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This transcript was created on 2026-06-07 at 22:02:11

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Maximum Power.

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Welcome back to Maximum Power, the only Blake 7 podcast that offers universal healthcare at point of use for the low monthly cost of just all of your internal organs.

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Today we're discussing PowerPlay, the 2nd episode of Series C, written by Terry Nation himself, and Avon isn't the only one dismayed to find someone unexpectedly in charge of the ship this week, as I'm hosting the podcast for the 1st time.

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I'm Mark.

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I'm Brendan.

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I'm Cole and the condition is purely temporary.

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Hello James, but probably not the one you're expecting.

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And I am Chevron, and this is my wife.

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Peter.

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Welcome to the podcast, James.

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What are your thoughts on PowerPlay?

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I love this episode.

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I always have, but I watched it again this week, you know, for obvious reasons.

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And again, I was really just really, really taken with it.

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I think it's terrific.

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I mean, I think that aftermath and power play together as a kind of 2 parter might be my favourite episode of the whole show, if you counted it as a as a like a 2 hour premiere.

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So yeah, I love it.

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I love it to bits.

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I'm totally in agreement with James Thaird.

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This is the 2nd half, my favourite Blake 7 story.

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We're back in producer David Maloney's hands as director and Light Star one.

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He elevates the series to its confident, well told, best, um, and yeah, I adore it.

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Brendan?

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Yeah, I really enjoy this one, and there's a bit of genuine mystery by having the suspects we have for who's up to the shenanigans on board the ship, and the villa plot is also just, it's a 100% villa.

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You know, it's really playing to Michael Keating strengths.

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So yeah, everyone has a great week this week, I think.

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I absolutely love this.

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I just love Terrence introduction.

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I love the way you're trying to figure out what's going on, the twists that come and go, all the actual power play.

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And Mr. Bronson from Grain Chill. playing a working class. for the only time in his career and doing it really, really well.

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Yeah, slightly off.

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I mean, I remember the 1st time I saw this, you know, it would have been when he was in grain chill pretty much, and realising it was him, but kind of going, ooh, actually, he's more versatile then. than I thought because I generally thought we could do kind of nice and posh or nasty and posh, you know, and Hitler, those other things he could do.

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And he's a sort of working class sergeant, isn't he?

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He's a sort of proper thuggish NCO.

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And he's really, really good.

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And I think the repeated viewings of power play have gulled us to the shock of seeing Federation troops aboard the Liberator for the 1st time, but I can recall the thrill, the 0 shit feeling when Clegg and his men arrive.

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It really sets it up well.

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Hey, and Mark, what did you think of the episode?

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Yeah, I loved it as well.

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So it might be worth reminding listeners who just knows there's a collection of voices.

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I'm watching Blake 7 for the 1st time.

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So this is as far through the series as I've seen.

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And I'm really enjoying series C so far.

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I think the 1st the 1st ever 3 episodes where it's an ongoing story.

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I've been my favourite and the return to that is really exciting again and not knowing if or when they're going to find their crewmates and yeah, the sort of the cliffhanger ending to aftermath and then leading into this story of, yeah, really, really enjoyed it.

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And the thing about that cliffhanger ending is it's a Danger Mouse cliffhanger.

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Do you know what I mean?

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Do you know what I mean?

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If you come back to it, and it's shot from a different angle, it's shorter, and then Clegg's men are just suddenly in the room.

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It's completely refilled.

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I want to say, Mark, about the you watching it for the 1st time.

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I know you sort of have some vague kind of cultural knowledge of the show. but not necessarily kind of actual, um, what happens.

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When I 1st saw this, I had no idea that Tarrant was going to be a regular character.

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So for me, the twist that he's not actually the commander of these men, they are separate federation men, then he's not a federation man at all.

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Then he's the murderer.

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Then he's going to join the crew. was this brilliant sort of tick, tick, tick, tick, tick thing that completely blew my mind.

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And I just wondered, you know, was it that good for you?

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It absolutely was.

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Yeah, I didn't know he was going to be a new main character.

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I don't recognise the actor from anything else.

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So it wasn't like, you know, I had that kind of idea that, you know, we'd sort of, we'd serve land, everything, you know, it's talked about in Doctor Who and everything that she was, she's famous from Blake 7 and I've seen loads of gifts and everything, but with Dell, yeah, I haven't really seen him and everything else.

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So that was really good.

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So that's what storyline on the Liberator with Dana and Avon, it's sort of like Die Hard on the Liberator, isn't it?

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Die Hard with his engines, but...

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It's great.

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It's great what he's saying about Tarant there, because all the clues about his double dealing are there.

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They're in plain sight of the little luck that he gives Avon when Avon's trying to avoid identifying himself to Zen.

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He knows what's going on then, clearly. and when he's standing on that underfloor great and his little, I'm not really sure about anything.

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All the clues are there, but the 1st time you don't pick up on them, it could be anything.

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Yeah, I think you're right, you realise just before Avon goes for the gun, which would be an incredibly slim line gun.

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Uh, you know, Terrence sort of looks at him and goes, you know, he's like, okay, okay.

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And I think he probably knew all the time.

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But it was like, oh, I know what you're going to do.

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So I'm going to follow Sue and it just is glorious from then onwards.

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One of my favourite lines that Tarrant gets in this is when he says they've launched an escape pod.

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Not, they, not, they've taken an escape pod.

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Right, which is really great because they're sort of setting him up to be not exactly an analytical character like Avon, but a character who tries to deal more in facts.

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So he doesn't have a fact that they've taken the lifepod.

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He has a fact that they've launched a life pod.

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And when he's reasoning with Avon Leisure in the episode, it's all based on if this, then that.

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You know, it's, it's, okay, someone who lives aboard the ship considers the ship theirs.

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It's not Blake, because I know what Blake looks like.

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There's 2 other people it could be.

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It's a proper detective story.

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And, you know, it does work like one in exactly that way that you're describing.

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It's also it's quite interesting that the sort of policeman being the murderer thing, you know, which is the end of the keys of marinace.

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So nation has, nation has done that before.

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But also it is, you know, spoilers, it's the mousetrap as well.

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Um, you know, it'll be just incredibly famous, but it's a brilliant trick and it works, you know?

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Excellent.

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Can I say something which might be a bit controversial?

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Always.

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Stephen Pacy is always fantastic, but I don't think Tarant is ever this good again.

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Perhaps it's because he has to be clever and he's playing both sides and we never see him being this cagey again.

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He sort of settles down into the heroic bully boy kind of role, which is just a bit less interesting than when he's really got survived by his wits here.

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So even though I do like Tarrant, I like Stephen Pacey.

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I just think this is such a good episode for him.

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He's really well written for.

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Do you think that's because without spoilers, Terry doesn't write him again for a long time.

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It could be because he is well written in terminal.

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Is his character?

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Yeah.

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I just think that he's given a really good part of the action here and once he becomes a regular.

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He just isn't afforded that ability to be so interesting again.

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No.

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It's interesting, you'll call Taryn.

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I know my notes have written Dell.

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So obviously it becomes it becomes more known as the terror left, really, yeah. through the series.

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I did wonder if he was going to drop the accent when it sort of revealed that he is the murderer and the one who's been working against the Federation.

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I thought maybe you'd been putting that on as part of affecting this air of being an officer, but obviously he doesn't.

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But he is just a posh murderer.

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Yeah, yeah.

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A friend of mine has suggested and it's not contradicted by the story, but it's also not confirmed by the story, but has suggested that it's actually not clear how much of the thing about him being a pirate and running his own game and stuff is true.

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So, yeah, he says, my own ship was destroyed.

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I was rescued by a federation ship.

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My clothes were wrecked, so I put on this uniform.

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When I put on this uniform, the ship I was on was destroyed.

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Then I got into a life pod, then I found myself here, and then I bumped into these guys.

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Now we know that he's not been known to Clegg for more than a few hours.

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But that story is kind of so complicated that it could be that he still is a federation officer and he's just lying to Avon because Avon is even less likely to trust him if he was metaphorically as well as literally still in uniform a couple of hours ago.

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Whereas they said, just saying, well, I trained, but I quit, that's why I can do it, but that's not really me, is the sort of story it's more likely that Avon will buy or accept.

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I mean, the only thing that might mitigate against that is that Serve Land would probably know him if he was from the ranks.

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But yeah, it's an interesting theory.

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Depends how big the Navy is.

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Oh, that's true.

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Yeah.

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It's not my theory.

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I don't know they claim to it, but I do like it.

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It's quite cool.

