WEBVTT

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This transcript was created on 2026-06-07 at 21:54:40

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Maximal power.

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Welcome back to Maximum Power, the podcast that is putting you on trial, and your oneness may be absorbed.

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This week, we are discussing trial.

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Yeah, who knew a clue was that you put a clue in that intro, didn't you?

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I did.

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I'm making this up on the spot, you could tell.

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Anyway, I'm psy.

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I'm Colin.

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I'm Paul and I'm Pete.

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And we're here to discuss the aftermath of Gan's death in Chris Boucher's 3rd script for the 2nd series of Blake 7, or series B, as I should correctly call it.

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Trial.

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So, Paul, welcome to the podcast.

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What do you think of trial?

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Personally, I think this is one of the best episodes of Blake Seven.

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It's certainly one of my favourites.

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I think.

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It sets up the rest of the season, then... follows.

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That is, you know, will be for future episodes.

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But yes, it's one of my favourites.

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Oh, what about you, Pete?

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Yeah, it's really good.

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I, I, it has its peculiarities, um, to put it mildly, and that's what you want from late seven, you know, just, don't just want it to just trundle out straightforwardly.

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And it's A plot and it's B plot, seem extremely distant, physically, but obviously thematically, I see what's happening here.

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There's a trial and a trial.

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There's more than one type of trial.

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Uh, so, yeah, I think this, whoever this um, Chris Boucher is, I think you could go a long way in script, right?

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about time they gave him a go to write, probably.

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Although it's a bit a non-terri nation episode, and straight away, we're down on a planet with alien plants squirting stuff in your face and whatnot.

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So it's clearly still playing true to Terry Nation's vision of the universe.

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No, it's great to be back on Planet of the Daleks, or Planet Genesis, from Star Trek 3, really is.

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Well, technically, we're on, um, we're in the Matrix, because it's the same location as used in the deadly assassin.

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Interestingly, I used to work there.

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So my very 1st in the matrix.

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Yeah, my very 1st job. was at the Royal Alexandra and Albert school, which is where this, this, the location stuff's filmed.

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And they have a wonderful grounds.

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It's a it's a boarding school.

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And they have a fantastic park with a Japanese garden, which I think they use some of it here, and a lake, which they don't use, but which is used in deadly assassin.

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Sorry, I was just thinking of the Japanese garden from police squad, I'm sorry.

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Cool.

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But so when you were there, did you hunger or, you know, did you sort of forage in the ground?

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I was always concerned for my oneness, I have to say.

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Well, those BBC one items are atrocious.

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It's no wonder that everyone is very concerned about.

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Brazil in particular is very concerned about them and who can blame them.

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So, yes, let's talk about zill first, shall we?

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Because it's one of the very rare aliens in Blake 7.

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And I think she's rather cool.

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I really like her.

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She moves very well and is very interesting.

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Yeah, she is.

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I like the way she, um, learns Blake, learns English in, you know, maybe 10 seconds or something.

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She's sort of listening to a bit and suddenly has all the vocabulary, but the way she plays it, sort of trying to get words out is kind of nice.

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And it is quite, it's an odd sort of performance and it's an odd kind of character, um, to, you know, trying to get across to Blake that, you know, you are important and, you know, I sort of thought I was protecting you because I thought you were an egg or something.

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It gets a bit trippy.

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Okay.

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I do wonder what her agent, what she thought when her agent phoned her up with this job.

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By the way, you're going to be in like a weird little leo dart and have to sort of move about sticking your tongue out all the time.

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Yeah, you're basically a flea who helps someone get up with the fact that he's killed one of his friends.

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Can you just could have come bring that a place of realness to that part, please, love?

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Yeah.

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She, um, and it's one of his performances that, like, I mean, it's not a Star Trek performance.

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It's not a cinematic universe performance of any kind, is it?

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It's the sort of thing you'd be much more likely to see in a kid's show, because it's really, but it's, but it's, and I'm say that in a good way, because it's, it's, it's just really honest, and like, imagine if somebody was, or just sort of lizardy type flea thing.

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Um, but how would that kind of creature react?

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And yeah, it's, people often always use theatrical in a, as if it's actually put down, but I don't think it is at all in some instances.

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And with this, she's just acting her flipping green socks off to, to be that creature.

