's got a fuse coming out of it.

624
00:44:53.280 --> 00:44:55.920
And then maybe it's not.

625
00:44:55.980 --> 00:44:59.820
I don't know about these things. something I'm expert in either.

626
00:44:59.880 --> 00:45:13.619
But and then he falls in and it's the same effect, isn't it, that they kill Travis with, so they must have thought, we'll just get some gloop in the studio and put bubbles through it and then he can fall into that.

627
00:45:13.679 --> 00:45:16.739
Yeah, but slow down to about a quarter speed.

628
00:45:17.699 --> 00:45:19.920
Yeah, so you could do that now.

629
00:45:19.980 --> 00:45:22.920
Look at all the fabulous fake volcano in dark water.

630
00:45:23.400 --> 00:45:24.900
So good.

631
00:45:25.500 --> 00:45:27.960
All right, okay, well, I'll do a thing.

632
00:45:29.340 --> 00:45:34.920
So, uh, so if there are no final statements in that case.

633
00:45:35.039 --> 00:45:35.639
No, fuck.

634
00:45:35.699 --> 00:45:36.480
What am I going to say that?

635
00:45:36.840 --> 00:45:39.659
Well, that's all we have time for this week.