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We said in Countdown last season that Del Grant, Anna Grant's brother looked like a bit of a backdoor bleak replacement, but here we get the real deal.

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But I think it's established later on this season that Tarrant's not a backdoor pirate.

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Sorry, a backdoor pilot. master a double entry.

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There is talk, isn't there, at the end of series B of this idea of the replacement character for Blake being inverted commas, the captain.

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Yes.

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And that character kind of becomes Tarrant, but also in some ways more resembles Grant in that when Terry comes up with them, The idea is that they're older, they're at least 35 and that kind of changes the balance in the crew.

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And Tarant is only young because Stephen Pacey aces his audition.

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Right.

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And actually, what you were saying, earlier, Mark about maybe Tarrant was putting on an accent as an officer, actually it's Stephen Pacy being saddled with that gravelly voice because he thought that because an older character in his audition, he had to be sort of lower and more gravelly.

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And then when he got the part, he stuck with it.

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He's 22 or 23, isn't he?

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Which is just crazy.

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And and Josette Simon's even younger.

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There's a great interview with Stephen Pacey from around this time where you hear his real voice and it's very light and up here and I'm only exaggerating slightly.

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I saw him play 30 Worcester in the musical by G's in the West End in the 90s.

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And his natural voice is very much more in the kind of 30 Worcester space. had no idea.

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I thought that was his real voice.

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Because I listen to the his reading of Doctor Who and the Enlightenment.

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And I was like, oh, his voice has changed over time, like actors do, you know, it's got less R, you know, RP and stuff to say.

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Oh no, it really is putting on a voice.

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Okay, something you learn something new every day.

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You can really hear it in episodes.

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Orbit next season where he's there and you say, nah, I'm not a mathematical prodigy.

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It's all down here.

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Something you touched on, James's, and Peter, is that Tarrant was originally envisioned as an older character.

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And also, there was going to be a lot more speculation as to his true allegiances in this episode, which didn't really become a thing.

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But having that knowledge.

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Now, I watch this episode and go, they could have hired Michael Shiard to play that character.

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Because he does bloody well here.

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And I'm just like, having Michael Shiard as a regular, but maybe he, you know, if the offer was there, maybe he didn't want to be a regular unless he was a nasty teacher or a version of Hitler, including Space Hitler on the Tomorrow people.

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I'm not sure if Michael Sheer was ever irregular in anything apart from Grain Chill.

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I don't think he was that kind of actor in the 70s.

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Also, one of the other reasons that Stephen Pacey got the job is that David Maloney's secretary more or less fainted when he said hello to her because he's just so, so dramatically handsome and apparently she grabbed, she grabbed hold of David Maloney's arm and said, you have got to have him. that if he could inspire that amount of female devotion was arriving for an audition, then he might be worth having in the show.

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I suppose it was just a coincidence that he just looks like a younger slimmer Blake.

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We saw him last year at a convention and yeah, he still looks terrific.

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Yeah, everyone was swooning then.

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Yeah.

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He's only going to be like 65 or...

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Exactly.

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Exactly.

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He still looks great.

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Watching this, of course, I've told the story before where Rod gave up my husband gave up on Blake 7 after series A and said, you know, they've blown up and that's how I'm going to remember them, stupid and dead.

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Now, he sort of wandered in halfway through this episode.

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And at the end, he turned to me and said, so Blake, um, Blake?

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And I'm like, that's Blake now, and I pointed it Taryn, and he's like, oh, thank God.

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Blake was the worst thing about the show.

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Oh, Serbaland.

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I think Terence like an excellent Blake replacement stroke improvement.

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I don't want to, I'm not going to spoil anything, but he just ends up being a great sort of counterpoint to Avon and more of the revolutionary.

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To your point, James, are you talking about whether or not he was still going to be turning out to be a Federation person?

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That would have been a nice twist, like a season from now.

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It's like, oh, I have been a federation person all along.

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But no, we don't want that.

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Tarents a hero. love him.

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I was just going to say that I think this is the best version of the crew.

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Oh, absolutely.

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Yeah.

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Yeah.

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Sorry, Glennis Barber.

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I love Jenna.

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Jenna's amazing, but this is the Blake 7 that I really remember from my childhood.

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And this is just such a great introduction to Tarran.

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The episode is really well written.

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Terry Nation is just firing on all cylinders.

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Everyone's really clever.

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Like Terrence Clever, Dana's really strong and written well, and this is Josette Simon's 1st performance because it's the 1st episode shot.

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And Avon's clever.

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The way he just comes up with that Chevron cover story just off the cuff immediately.

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It really shows how on the ball he is.

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And when they're taken down to the flight deck, he throws in this little, is this the way as they're going down?

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And it's just, it's real, and his life pod ploy is clever.

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It's just, it's a clever writer writing clever characters.

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And also, it uses the lifebod set, which they've built to shoot the beginning of aftermath.

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So it's not just clever on a plotting level.

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It's clever on a, on a, production, a, budget and production level, using the, the, the same set a week apart for completely different.

205
00:16:20.220 --> 00:16:23.639
Everyone's going to have forgotten most of that 1st scene by the time they get to this bit.

206
00:16:23.700 --> 00:16:28.320
But you know, you get to use the same set and shoot it on the same day, which is really smart.

207
00:16:28.379 --> 00:16:38.460
And it's undeniably Terry Nation, because there's also inspection channels, which are just, you know, one bitter way from air darts, to say. pure nation.

208
00:16:38.519 --> 00:16:43.919
You mentioned the thing about Avon's pretending that Dana is his wife.

209
00:16:44.279 --> 00:17:03.059
One of the things I think is quite interesting in this episode and in aftermath, and it never really comes back, is that when he pretends that she's his wife, she doesn't object, and obviously the 1st thing that she does last week, is kiss him and say, you are very beautiful, Avon.

210
00:17:03.059 --> 00:17:09.180
And, I mean, that's part of her Miranda Tempest thing that they've got going on in that episode.

211
00:17:09.240 --> 00:17:27.059
But then, obviously last week, Dana kisses Avon, then Servolan kisses Avon, and then Servolan kills Dana's father, although Dana doesn't seem to know that Servolan has kissed Avon.

212
00:17:27.119 --> 00:17:41.700
So suddenly you have this thing that's a bit like a sort of a love triangle, almost, between those characters, from a program that's been, I don't think it's been any kissing at all in previous 26 episodes.

213
00:17:41.759 --> 00:17:43.500
Only between cousins.

214
00:17:45.000 --> 00:17:49.859
Yeah, I'd wiped that from my memory with brain bleach.

215
00:17:49.920 --> 00:18:05.940
But yeah, it seems to be setting up this sort of love triangle thing, which would be really interesting because even is in a position now where he has these sort of 2 female regular characters who've expressed an interest in him and one of them wants to kill the other.

216
00:18:06.480 --> 00:18:14.519
And that never goes anywhere, but it does look like it's something that Terry is putting in there in case he wants to go back to it or in case anybody else wants to go back to it.

217
00:18:14.579 --> 00:18:16.380
Yeah, it's really interesting.

218
00:18:16.440 --> 00:18:24.180
We spoke last week about how efficiently all of the new relationships between the crew and especially with Servlan are formed.

219
00:18:24.240 --> 00:18:31.440
So last week, in aftermath, you got distinct personal relationships between Serveland and Dana and Serveland and Avon.

220
00:18:31.500 --> 00:18:43.380
And this episode, you get another one between Serverland and Kelly, who I don't think have said a single word to each other previously and yet get whole really entertaining scenes in their own subplot, which we may come to.

221
00:18:43.440 --> 00:18:48.539
Aren't they only in the same room in pressure point and they don't exchange words?

222
00:18:48.599 --> 00:18:51.000
They're not even in the same room in pressure point.

223
00:18:51.059 --> 00:19:01.079
I think they're never even in the same room in CClocate Destroy, where, you know, the 1st appearance of Servoland and Kelly's taken prisoner, but it's all Callie and Travis.

224
00:19:01.140 --> 00:19:03.900
They do come face to face at the end of Orach, that says.

225
00:19:03.960 --> 00:19:05.759
Yes, that's it, yes.

226
00:19:05.819 --> 00:19:11.940
Because Avon is only in the same place as Servlan in all rack of pressure point, isn't he?

227
00:19:12.000 --> 00:19:14.819
And he sort of picks out from behind bleaken weapon.

228
00:19:14.940 --> 00:19:16.319
Yeah.

229
00:19:16.380 --> 00:19:18.420
But they don't even have a conversation.

230
00:19:18.480 --> 00:19:22.920
No, it's so efficiently done the way that all of these new relationships are set up.