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Yeah, she's making her really alien and the way she moves and uh, talks is just really great.

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I really like her.

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So, yeah, it's probably better than the moon discs, which is our other alien that we've encountered so far this season. so.

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I think as well, that her storyline is quite interesting.

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Because obviously I guess we'll get onto this.

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Obviously, it's very much, um, it's thematically linked to, to what's going on with Blake and Travis. around this idea of a sort of family.

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So whereas Travis is being rejected by his family, and Blake is choosing to run away from his family, Zeal literally cannot have a family, you know, because if they, if too many of them get together, then they get absorbed by the planet.

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And so she literally has to be on her own to survive.

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And so that's quite an interesting contrast to the other two.

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It's a lot in this episode, isn't there?

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Yeah, and I, when I started watching it, at 1st I was thinking, I mean, I was thinking, wouldn't it be better if Blake had actually had a mission to go on, a thing to do, but then, as it progresses, it starts to thinking, no, because, yeah, exactly the point is he doesn't.

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The point is, I think, well, you know, the mission is the women in leotards that you meet along the way.

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But that it's, I mean, I'm the oneness, and is he, and finding that thing of, am I worth coming back to?

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I love the, um, the, the music, but just before we, because well, we're still on the end of the jungle, the the music down there, the bongos, the sinister bongos that Dudley's everyone reaches for sometimes, uh, I think that harks back to um, Planet of the Apes soundtrack or, well, 60s genre films in general.

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I think you get quite a lot of that, but that really really tense.

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And the, yeah, the fact that they haven't given him a specific quest that he's got to do is an interesting choice because it just puts basically different to a typical episode.

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Yeah, I like the fact that he's going down to think about what's happened and sort himself out, and then he gets embroiled in this adventure, that he's not expecting, that actually sorts him out better than him just wallowing in self-pity would have done.

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Is it is it convincing though?

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I...

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He just, he doesn't seem upset, really.

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He's just like, anyway, I'm just popping down to this planet. you know, I don't need a gun.

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Rack, would you mind?

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I thought he was Tetchy.

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I wrote down Blake is being tetchy towards...

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Tetchy is as hard as it gets.

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I wrote Blake is a whiny little child in this running away from his responsibilities.

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And I think I think to me, that's how he always comes across.

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Like, he's making this all about him.

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Which I think is an interesting side of Blake's character.

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And everyone's making the most of it, right?

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Yeah. absolutely every opportunity.

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Oh, I just love the way he just turns around to him at one point and just says, well, at least I don't get them killed.

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Just, yeah, just rub it in, Abel.

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Go on.

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Every line is everything out.

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Avon doing it.

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He's not doing any plot up there. but he's but he's just absolutely owning it and yeah.

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And he makes that point really, really clearly.

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It's like to distance him from being one of Blake's followers.

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At least your other 3 are still around.

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But if you do one more fuck up, they're out of here.

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Yeah, and he's clearly the least upset about Gand.

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There's a bit where Villa said, I wish Gan was here.

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And and Avon replied pretty much, well.

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That useless...

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I'm bleeping my phone.

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Well, we are introduced to WWGD this episode.

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It really is that it's like, I wonder what Gam would do if he were here.

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Well, he'd say, is there a message?

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Would he?

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Okay, maybe he would.

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Well, I'm sure he probably wouldn't.

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It wouldn't have been given the dialogue, exactly.

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We've got the 2 biggest supercomputers in the galaxy and they've switched off notifications on both of them. in your inbox.

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And that message that Blake Blake gives.

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It's strange the way he talks, he says, you, if I see you there, it really sounds like he's using the singular U. like there's a there's a way that he phrases something.

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But I guess that's because we're meant to think, you know, he doesn't know who's actually going to put it on.

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Um, yeah, it's a, it's an odd choice, but it's a, it's a dramatic choice.

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Yeah, and the characterisation of Blake is really carrying on through what we've seen in the series so far.

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So we've seen him um being very single-minded against the Pterra Nostra.

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And then last week in pressure point, we've seen it be all about him and not even caring what everyone else thinks.

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So it is fairly consistent.

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And he does seem to snap out of it a little when he comes back to the liberator at the end of the episode.

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He's a bit more series A Blake, but only a little bit. have to do his face at the end because it's, you know, it's like last week's where everyone's happy at the end.