231
00:19:22.980 --> 00:19:26.279
It's a fantastic piece of reformatting aftermath.

232
00:19:26.400 --> 00:19:29.460
I mean, that's one of the reasons why I wanted to come on and talk about that one.

233
00:19:29.519 --> 00:19:37.920
They're almost one story to me, these 2, because I 1st saw them on the on the UK VHS, which is these 2 and then sarcophagus.

234
00:19:37.980 --> 00:19:40.680
What, the episode where they didn't have to pay any guest roles?

235
00:19:40.799 --> 00:19:48.180
Yeah, that's the 1st time I saw any season C, the 1st time I saw kind of this version of the show was on that.

236
00:19:48.240 --> 00:19:49.140
I rented it.

237
00:19:49.200 --> 00:19:50.579
You know, you could you could rent them.

238
00:19:50.640 --> 00:19:56.279
Um, So yeah, aftermath and power play are kind of one story to me.

239
00:19:56.339 --> 00:20:01.380
The Scotts Kofkus never quite feels like it's part of the same story as, to be clear.

240
00:20:01.440 --> 00:20:02.220
All the same series.

241
00:20:02.279 --> 00:20:05.099
Was this story, the 1st that you saw from Blake 7?

242
00:20:05.160 --> 00:20:07.140
No, not quite.

243
00:20:07.440 --> 00:20:27.180
I have a weird thing where I had incredibly vague memories of seeing little bits of season D when it was repeated in 1983 when I would have been like 5 because it was a program that my parents watched, not in a Fannish way, but in a, you know, it was amongst the things that they would watch occasionally.

244
00:20:27.180 --> 00:20:42.059
And I have very, very vague memories of remembering having seen bits of season D. And then the 1st time I actually saw any of it properly was those big chunky compilation videos that were released in the mid 80s.

245
00:20:42.119 --> 00:20:54.000
You know, there's the beginning, duel, and Aurac, which are sort of 3 or 4 episodes of season A, each kind of chunked down into 2 hour Inverted Commas movies for the shelter and rental market.

246
00:20:54.059 --> 00:21:02.039
And then a little bit afterwards, there's a 4th one, which is aftermath and power play and sarcophagus.

247
00:21:02.099 --> 00:21:04.799
It's a pity that they didn't continue that formatting on.

248
00:21:04.859 --> 00:21:09.119
I would have paid good money for the compilation of traitor, star drive, and animals.

249
00:21:09.359 --> 00:21:12.779
Well, terminal and rescue would actually be good. absolutely.

250
00:21:12.960 --> 00:21:31.140
After that, I sort of got most of the double cassette versions as they came out because by that point I knew that I liked the program and I was a little bit older and so, you know, you can't have little jobs when you're a teenager and stuff and that was kind of where some of that money went and I didn't quite get all of them.

251
00:21:31.200 --> 00:21:32.279
I missed some of them out.

252
00:21:32.460 --> 00:21:46.980
And then there's another weird thing, which I will tell you, which is that, I had a Blake 7 video in my bag at school and my history teacher saw it and said, I've got some of that on video if you want it.

253
00:21:47.039 --> 00:21:49.500
And I said, it's okay.

254
00:21:49.559 --> 00:21:51.299
I've got all the ones I've released.

255
00:21:51.359 --> 00:21:53.880
And he said, no, no, I've got some my recorded when it was on.

256
00:21:54.180 --> 00:22:01.259
And the next day he came in and he'd got a tape which had got ultraworld and death watch on.

257
00:22:01.319 --> 00:22:02.640
Oh, my God.

258
00:22:02.640 --> 00:22:06.660
Your fan heart must have leapt in joy. absolutely.

259
00:22:07.019 --> 00:22:15.359
Which, um, he taped when they were on, when they were repeated in 1981. before series D was on for the 1st time.

260
00:22:15.420 --> 00:22:18.299
And sorry, I watched those and I copied those.

261
00:22:18.359 --> 00:22:32.099
But also that means that weirdly, I didn't see Moloch until it came out on DVD because we already had Death Watch, so I didn't buy the Moloch Death Watch tape.

262
00:22:32.160 --> 00:22:32.819
What a blessing.

263
00:22:34.079 --> 00:22:36.779
That is how I reason you would watch it.

264
00:22:39.000 --> 00:22:43.799
And I also didn't buy the Stardrive animals tape because everybody said it was terrible.

265
00:22:43.859 --> 00:22:47.819
So I saw Stardrive when it was on UK gold. for the 1st time.

266
00:22:47.880 --> 00:22:51.059
I saw animals for the 1st time, again, when it was on the DVD.

267
00:22:51.119 --> 00:22:51.960
Wow.

268
00:22:52.019 --> 00:22:54.779
So it's a sort of peculiar path through.

269
00:22:54.839 --> 00:23:02.519
I could actually write a list of the order in which I saw the program, but I'm not going to it because that would be even more boring than what I've just said. that's led you to this podcast.

270
00:23:07.200 --> 00:23:10.500
If we're in anecdotal mood, can I tell an anecdote about watching power play?

271
00:23:10.559 --> 00:23:11.160
Yes.

272
00:23:11.220 --> 00:23:22.019
So, um, this is, as I said, one of my favourite episodes, um, and I saw it in 1980, which was when Sirius B and Series C were shown back to back in um, Australia.

273
00:23:22.079 --> 00:23:25.980
And then they repeated them very late on a Saturday night in 1982.

274
00:23:26.160 --> 00:23:34.019
And so I was 10 years old, my parents used to let me stay up and watch them at midnight on a Saturday night because it was not a school day the next day.

275
00:23:34.019 --> 00:23:40.019
And I was really, really looking forward to seeing this episode again because as you do, it's like a 10 year old.

276
00:23:40.079 --> 00:23:43.259
I remember that this was the episode where they said the full names of the crew.

277
00:23:43.319 --> 00:23:47.339
So there's Janice Stanis, Kerr Avon, Villa Restal.

278
00:23:47.519 --> 00:23:52.500
And so I was staying at my grandparents that night because my parents had gone off to a wedding.

279
00:23:52.500 --> 00:23:58.920
And I said to my nan, I watched Blake 7 at midnight on Saturday nights and naturally she said, you're not staying up till midnight.

280
00:23:58.980 --> 00:24:03.900
Well, I threw maybe the biggest tantrum of my childhood.

281
00:24:03.960 --> 00:24:04.859
Ring mum and dad.

282
00:24:04.920 --> 00:24:06.960
Tell them that I watched basically she couldn't ring them.

283
00:24:07.019 --> 00:24:08.880
Obviously, it was days for mobile phones.

284
00:24:08.940 --> 00:24:17.819
So I went to bed at like 10 o'clock or whatever, absolutely stewing and thinking, right, well, I'm just going to stay here and stay awake until...

285
00:24:17.880 --> 00:24:23.880
And so I woke up at 7 o'clock the next morning in a filthy mood.

286
00:24:23.940 --> 00:24:26.160
So that's my power play anecdote.

287
00:24:26.220 --> 00:24:27.779
I didn't see it again until 1990.

288
00:24:28.140 --> 00:24:30.359
That is incredibly tragic.

289
00:24:30.900 --> 00:24:34.319
One of the formative moments of my childhood.

290
00:24:38.519 --> 00:24:43.200
So we catch up with Villa back on Planet Chenga and see how he's doing.

291
00:24:43.259 --> 00:24:46.259
It's a great reintroduction to Villa, isn't it?

292
00:24:46.319 --> 00:24:58.079
I think if this sort of season is a jumping on point, when he's there, he's injured, he's pretending he's got like 10 men under his command and he's sort of giving orders to keep people away.

293
00:24:58.140 --> 00:25:06.960
It shows, yeah, he's sort of his cleverness is sort of different to Avons and the other characters and it's more about sort of subterfuge and deception like that.

294
00:25:07.019 --> 00:25:09.960
I thought that was a great reintroduction to him for new viewers.

295
00:25:10.019 --> 00:25:18.180
Yeah, and and it's nice that he gets this kind of long film sequence all to himself having been barely in the previous week.

296
00:25:18.240 --> 00:25:18.900
Yeah.

297
00:25:18.900 --> 00:25:23.940
You know, sort of really, um, remind everybody that this is an important character.

298
00:25:24.000 --> 00:25:28.920
I think the idea of splitting up the crew and then having to track them down is really fun.

299
00:25:28.980 --> 00:25:32.519
And I can't remember Villa ever leading a storyline like this.

300
00:25:32.579 --> 00:25:33.420
It's very watchable.

301
00:25:33.480 --> 00:25:35.519
Yeah, it is.

302
00:25:35.579 --> 00:25:37.680
It's very wittily written.

303
00:25:37.740 --> 00:25:38.039
Yeah.

304
00:25:38.099 --> 00:25:40.680
It's interesting actually, because I've got the script.

305
00:25:40.740 --> 00:25:47.400
I watched it earlier with the rehearsal script just to check for any kind of deleted scenes and changes and things.

306
00:25:47.460 --> 00:25:51.420
And there are no scenes in the script that aren't in the episode, unfortunately.

307
00:25:51.480 --> 00:25:54.059
And there aren't that many dialogue changes.

308
00:25:54.119 --> 00:25:54.660
Okay.

309
00:25:54.660 --> 00:25:59.700
One of them is, um, it's all right if you don't count the agony is not in the script.

310
00:25:59.759 --> 00:26:01.319
That's Michael Keaton.

311
00:26:01.380 --> 00:26:01.920
Excellent.

312
00:26:02.099 --> 00:26:04.859
Which I'm really, really pleased with.

313
00:26:04.920 --> 00:26:12.119
As a general rule, everyone is letter perfect to the script, except Darrow and Keating get some leeway.

314
00:26:12.180 --> 00:26:12.900
Right.

315
00:26:12.900 --> 00:26:17.160
Darrow fiddles almost every one of his lines a little bit at some point.

316
00:26:17.220 --> 00:26:37.799
He does that match Stratton thing of just, you know, changing rights to correct or putting a pause in or he makes little changes to almost every single line he has. whereas Kiki normally says what is written, but he does put little extra jokes in that obviously they've worked out when they're on location, but yeah, that great line.

317
00:26:37.859 --> 00:26:40.319
That's Michael Keating, not Terry Nation, which is which is brilliant.

318
00:26:40.380 --> 00:26:41.519
Isn't that fascinating?

319
00:26:41.579 --> 00:26:48.660
It does contain my favourite line from Blake 7 of all time, which Peter, this might be yours as well.

320
00:26:48.720 --> 00:26:53.099
I think, maybe, which is that's a very difficult way to commit suicide.

321
00:26:53.880 --> 00:26:55.440
Dainers.

322
00:26:55.500 --> 00:26:57.480
Maybe he was cleaning it, so it went awesome.

323
00:26:57.599 --> 00:26:58.140
It went off.

324
00:26:58.200 --> 00:27:01.380
They are both brilliant.

325
00:27:01.380 --> 00:27:01.980
Fucking awesome.

326
00:27:02.039 --> 00:27:04.440
This episode is littered with good lines.

327
00:27:04.500 --> 00:27:10.200
The one about where Avon says, oh, and 2 intelligence of Villa, and Terence says, oh, it was an even bet.

328
00:27:10.259 --> 00:27:13.799
And of course, Servelands, I want to see them here.

329
00:27:13.799 --> 00:27:15.720
And I want to see them.

330
00:27:15.779 --> 00:27:16.319
Now.

331
00:27:17.640 --> 00:27:29.519
Well, after a number of attempts to end an app, just to jump to the end for a moment, they've tried to sort of end on a funny line and it actually ends on a genuinely funny line for the 1st time I feel in this episode as well.

332
00:27:29.579 --> 00:27:32.400
That line is not in the script.

333
00:27:32.460 --> 00:27:33.420
Right.

334
00:27:33.480 --> 00:27:34.500
Is it not?

335
00:27:34.559 --> 00:27:35.039
Wow.

336
00:27:35.099 --> 00:27:39.180
No, the script ends differently if I can just grab it.

337
00:27:39.240 --> 00:27:40.380
It ends slightly differently.

338
00:27:40.500 --> 00:27:44.339
So you have welcome to the liberator and you are welcome to it.

339
00:27:44.519 --> 00:27:51.839
Um, and Callie's line is, given the choice, where would you rather be here or sitting in a ditch with a broken arm?

340
00:27:51.900 --> 00:27:54.359
And Villa says, I'm thinking about it.

341
00:27:54.779 --> 00:27:57.059
And that's what's in the script.

342
00:27:57.119 --> 00:28:00.900
But obviously on screen, you get the pun.

343
00:28:00.960 --> 00:28:03.900
Would you rather be spare parts down there or spare parts?

344
00:28:04.559 --> 00:28:07.079
So that must have come in rehearsals.

345
00:28:07.140 --> 00:28:15.420
Which is a fantastic line, and also it gives you that payoff because Dana and Tarrant get the last shot looking at each other going, oh, this is the kind of banter we've signed up for.

346
00:28:17.039 --> 00:28:22.319
And also just the fact that it is a pun, but it does tie everything together, doesn't it?

347
00:28:22.380 --> 00:28:27.059
You know, the spare part surgery and the coming back together of the crew.

348
00:28:27.119 --> 00:28:30.720
It sort of ties the 2 plot threads together really nicely at the end.

349
00:28:30.839 --> 00:28:40.200
I mean, you don't know if it was Maloney or the cast or maybe Boucher, but yeah, it's not, it's not in the scripts are signed off and issued to everybody.

350
00:28:40.259 --> 00:28:40.920
It's just not there.

351
00:28:40.980 --> 00:28:42.180
Isn't that fascinating?

352
00:28:42.240 --> 00:28:51.900
I do really like that Villa subplot, although I think that Z and bar might be some of Terry Nation's best slash worst space names ever.

353
00:28:52.079 --> 00:29:00.359
They're not quite up there with these 2 syllable foul names, you know, Taron, Marat, Lartep, Weber, but they are awesome.

354
00:29:00.480 --> 00:29:02.220
Ziambari.

355
00:29:02.279 --> 00:29:07.920
When they're described, they are described as very attractive girls and then girls is in capital.

356
00:29:10.980 --> 00:29:17.039
And the costume, the costumes that said they should be space age sexy, is what he asked for.

357
00:29:17.160 --> 00:29:23.819
I mean, there is there isn't an universe reason for that because Villa's head is only turned by a pretty girl.

358
00:29:25.559 --> 00:29:29.400
It's just a very straightforward inversion as well, isn't it?

359
00:29:29.460 --> 00:29:52.380
That, you know, the, the people who look like the good guys are the people who are the bad guys and vice versa, you know, and the script does say that Nation says he doesn't mind which way around it is, but Z and Barr should be of the same ethnic group as the doctors running the hospital and on Kelly's ship and that the savages should be different.

360
00:29:52.440 --> 00:29:54.180
Of the ball, definitely, than this should be.

361
00:29:54.240 --> 00:29:54.539
Yes.

362
00:29:54.599 --> 00:29:56.220
Yeah, yes, yes.

363
00:29:56.279 --> 00:30:00.900
John Hollis squeezing this in between Professor Sondegard and Lobot in the Empire Strikes bag.

364
00:30:01.500 --> 00:30:04.019
And I'm wearing it now.

365
00:30:04.259 --> 00:30:08.039
Isn't he the head of Blowfelt in Fjores only as well?

366
00:30:08.099 --> 00:30:10.740
Yes, yes, I think I think you're right.

367
00:30:10.799 --> 00:30:15.599
I do love that after that whole, there's 10 of us.

368
00:30:15.660 --> 00:30:18.000
They don't know a certain depth to take us off.

369
00:30:18.059 --> 00:30:21.240
John Wallace is just like, who are you talking to, this?

370
00:30:21.299 --> 00:30:23.220
No, no, we've been around.

371
00:30:23.279 --> 00:30:24.660
We've been circling you for 2 hours.

372
00:30:24.720 --> 00:30:25.799
There's no one else here.

373
00:30:25.859 --> 00:30:28.980
And it's just so lovely and matter of fact.

374
00:30:29.039 --> 00:30:33.480
And you get that beautiful wide shot and they've bought the escape pod out on location.

375
00:30:33.539 --> 00:30:35.220
So it looks really, really great.

376
00:30:35.279 --> 00:30:38.759
And I'm just a big fan of John Hollis anyway.

377
00:30:38.819 --> 00:30:52.319
He plays a villain in some early Avengers episodes, including one with Charlotte De Rampling, and Donald Sutherland is his co-villain in the Superlative 7.

378
00:30:52.380 --> 00:30:55.259
And Brian Blessed, without a Beard is in that.

379
00:30:55.319 --> 00:30:58.200
Do you know that Insignus Alpha?

380
00:30:58.259 --> 00:31:01.319
Brian Blessed is clean shaven and wearing a false beard.

381
00:31:01.440 --> 00:31:03.000
I did not.

382
00:31:03.119 --> 00:31:04.619
Go back and look.