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The thing about the other thing about the message is that you can tell Avon is immediately pissed off that Blake is leaving such a good message.

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You know, it's like, well, glad you guys managed to, you know, switch your phone on and play this message after all or wasn't sure if you would.

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And then, you know, Avon's advantage as to like, oh, fuck, he is coming back after all.

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Oh, God, they all, they all do like him.

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And it's like, you bought that?

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Did you?

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or you swallowed that villa or something like that?

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So it's just, it's some terrific, you know, Baucherian, copyright, Nathan, um, dialogue going on there.

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I think it's the best Avon dialogue and the best sort of Avon performance so far.

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There's an interesting bit with Jenna, as well, where she always seems to kind of strop out of the flight deck, because Blake didn't tell her or something, I presume.

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I think that's an interesting little moment.

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Yeah, because she says, doesn't she?

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She says, I don't trust unless I'm trusted in return.

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Yeah.

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So it feels like she should be siding with Blake, but because he hasn't confided in her, she is not, she's going to have to think about this.

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And when Avon suggests they run off and she flounces off the flight deck because of that, she's not having it.

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She's still shocked that he would dare to use a secret classification code.

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How could he possibly do that?

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And she gets that great exchange with Avon where she says, what would you know about guilt?

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And he sits there smirking, says only what I've read.

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Yeah.

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Again, when they're all dealing with their guilt and their grief, he can't resist every joke about how clever and astute and cool and cold he is.

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You also get, and the fantastic line later on when they talk about there being a flood.

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The half the planet is in danger of flooding, and he gets to say, let's hope Blake's on higher ground.

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Like, you sort of turn to the camera and go, and that's another double meaning for you.

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Oh, I can do that at all.

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No, that yeah.

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But this is why we bring people.

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Even in her most, and like you said, Jenna's the one, she's like his most faithful disciple really, isn't she?

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If we want to go down that route.

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She's the one who trusted him 1st and she's the one who trusts him most sincerely, probably.

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And even under all this stress, she still uses the word whom correctly at one point, which I don't think that shows the top.

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I'm taught like a pirate date.

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She taught like a space pirate day.

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It's Jenna, you're conjugating your sentence is quite assiduously.

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And that's the other reason we bring Pete on.

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I'm cheaper than Nathan.

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I have a question.

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Do we spend more time in this episode talking about how sad we are that Gan is no longer with us?

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Or is more time spent talking in time flight talking about that Adric is no longer with us?

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Which of these is the most impactful?

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I think we've got more about Gan here?

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Although actually it's more about the after effect and the effect it's had on their legends than actual the effect of Gan's death, isn't it?

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So there's the great exchange where Blake says every bounty hunter will now know that we are fallible.

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Yeah.

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And, um, that they've come to believe in their invulnerability, and then suddenly that's taken away from them.

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So is it too late to stop buying into that or do they need to just reestablish that, which is the route that they go down?

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Yeah, because they're not just going to cruise around the universe doing occasional heists and everybody's fine.

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And like, yeah, you wouldn't get a death of a character in Star Trek in those days.

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And it was a huge thing when they did it with Tasha Yar.

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I don't know if they could do an episode in series D, yesterday's Liberator, where they come back and be, again from a parallel universe who hadn't pointlessly held open a door that was closing very slowly.

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They could have all just run through.

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Everything is very, very different.

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And he's never, you know, although they do address it in this episode and it's well done, his name is never, ever mentioned again in Blake 7.

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That's it.

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Yeah.

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Well, there we go.

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That's a good fact, which I read somewhere, and if it's wrong, it's not my fault.

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So, I mean, as well as um, Blake and his crew dealing with the aftermath of pressure point, um, Servlan and Travis are also dealing with this, and, um, uh, Servlan is holding Travis to her promise of burying him, um, after after the most wonderful slap last week.

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So we've got this, the actual trial, not the metaphorical trial of Blake, the actual actual trial of Travis.

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Fuckload of characters in this.

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There really is, isn't there?

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There's a lot of characters.

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Senator Ron Seal, Senator Exposition, who are here to talk about the BBC canteen.

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I'm sorry, Space Command canteen.

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Oh, that's great.

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I should have brought my... shall we die?

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But they're back from Siclocate Destroy, which is brilliant.

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Yes.

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And they do a similar role in this, don't they?

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They're that sort of Greek chorus. sort of role.

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That's right.

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I like the guards as well.

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Oh, Trooper Park.

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Trooper and Trooper...

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Exposition...

207
00:16:34.019 --> 00:16:43.799
Is it only me that thinks of ABBA every time someone says super. what was the number one this week?

208
00:16:44.039 --> 00:16:45.840
Still blondie.

209
00:16:45.899 --> 00:16:47.820
Aver or not number one this week.

210
00:16:47.879 --> 00:16:49.200
We were a little bit out of things.

211
00:16:49.259 --> 00:16:52.379
Yeah, this would be a perfect time for Super Trooper to have come along.

212
00:16:53.820 --> 00:16:58.740
But it's the 1st Federation guards we've seen without the helmets on.

213
00:16:58.980 --> 00:17:01.500
So can they now shoot straight?

214
00:17:01.559 --> 00:17:03.059
They don't really get a chance, do they?

215
00:17:03.120 --> 00:17:07.559
Well, I love the, I love the thing of, ah, welcome, yes.

216
00:17:07.619 --> 00:17:08.700
No, before you can enter the courtroom.

217
00:17:08.759 --> 00:17:15.240
You have to speak into this exposition machine, which will just confirm who you are, while you're here and whether you're trustworthy or not.

218
00:17:15.299 --> 00:17:17.039
And one of the guards is Northern, isn't he?

219
00:17:17.099 --> 00:17:20.880
Um, uh, Kevin Lloyd from um, the Bill, from the Bill.

220
00:17:20.940 --> 00:17:22.079
Well, later, obviously.

221
00:17:22.680 --> 00:17:24.599
And it's on you.

222
00:17:24.660 --> 00:17:25.079
I don't know.

223
00:17:25.440 --> 00:17:31.079
It's always nice to hear non-RP accents in space this far back in time.

224
00:17:31.619 --> 00:17:51.420
Yeah, and that's a very Chris Boucher opening with um, 2 of the lesser characters talking about how boring their jobs are and how awful it is working um, and doing it is something he'll come back to in rumours of death next year where you've got the 2 commanders talking.

225
00:17:51.480 --> 00:17:55.740
And yeah, it's it's just, it just makes it seem like a real place, I think.

226
00:17:59.579 --> 00:18:06.900
So I was just going to say, I do like the um, guard that uh, escorts Travis into the courtroom.

227
00:18:06.960 --> 00:18:11.759
I think he's super superbly going for it, isn't he?

228
00:18:11.819 --> 00:18:15.779
He's got his couple of lines and he's he's given it everything.

229
00:18:16.140 --> 00:18:18.839
But he's not an escort.

230
00:18:19.140 --> 00:18:25.079
Has he been, is, are we meant to think that he grew up at the same, in the same place as, um, as, as Travis?

231
00:18:25.079 --> 00:18:28.619
and that's why he's sort of got a similar, slightly strangled shot me out?

232
00:18:31.680 --> 00:18:33.299
The whole battalion of them.

233
00:18:34.140 --> 00:18:39.779
But we do get Fred Elliott in his 1st role in Blake 7.

234
00:18:39.839 --> 00:18:41.880
What's his, what's the guy's name?

235
00:18:41.940 --> 00:18:43.200
can't remember John Savaden.

236
00:18:43.259 --> 00:18:44.099
John Savadon?

237
00:18:44.160 --> 00:18:44.400
Yeah.

238
00:18:44.460 --> 00:18:46.259
That's old star killer.

239
00:18:46.380 --> 00:18:50.759
Star Killer who just like seems quite nice. sort of ordinary kind of bloke, really.

240
00:18:50.819 --> 00:18:51.779
Not really a star.

241
00:18:51.839 --> 00:18:56.819
Yeah, he's quite restrained compared to his later appearance in the show, isn't he?

242
00:18:56.880 --> 00:18:57.900
I can't wait to see that.

243
00:18:57.960 --> 00:19:05.579
Okay But it's odd.

244
00:19:05.640 --> 00:19:15.299
It goes back and it starts doing a little bit of world building again that we did in the way back where you've kind of got kind of like a bit of a knockoff justice machine.

245
00:19:15.299 --> 00:19:25.440
Because in the last justice machine, it was like, here, you know, here's your glass tap from John Lewis, you know, put that in your side, put yours on that side.