383
00:31:04.680 --> 00:31:05.940
You can tell, you know.

384
00:31:06.059 --> 00:31:06.779
How is this?

385
00:31:06.779 --> 00:31:07.980
Activated me all these years.

386
00:31:08.039 --> 00:31:10.920
It's the 1st thing you did after right, Claudius.

387
00:31:11.039 --> 00:31:15.900
Ah, and I don't know if he turned off in rehearsals and they were like, where's your beard, Brian?

388
00:31:15.960 --> 00:31:19.920
But if you go, look, you can see once you know.

389
00:31:19.980 --> 00:31:21.180
He said, I brought it with me.

390
00:31:21.240 --> 00:31:22.140
It's in my pocket.

391
00:31:23.220 --> 00:31:29.519
It's a clean shaven, Brian Blessed, wearing a false beard to look more like Brian Blessed.

392
00:31:39.359 --> 00:31:50.579
I think the, with the high-tech, the, uh, when you see just the lights through the trees and it's on film and there's that sound effect, that's really, really effective and you can't quite make out what you're seeing.

393
00:31:50.700 --> 00:31:54.539
You don't realise that it's just people holding sort of guns or scanners or whatever.

394
00:31:54.660 --> 00:32:03.059
Um, that's quite creepy uh, to begin with when uh, the, the, sort of the so-called savages and uh, and Avon are running away from them.

395
00:32:03.119 --> 00:32:08.279
Yeah, that was that was really good. really looking at the screen trying to make out what's actually chasing them at that point.

396
00:32:08.339 --> 00:32:13.079
I thought it was like some clever drones and they were doing these drones flying in.

397
00:32:13.140 --> 00:32:15.960
And I was like, no, I can see the actor behind it.

398
00:32:16.019 --> 00:32:19.440
Oh, it's shit special effects that, you know, they've not done this properly.

399
00:32:19.500 --> 00:32:20.160
Oh, no.

400
00:32:20.220 --> 00:32:21.000
You know?

401
00:32:21.059 --> 00:32:28.140
And it turns out to be Zibar. those scenes, those scenes were written to be shot at night.

402
00:32:28.200 --> 00:32:31.319
The script specifies that their night is a night sheet.

403
00:32:31.380 --> 00:32:32.940
Oh, Terry, you knew that wasn't going to happen.

404
00:32:34.019 --> 00:32:40.920
Obviously it isn't, but it would be even more effective if it was dark because it would be like, what are they?

405
00:32:40.980 --> 00:32:41.819
Are they flying machines?

406
00:32:41.819 --> 00:32:42.839
Are they animalize?

407
00:32:42.900 --> 00:32:45.720
Um, you know, exactly what is it?

408
00:32:46.019 --> 00:32:51.839
I think it works in the episode, like you said, but if it was darker, it would be even more effective.

409
00:32:51.900 --> 00:32:59.940
I mean, it's kind of shot day for nice or maybe very late in the day because it's very dim, but I think Dave, it just shows you.

410
00:33:00.000 --> 00:33:08.759
David Maloney is ringing everything out of the script in the hands of, dare I say it, Penet Roberts in series A. It would have been fairly risible, I think.

411
00:33:08.819 --> 00:33:17.519
I actually have a list or I have some notes of, because in the script, Terry kind of tries to direct it through the script a bit.

412
00:33:17.579 --> 00:33:22.259
As writers do, particularly senior writers describing how he wants things shot.

413
00:33:22.319 --> 00:33:26.039
And a lot of those, Maloney does something completely different instead.

414
00:33:26.220 --> 00:33:33.660
So I don't know if you'd be interested in some examples of things that we know that David Maloney bought through the process of directing.

415
00:33:33.720 --> 00:33:34.380
Oh, go on.

416
00:33:34.380 --> 00:33:44.160
For example, seeing the spear in shot when Villa is accosted by the primitives for the 1st time, that's not scripted.

417
00:33:44.220 --> 00:33:51.599
It's the idea that the audience sees the spear and Villa doesn't and he's looking at us and then he looks down and then you come back.

418
00:33:51.779 --> 00:33:58.380
What's written is that they kind of come up behind him and the audience see them, but he doesn't.

419
00:33:58.440 --> 00:34:07.079
But doing it with the spear is a much kind of wittier way of implementing the same, the same physical, um, thing.

420
00:34:07.140 --> 00:34:09.420
I think that's a that's a really good example.

421
00:34:09.480 --> 00:34:12.900
Um, none of the point of view shots are scripted.

422
00:34:12.960 --> 00:34:20.880
Oh, yeah. that we have in the, in the liberator, um, you know, in the liberator, murder mystery.

423
00:34:20.940 --> 00:34:24.000
Well, they're creeping up on the guard outside Avon and Dana's room.

424
00:34:24.119 --> 00:34:25.199
Yeah.

425
00:34:25.199 --> 00:34:30.420
The other thing I think is quite interesting is that Villa being spoon fed by Zian Barr.

426
00:34:30.900 --> 00:34:32.820
That's not in the scratch.

427
00:34:32.940 --> 00:34:34.380
Lovely fried rice I think you'll find.

428
00:34:34.920 --> 00:34:50.639
But I think, you know, you talk about villa or, you know, I was only going to be interested by a pretty girl, that sort of slight infantilising of him and making him more helpless and in the script he's just given some food and he sits and eats it with his hands whilst they, whilst they talk to him, which I think is really nice.

429
00:34:50.880 --> 00:35:02.820
Um, Also, amazingly, for possibly the 1st time in the history of Blake 7 or Doctor Who, uh, nation asks for 4 extras as troopers, and David Baloni has five.

430
00:35:03.719 --> 00:35:13.139
They actually get, they actually get more bodies than they ask for. which means that at the end, in the last scene.

431
00:35:13.199 --> 00:35:16.260
It's 3, well, in the last scene of the murder story.

432
00:35:16.320 --> 00:35:23.639
It's 3 against three, whereas if you'd gone with what was scripted, it would be 3 against two, it sort of raises the stakes to do it that way.

433
00:35:23.699 --> 00:35:25.079
And also, it's the beginning of the season.

434
00:35:25.139 --> 00:35:26.579
They can push the boat out a little bit.

435
00:35:27.480 --> 00:35:34.440
Yeah, they've still got, they've still got money in the, uh, in the Nicker elastic fund, as JNT used to call it.

436
00:35:35.280 --> 00:35:37.980
Something on one of those POV shots.

437
00:35:38.039 --> 00:35:44.280
I was curious about because the 1st guard, of course, is Pat Gorman. famous Doctor Who Monster actor.

438
00:35:44.340 --> 00:35:47.280
And I thought, okay, here comes a stunt.

439
00:35:47.340 --> 00:35:51.059
Um, and it's like, no, they just walk out.

440
00:35:51.119 --> 00:35:53.460
He's in a chair, he's got the knife, he falls on the ground.

441
00:35:53.519 --> 00:35:59.699
And of course, Max Faulkner, who turns up later, gets thrown across the room because there's Max Faulkner twice, I think.

442
00:35:59.760 --> 00:36:07.739
So is I was wondering, James, is there anything in the script about the death of that 1st guard that isn't on screen?

443
00:36:07.800 --> 00:36:09.840
Like, does the POV shot continue and someone?

444
00:36:09.900 --> 00:36:10.800
No, interesting.

445
00:36:10.860 --> 00:36:11.579
Okay, fair enough.

446
00:36:11.639 --> 00:36:13.380
Transitionally relevant.

447
00:36:13.500 --> 00:36:21.179
Did you know Pat Gorman is in more episodes of Old Dot 2 than anybody who isn't William Harton or Patrick Trout and John Perby, Tom Baker or Fraser Hines?

448
00:36:21.239 --> 00:36:21.539
Wow.

449
00:36:21.599 --> 00:36:21.900
Wow.

450
00:36:21.900 --> 00:36:23.820
I don't I don't know.

451
00:36:24.059 --> 00:36:30.840
The only difference there is that it's not a, it's not a POV shot. the only difference.

452
00:36:30.900 --> 00:36:34.019
There's nothing kind of elaborate or exciting.

453
00:36:34.079 --> 00:36:41.039
I mean, Gorman did want to do more acting work, so maybe David Maloney was being nice.

454
00:36:41.099 --> 00:36:51.960
Maybe he was saying here's a little, here's a little acting part and you won't have to leap around. will get Max to do the tricky stuff and you can have a higher paid and less strenuous week.

455
00:36:52.559 --> 00:36:56.639
The other thing we get in this episode is an actual space dome.

456
00:36:56.880 --> 00:36:59.039
Uh, I have no idea.

457
00:36:59.159 --> 00:36:59.639
Where is that?

458
00:36:59.699 --> 00:37:02.340
Uh, I know they filmed it up.

459
00:37:02.400 --> 00:37:07.199
I think it was in York, Yorkshire, something like that up north, but I assumed it was a gasometer.

460
00:37:07.260 --> 00:37:07.800
Right.

461
00:37:08.340 --> 00:37:13.440
There's not a location list in the script, but there's a list of dates filming at Ripon.

462
00:37:13.500 --> 00:37:15.659
So that's nature, so it would be.

463
00:37:15.659 --> 00:37:23.940
I really like the fact that when we go inside, they've made a token effort of painting the backdrop, so it looks a little bit like the dome.

464
00:37:24.059 --> 00:37:25.980
Very token.

465
00:37:26.579 --> 00:37:29.400
I'd never noticed that before this time.

466
00:37:29.460 --> 00:37:30.659
I'm watching this time.

467
00:37:30.719 --> 00:37:31.980
I was like, that's really good.

468
00:37:33.000 --> 00:37:35.519
I was actually really impressed by that.

469
00:37:35.579 --> 00:37:37.559
So obviously I'm he pleased.

470
00:37:37.619 --> 00:37:45.780
I was going to say, and speaking of dorms, Servland's found a brass since last week and managed to find a way off the planet.

471
00:37:45.840 --> 00:37:50.579
Do we think it's the same planet that Dana came from, but the weather's turned a bit inclement that she's rescued from?

472
00:37:50.639 --> 00:37:52.199
That's a good question.

473
00:37:52.260 --> 00:37:56.159
It does look completely different, doesn't it, in the model footage.

474
00:37:56.219 --> 00:37:58.320
Although it's really nice model work, so I don't mind.

475
00:37:58.380 --> 00:38:04.440
I mean, I can only assume that the model work was done before location work, but yeah, it's really quite glaring, isn't it?

476
00:38:04.500 --> 00:38:07.079
She could be in a different part of the planet.

477
00:38:07.139 --> 00:38:12.059
A network of tunnels from the bunker that's, yeah, that she's able to.

478
00:38:12.119 --> 00:38:13.679
I mean, it is a terrination script.

479
00:38:13.739 --> 00:38:14.340
It's pretty likely.

480
00:38:15.599 --> 00:38:21.900
Yeah, she just turned her travel dial and found herself in the wings of madness or whatever.

481
00:38:21.960 --> 00:38:28.980
I mean, that 3rd plus at the episode, the Callian Serveland plot, I think, is even more enjoyable than the plot with Villa.

482
00:38:29.039 --> 00:38:36.539
It's great that she gets to be bitchy with Servlan. and like we said earlier, establishing that personal relationship between them that never existed.

483
00:38:36.599 --> 00:38:43.019
And that comedy sting when Kelly turns her head away to avoid being noticed is...

484
00:38:44.159 --> 00:38:46.619
To nudge fashion script again.

485
00:38:46.739 --> 00:38:52.500
I did notice this week that nation asks for 6 beds in that hospital room and he gets two.

486
00:38:55.380 --> 00:38:59.159
And he asked for quite a lot of extras and he gets none.

487
00:38:59.219 --> 00:39:11.400
And he said, can I have a poorly acted nurse and said they have an amazingly acted nurse who says things like I gave the captain your message, but I'm afraid he does have more pressing priorities. face Angela Rippon.

488
00:39:11.519 --> 00:39:13.980
Well, it is filmed in Rippon.

489
00:39:14.039 --> 00:39:15.059
Exactly.

490
00:39:15.599 --> 00:39:25.019
To go back to your thing about Servoland's, I'm president and supreme commander of the Terran Federation, I want to see a commanding officer, I want to see him here and I want to see him now.

491
00:39:25.079 --> 00:39:25.860
Well done.

492
00:39:25.920 --> 00:39:40.800
A friend of mine, when it was on UK gold in the 19s, missed a phone call because his phone was ringing and he felt obligated as that scene was on the television to stand there and recite the line with her and do the hand gestures.

493
00:39:40.800 --> 00:39:51.360
And then the phone stopped ringing and he was like, ah. on the Kelly plot.

494
00:39:51.420 --> 00:39:54.360
I realised at the end of the episode, it's like Jan gets a great week.

495
00:39:54.480 --> 00:39:57.719
She only has one scene where she's not sitting or lying down.

496
00:39:58.199 --> 00:40:02.579
Like when she sees Villa and reception and goes over and gives him a hug.

497
00:40:02.639 --> 00:40:04.500
That's the only scene where she's on her feet.

498
00:40:04.559 --> 00:40:06.179
I really love that moment.

499
00:40:06.300 --> 00:40:07.440
It's genuinely heartwarming.

500
00:40:07.860 --> 00:40:20.340
We don't know that the space ambulance is going to the same planet for quite a while, do we, that Villa's on, so the way those 2 seemingly separate storylines come together is really, really nice.

501
00:40:20.400 --> 00:40:22.199
It's gorgeous, though.

502
00:40:22.260 --> 00:40:25.860
I mean, it's slightly undermined by the fact that when Villa and Kelly are prepared for surgery.

503
00:40:25.920 --> 00:40:27.780
They leave their teleport bracelets on them.

504
00:40:27.840 --> 00:40:34.679
It doesn't quite make sense, but I actually really like that organ bank scenario.

505
00:40:34.739 --> 00:40:36.599
It's quite grim, even for Blake 7.

506
00:40:36.719 --> 00:40:38.039
Each to your own, you know.

507
00:40:38.039 --> 00:40:41.099
It's, again, it's another twist, right?

508
00:40:41.159 --> 00:40:45.840
It's another reveal and suddenly they can't move and but you're absolutely right.

509
00:40:45.900 --> 00:41:00.840
It's like they've still got the teleport bracelets on, and Servolin has never seen a teleport bracelet before, and so wouldn't gone, by the way, guys, you probably want to remove those, but um, yeah, it's got a really strong A-plot and a really strong A-plot.

510
00:41:00.900 --> 00:41:01.500
Yeah.

511
00:41:01.559 --> 00:41:03.119
And another strong A-plot.

512
00:41:03.659 --> 00:41:10.860
And actually, Servline is really, when she comes to gloat and like, catches on the villa's there as well.

513
00:41:10.920 --> 00:41:14.340
She's really loving the fact that they're going to be chopped up into organs.

514
00:41:14.400 --> 00:41:15.420
It's really venomous.

515
00:41:15.480 --> 00:41:16.559
I came to say goodbye.

516
00:41:17.579 --> 00:41:20.340
She really, really enjoys it, doesn't she?

517
00:41:20.400 --> 00:41:23.039
Yeah, and it's just like, I'm not even going to do it myself.

518
00:41:23.099 --> 00:41:26.579
I'm just going to leave them to do this to you.

519
00:41:26.639 --> 00:41:33.300
Yeah, because I was thinking that Servilan having managed to talk a way out of it through sort of bribery or anything like that.

520
00:41:33.360 --> 00:41:34.559
Why didn't they try that?

521
00:41:34.559 --> 00:41:40.380
Because the liberators got all these, all these kind of riches aboard hasn't it?

522
00:41:40.440 --> 00:41:46.739
which it reminds you of in this episode when one of the guards sort of steals something, but they don't know the liberators coming, do they?

523
00:41:46.800 --> 00:41:48.480
So they can't sort of rely on that.

524
00:41:48.539 --> 00:41:53.639
But you maybe have expected Villa to sort of, you know, then start try and spin his way out of it in some way.

525
00:41:54.119 --> 00:42:07.619
Yeah, well, Servan's kind of relying on, don't provoke an intergalactic diplomatic incident by chopping up the ruler of a nearby space empire because that's going to happen very, very badly for you.

526
00:42:07.679 --> 00:42:10.679
President, supreme commander and chop Siri of the Federation.

527
00:42:11.639 --> 00:42:20.880
Do you notice how, again, like without spoilers, her every time, pretty much every time she appears in this series, her title gets longer.

528
00:42:21.539 --> 00:42:24.179
She adds, she adds more things.

529
00:42:24.239 --> 00:42:32.940
So, like, I mean, without saying, but, like, keep an eye as you go through this season, guys, you will see that she she keeps adding extra bits onto the end of her titles.

530
00:42:33.000 --> 00:42:40.679
It gets more and more grandiose, so she's sort of consolidating herself in that position to which she's been elevated at the end of Star one.