246
00:19:25.500 --> 00:19:26.160
We've decided.

247
00:19:26.220 --> 00:19:30.480
And now it's like, well, give it to the prosecution, but you can still speak, but save your declaration to the end.

248
00:19:30.480 --> 00:19:38.220
And you know, it's still all decided and then not quite sure why they've gone...

249
00:19:38.279 --> 00:19:40.500
Well, of course, it's a spectacle, isn't it?

250
00:19:40.680 --> 00:19:48.900
although only the person that's really supposed to be watching it is Serviland secretly, but I surely they just have the justice computer.

251
00:19:48.960 --> 00:19:52.559
I think it's because they're on a space station and the Wi-Fi is no good.

252
00:19:53.099 --> 00:19:54.960
Space Wi-Fi.

253
00:19:56.640 --> 00:19:59.880
People have got sick of machines taking over all their jobs.

254
00:20:00.900 --> 00:20:03.480
Oh, less about Amazon, please.

255
00:20:03.779 --> 00:20:06.660
Maybe there's been a kickback from the judiciary.

256
00:20:06.720 --> 00:20:12.599
Well, speaking of which, frog Callie's out of a job, isn't she, now, that Aurac can operate the teleporter?

257
00:20:12.660 --> 00:20:14.880
That's like one thing.

258
00:20:14.880 --> 00:20:17.339
I'll be on strike if I was you, Kelly.

259
00:20:18.180 --> 00:20:20.400
Yeah, it is the 70s.

260
00:20:20.460 --> 00:20:21.720
Can you on strike?

261
00:20:21.779 --> 00:20:22.019
Yes.

262
00:20:23.759 --> 00:20:26.220
No, who haven't we mentioned so far?

263
00:20:27.000 --> 00:20:30.539
Well, Major Farnia. we're getting closer.

264
00:20:30.599 --> 00:20:31.559
Get it closer.

265
00:20:31.619 --> 00:20:34.019
Hasn't she got a wonderful accent?

266
00:20:34.079 --> 00:20:41.640
It's slightly sort of Swiss or posh ink, half English, half you're sounding a bit like, um, uh, breakfast at Tiffany's.

267
00:20:41.700 --> 00:20:44.220
Catherine Hepburn hint to it, I thought.

268
00:20:44.279 --> 00:20:53.940
Well, she does succeed in giving par what looks like a bottle of aftershave as just to get Travis on side.

269
00:20:54.000 --> 00:20:59.579
And isn't Travis, the like the stingiest pot shop poorer?

270
00:20:59.640 --> 00:21:02.099
It's not giving much to see.

271
00:21:02.160 --> 00:21:04.079
It's not Benolin, you know?

272
00:21:04.559 --> 00:21:08.099
No, it is good stuff. is good stuff.

273
00:21:09.059 --> 00:21:15.720
And the scenes between Major Valia and Servolan are just great.

274
00:21:15.779 --> 00:21:21.599
They are those 2 actors are just playing with each other and the cold cat and mouse thing.

275
00:21:21.660 --> 00:21:32.279
And Servlan is just so good with the, um, she says, uh, as if he were drugged and suddenly goes, of course not, and risk a mistrial, it's like, yeah, as if I, as if I would have drugged him.

276
00:21:32.339 --> 00:21:35.339
Oh, I mean, uh, oh, as if I thought about drugging.

277
00:21:35.400 --> 00:21:41.940
And the obvious little slips that she gets to give into the fact that she's clearly watching the whole thing anyway.

278
00:21:42.240 --> 00:21:44.940
Oh, the Guard Commander's report.

279
00:21:44.940 --> 00:21:46.859
Yeah, the room next door.

280
00:21:46.920 --> 00:21:48.480
She probably only just got a little...

281
00:21:48.480 --> 00:21:49.799
She probably got a little hatch.

282
00:21:49.859 --> 00:21:51.539
She just drilled a hole in it.

283
00:21:51.599 --> 00:21:57.599
Well, that's why the justice computer's not working then because she's using all the Wi-Fi to stream the video.

284
00:21:58.619 --> 00:22:00.480
That will be what it is.

285
00:22:01.859 --> 00:22:04.920
Is there any actual evidence in this trial?

286
00:22:04.980 --> 00:22:07.140
I mean, We don't hear him, no.