531
00:42:40.739 --> 00:42:44.699
Doesn't Tarrant read out the string of them at some and it takes about half an episode.

532
00:42:45.719 --> 00:42:49.019
Holder of the sacred channel of reeks.

533
00:42:49.320 --> 00:42:57.480
Yeah, yeah, and Defender of Death. 7 out of Spatershead. of the 13 year olds and Battle Queen of the Shrats.

534
00:42:57.659 --> 00:43:04.320
Well, the other thing is, we just talked about everyone's full name being announced like Villa Restal and Kerr Avon.

535
00:43:04.440 --> 00:43:08.099
Is Servolan her 1st name or her 2nd name?

536
00:43:08.159 --> 00:43:10.380
Isn't she like Jane Servile?

537
00:43:10.440 --> 00:43:12.659
I think she is...

538
00:43:12.719 --> 00:43:13.440
All right.

539
00:43:13.500 --> 00:43:16.559
Or Servoland, Servoland. sort of full name.

540
00:43:16.619 --> 00:43:16.800
Okay.

541
00:43:17.159 --> 00:43:19.500
She's like Madonna, isn't she?

542
00:43:19.559 --> 00:43:20.280
It's just one name.

543
00:43:20.340 --> 00:43:28.440
Yeah, it's like the long running debate over whether meatloaf's name was meatloaf something, meatloaf or meat loaf.

544
00:43:28.500 --> 00:43:41.820
And a friend of mine, a friend of mine proposed that his name was actually Meetle O. Something I wondered, and it's never occurred to me before and I don't know why.

545
00:43:41.880 --> 00:43:47.820
Is it ever actually established why the liberator has that strong vault?

546
00:43:47.880 --> 00:43:55.920
Because it has it from like Cygnus Alpha because Jenna comes in and she's like, look, Ruby's, BBC plastic rubies.

547
00:43:55.980 --> 00:44:03.000
Like, the only thing I can come up with in universe, because outside of universe, it's just Terry Nation going, well, they have to pay for things.

548
00:44:03.059 --> 00:44:06.599
These, you know, these criminals and outlaws can't just go around stealing stuff.

549
00:44:06.659 --> 00:44:11.159
But the only thing I can think of is when Zen reads their minds.

550
00:44:11.219 --> 00:44:13.500
He's like, oh, rubies.

551
00:44:13.559 --> 00:44:15.239
Yeah, got a shitload of hours out of the back.

552
00:44:15.300 --> 00:44:15.659
Here you go.

553
00:44:16.860 --> 00:44:24.480
I think you'll find the reason is that Space Betan and Space Castia were accustomed to a certain lifestyle and they weren't going to give it up.

554
00:44:25.199 --> 00:44:31.139
I would also like to point out that Cali was badly burned in a space accident.

555
00:44:31.139 --> 00:44:32.579
A space accident.

556
00:44:33.059 --> 00:44:36.840
I think you'll find they were space burns in a space accident.

557
00:44:37.019 --> 00:44:40.800
I mean, we talked about the whole crew like picking them up.

558
00:44:40.920 --> 00:44:48.960
I do find it a little bit odd that Blake and Jenner's situations are given so much specific info when there's no follow-up.

559
00:44:49.019 --> 00:44:52.980
So it sort of dropped after this with just a couple of mentions.

560
00:44:53.039 --> 00:44:55.380
But did they just give up looking for Jenna?

561
00:44:55.440 --> 00:44:59.579
They know she's on a neutral cargo thruster in transit to the planet more finial.

562
00:44:59.639 --> 00:45:04.380
They know exactly where to find her and yet she's never mentioned again until one time.

563
00:45:04.440 --> 00:45:19.980
Yeah, I'm really fascinated, but by the way, they keep mentioning Blake and Jenner, uh, and we were sort of 2 episodes into the new series, but, uh, you know, we talked in the warship episode about how, you know, the characters have left, but there's no definitive, yes, they're gone from the ship.

564
00:45:20.039 --> 00:45:24.059
It's, you know, they're still actively looking for them and checking up on themselves.

565
00:45:24.119 --> 00:45:28.440
It's a really, really interesting way of doing it. you know, for viewers at the time.

566
00:45:28.500 --> 00:45:34.739
Uh, you know, I don't know if, you know, how much it was announced in the press or whatever, that the actors were leaving.

567
00:45:34.800 --> 00:45:40.079
But yeah, it must have been, I suppose, kept you guessing at the time if you were watching these as they went out.

568
00:45:40.139 --> 00:45:46.500
I mean, at the start of next week's episode, Volcano will have a fairly fleeting mention of looking for Blake.

569
00:45:46.559 --> 00:45:48.599
And that's the last we ever hear about it.

570
00:45:48.659 --> 00:45:53.760
It's just curious that they put so much emphasis on it and then drop it like a hot potato.

571
00:45:54.659 --> 00:45:59.820
Do you think it's a terry thing that Chris isn't so keen on?

572
00:45:59.880 --> 00:46:01.619
Yeah, could possibly be.

573
00:46:01.679 --> 00:46:10.139
And I know also there was early plans in the season. that the search for Blake was going to take up more of the story and they're actually going to find his grave halfway through the season.

574
00:46:10.199 --> 00:46:14.039
So it could have been something to do with that and then they just went in a different direction.

575
00:46:14.099 --> 00:46:15.599
But actually, I do quite like it.

576
00:46:15.659 --> 00:46:27.239
I like the fact that we have such specific info about the fact that Blake and Jenner are in a certain place and they are traceable rather than them just sort of disappearing from the season whether we haven't heard from them.

577
00:46:27.300 --> 00:46:37.920
But it's just that thing that, they tease John Sim and his character so much in ashes to ashes, and then never, ever deliver it.

578
00:46:37.980 --> 00:46:41.699
And it becomes incredibly frustrating.

579
00:46:41.760 --> 00:47:10.440
And I do think there's a danger that, you know, unless you've got somebody contracted to come back at a certain point or you've got a handshake agreement, that an actor will come back and do a thing, to tease something that you probably won't be able to deliver or that you have no intention of delivering, can really derail your show, and, you know, really derails those those shows, I think, and maybe they were just... really keen to not wind up in a situation like that.

580
00:47:10.500 --> 00:47:20.519
We had it quite recently, didn't we, in the 3rd season of Star Trek Picard, which is an extremely good season of that, where they keep mentioning Admiral Janeway.

581
00:47:20.579 --> 00:47:26.940
And then she doesn't turn up and you have the same kind of thing where you think, oh, don't keep talking about her if she's not actually going to put in an appearance.

582
00:47:27.000 --> 00:47:41.760
There's probably way they could do it with Blake, and I say, I don't know where it goes, is, is you could just hear about his still fermenting rebellion, you know, sort of elsewhere in the galaxy or whatever, and, uh, and they're just kind of, you know, supporting it on the uh, on the liberator.

583
00:47:41.820 --> 00:47:45.059
His rebellion being organised from the waitress car park.

584
00:47:45.119 --> 00:47:46.260
Yeah.

585
00:47:47.940 --> 00:47:54.300
Gareth Thomas was married to Sheila Wells, who was the makeup designer on Blake 7.

586
00:47:54.360 --> 00:48:12.659
Oh, and there is actually, he was actually on location for one of the mid-season episodes he wasn't in because he wasn't, he wasn't working and she had to go around in makeup location. and I can't remember which episode it is, but there are photographs of him on location for a season C episode.

587
00:48:12.719 --> 00:48:15.599
Or is he playing Tarantin Longshot or something?

588
00:48:15.659 --> 00:48:23.280
But it's just it's just kind of Gareth in a jumper with a cigarette. surrounded by surrounded by a version of the program that he's not in.

589
00:48:23.340 --> 00:48:24.780
Better version.

590
00:48:24.840 --> 00:48:31.380
In the days of Twitter had been around then, it would have gone crazy, wouldn't it, with speculation?

591
00:48:32.579 --> 00:48:44.400
The Blake 7 Liberator Chronicles volume 6 is set early in this series and attempts to explain why they stopped looking for Blake and Jenner.

592
00:48:44.460 --> 00:48:49.320
So there's one story, which is a Avon Tarrant story.

593
00:48:49.380 --> 00:48:56.099
Another story which is Jenna's story, and that's what it's called, and the final one is Blake's story.

594
00:48:56.159 --> 00:49:01.500
And they're very good and they offer the most canonical explanation we're going to get.

595
00:49:01.679 --> 00:49:05.940
The universal reason should have been that Avon didn't want to.

596
00:49:06.000 --> 00:49:11.760
He didn't want to find Blake, and that could have been dealt with, and it could have been an interesting character beat.

597
00:49:11.820 --> 00:49:18.119
But they sort of shy away from that maybe as part of trying to make even a more heroic figure, but it would have been interesting.

598
00:49:18.480 --> 00:49:29.519
But it's quite interesting actually, again, to go back to the script, is that one of the lines that is cut, I even has a line where, you know, when he says we need to get on and rescue the others.

599
00:49:29.579 --> 00:49:30.960
Except Blake.

600
00:49:31.019 --> 00:49:34.679
Well, and Dana says why?

601
00:49:34.739 --> 00:49:37.980
And he says, because I might need their help to take back this ship.

602
00:49:38.039 --> 00:49:39.360
Right.

603
00:49:39.420 --> 00:49:53.219
So maybe having taken back the ship, and already being on course to pick up Villa and Cali, he no longer is going to find them because he doesn't need the help to take back the ship because he doesn't want Blake on his ship anyway.

604
00:49:53.280 --> 00:49:58.619
So maybe that's Terry's glimmering explanation, which just, you know, isn't in the finished episode.

605
00:49:58.679 --> 00:50:00.840
It's just, um, it's just not there.

606
00:50:00.900 --> 00:50:07.920
And you can believe from a character point of view that Avon would have quite liked to have Callie around and Villa just happened to be with her.

607
00:50:07.980 --> 00:50:15.780
But I also think from a character point of view, he didn't yet know that Tarrant was a pilot, and so maybe he would have gone after Jenner as well.

608
00:50:15.840 --> 00:50:21.059
I mean, it's all a little bit muddy, but it gives a reasonable explanation for why he just stops looking.

609
00:50:21.119 --> 00:50:24.719
Yeah, and he does say about Villa in another episode, doesn't he?

610
00:50:24.840 --> 00:50:26.400
As a talented thief is always useful.

611
00:50:26.460 --> 00:50:26.940
Yeah.

612
00:50:26.940 --> 00:50:33.360
So, Villa has his uses to Ava always. is always able to make use of Villa, isn't he?

613
00:50:33.420 --> 00:50:43.920
And do we think, Darren, does enough to earn Avon's trust in this episode to be inducted into, you know, into Zen's sort of command programs at the end?

614
00:50:43.980 --> 00:50:45.239
I was a little bit surprised by that.

615
00:50:45.300 --> 00:50:49.559
With Dana, I think you can see that they've had 2 episodes of adventures together.

616
00:50:49.619 --> 00:50:58.079
Um, whereas you say, say there was Tarrant was still a little bit, um, you know, a bit murky in his origins and whether he was telling the truth.

617
00:50:58.139 --> 00:51:04.860
But when they're, when Avan and Tarrant are together alone in the cell, Terrence got a gun and Avan hasn't.

618
00:51:04.920 --> 00:51:09.480
And at that point, Tarrant could shoot Avon and take the ship himself.

619
00:51:09.480 --> 00:51:13.260
And what he does is hands-avon, the gunner says, you're going to need that.

620
00:51:14.039 --> 00:51:26.099
So, I mean, I think that's the moment that he earns a measure of trust because I think Aden is aware that at that point, it's all over for him in less Tarrant makes that decision. if he goes the other way.

621
00:51:26.159 --> 00:51:28.019
He's completely lost.

622
00:51:28.079 --> 00:51:31.260
So there's an element of trust there from that, I think.

623
00:51:31.320 --> 00:51:35.099
Doesn't he still need Avan to access Zen at that point, though.

624
00:51:35.159 --> 00:51:36.179
Yeah, you're right. right.

625
00:51:36.420 --> 00:51:39.539
He needs him alive to...

626
00:51:39.599 --> 00:51:41.340
And also, there are 5 positions on the bridge.

627
00:51:41.400 --> 00:51:43.920
You can't just have four.

628
00:51:45.179 --> 00:51:51.239
Yeah, putting Aurac up in Gan's position. doing more than gather for this.

629
00:51:51.300 --> 00:52:01.500
I have heard an interview with Paul Darrow, where he talks about, you know, of course, as Paul Darrow, I love Stephen and I love Gisette, but as Avon, I complained about that scene.

630
00:52:01.559 --> 00:52:06.300
Paul Darrow said, Avon would not program them into the computer.

631
00:52:06.360 --> 00:52:14.639
He's just he's just, you know, whittled down his competition, basically, for commanding the ship to another 2 people aside from himself. putting them in there.

632
00:52:14.699 --> 00:52:23.579
And David Moloney pretty much said, Paul, we've written the next 6 scripts and they give Zen orders and we're not doing the thing where they give you the order and you give it to Zen.

633
00:52:23.639 --> 00:52:25.619
Do you want more line flirt, Paul?

634
00:52:25.679 --> 00:52:27.539
Because that's what will happen.

635
00:52:27.599 --> 00:52:29.639
And he's kind of right though, yeah.

636
00:52:29.699 --> 00:52:30.059
Yeah.

637
00:52:30.119 --> 00:52:38.460
And the way Darrow tells it is, you know, he just he just kind of laughed it off, but he's like, he's like, you know, it's bothered me for 30 years that A Voden wouldn't do that, but I understand.

638
00:52:38.519 --> 00:52:41.280
It's a show with more than one person in it.

639
00:52:42.119 --> 00:52:45.059
I don't I don't think he always understands that.

640
00:52:45.119 --> 00:52:48.539
He might have taken the opportunity to have wiped Villa's voice print just for fun.

641
00:52:48.719 --> 00:52:52.019
Maybe they could have held it back, couldn't they?

642
00:52:52.079 --> 00:52:53.760
They could have said you're not getting that yet.

643
00:52:53.820 --> 00:52:54.480
Yeah.

644
00:52:54.539 --> 00:52:59.579
And they was getting it in 3 or 4 episodes time just to add a kind of little crest.

645
00:52:59.639 --> 00:53:09.300
Can we just have a round of applause for that really beautiful sweeping pan across the Liberator flight deck when we 1st encounter it in this episode?

646
00:53:09.360 --> 00:53:14.099
It's clearly been all polished up and repaired between seasons and it looks absolutely gorgeous.

647
00:53:14.219 --> 00:53:16.019
It looks the same.

648
00:53:19.440 --> 00:53:21.840
Which is absolutely good.

649
00:53:21.840 --> 00:53:22.559
You're right.

650
00:53:32.099 --> 00:53:35.760
Thank you very much for joining us to talk about PowerPlay.

651
00:53:35.820 --> 00:53:39.420
We'll be back next week, getting ourselves into a lava, discussing volcano.

652
00:53:39.480 --> 00:53:50.760
In the meantime, you can find us wherever you get your podcasts and keep up with us on the maximum power website, maximumpowerpodcast.com, where you'll find links to our Twitter account as well as links to our other podcasts.

653
00:53:50.820 --> 00:53:58.500
Bondfinger, Flight Through Entirety, Jody Into Terror, Trap One, Untitled Star Trek Project, and BJBJ Game Show.

654
00:53:58.619 --> 00:54:00.719
Thank you very much for listening.

655
00:54:00.780 --> 00:54:01.199
Goodbye.

656
00:54:01.260 --> 00:54:01.739
Goodbye.

657
00:54:01.800 --> 00:54:02.219
Goodbye.

658
00:54:02.280 --> 00:54:03.179
Goodbye.

659
00:54:03.239 --> 00:54:04.199
Goodbye.

660
00:54:06.000 --> 00:54:08.099
Switching to manual.

661
00:54:08.219 --> 00:54:10.139
Maximum power on all drives.

662
00:54:13.260 --> 00:54:15.239
Maximum power.

663
00:54:21.960 --> 00:54:24.239
Thank you very much for listening.

664
00:54:24.300 --> 00:54:24.599
Goodbye.

665
00:54:24.659 --> 00:54:26.039
Goodbye.

666
00:54:26.099 --> 00:54:26.579
Bye.

667
00:54:26.639 --> 00:54:27.119
Bye.

668
00:54:27.239 --> 00:54:28.260
Goodbye.

669
00:54:28.320 --> 00:54:30.539
What is the PJPJ?

670
00:54:30.599 --> 00:54:33.059
That took my gaming.

671
00:54:33.059 --> 00:54:33.719
That was your makeup.

672
00:54:33.780 --> 00:54:34.980
Oh, yeah, of course it is.

673
00:54:35.039 --> 00:54:37.079
Sorry, I thought it was the ones we said we were gonna make up.

674
00:54:37.139 --> 00:54:39.000
That was brilliant.

675
00:54:39.059 --> 00:54:39.900
Sorry.