287
00:22:07.259 --> 00:22:08.099
No we don't hear it.

288
00:22:08.460 --> 00:22:16.799
I mean, we hear that 1000, we hear that there's 1417 people that Travis sort of slaughtered.

289
00:22:16.859 --> 00:22:18.839
And they're going to listen.

290
00:22:18.839 --> 00:22:20.579
And we can't be asking them all.

291
00:22:22.200 --> 00:22:24.900
But it doesn't feel like...

292
00:22:24.960 --> 00:22:33.539
Yeah, it doesn't turn into a like a full trial type episode in like we're weighing up evidence or anything because in a sense that doesn't really matter.

293
00:22:33.599 --> 00:22:52.079
What matters is Travis is kind of ahead of them up to a point where the sort of newly liberated liberator decides, oh, fuck it, let's go and blow some shit up. and they race along and they arrive and they have a little bit of a laser and they make a massive spark.

294
00:22:52.140 --> 00:22:56.160
And then instead of finishing their job, they go, oh, wow, Jesus, that's enough for today.

295
00:22:56.220 --> 00:22:56.940
Let's get out of here.

296
00:22:57.180 --> 00:23:00.420
And then I think start blowing up and all this stuff.

297
00:23:00.480 --> 00:23:07.259
And then Servolan is like sitting in her office and everything is fine after this massive explosion's gone off on the side.

298
00:23:07.319 --> 00:23:08.400
She's just sitting there going...

299
00:23:08.460 --> 00:23:10.140
Yeah, she's over the other side of the station.

300
00:23:10.200 --> 00:23:11.880
She's not next door, is she?

301
00:23:11.940 --> 00:23:14.400
Like, none of the lights flicker.

302
00:23:14.460 --> 00:23:20.759
You know, she's still, you know, beautifully dressed in her sort of cook's outfit with silver buttons stuck on.

303
00:23:20.819 --> 00:23:26.640
She, you know, she's completely unaffected until sort of Travis wanders in.

304
00:23:26.700 --> 00:23:28.559
And what's the line?

305
00:23:28.619 --> 00:23:31.559
She says something like, I wonder what the damage is like.

306
00:23:31.619 --> 00:23:34.500
And then Travis walks in and goes, hi.

307
00:23:34.559 --> 00:23:37.200
I thought he was like, hi.

308
00:23:37.319 --> 00:23:41.099
No, no, no, no, no, because he said she says, oh, casualties.

309
00:23:41.160 --> 00:23:43.799
And he says, hi, but rising all the time.

310
00:23:43.859 --> 00:23:45.180
No, he doesn't. not say hi.

311
00:23:45.240 --> 00:23:45.660
All right.

312
00:23:47.700 --> 00:23:49.619
I'm back, did you?

313
00:23:49.619 --> 00:23:58.259
But I think this is one of Jacqueline Pierce's really best performances as Serverland.

314
00:23:58.319 --> 00:24:02.099
She is so, she's just so cool in this episode.

315
00:24:02.160 --> 00:24:05.640
She's playing everyone against each other.

316
00:24:05.700 --> 00:24:17.099
She's getting what she wants and I, and she's, I keep coming back to this, but at the moment, she is so, her performances are so still and cool.

317
00:24:17.160 --> 00:24:21.240
She's not doing the flamboyant, big gestures all the time.

318
00:24:21.299 --> 00:24:27.779
She's really just small and yeah, I think she's phenomenal here.

319
00:24:27.839 --> 00:24:35.940
Yeah, and there's a bit where she's I mean, she can be furious and she's still completely cold and completely in cold.

320
00:24:36.000 --> 00:24:36.480
And composed.

321
00:24:36.539 --> 00:24:37.920
Yeah, and you get both of that.

322
00:24:37.980 --> 00:24:40.319
You get all of that coming out of her performance all at once.

323
00:24:40.380 --> 00:24:44.759
It's an amazing balancing act for someone to channel all that into the.

324
00:24:44.819 --> 00:24:45.839
But the lines are so good.

325
00:24:45.839 --> 00:24:49.079
Like he's, he's so much better than anything I've got left.

326
00:24:49.140 --> 00:24:52.740
I mean, what, what, can you get that on Valentine's cards, do you think?

327
00:24:52.799 --> 00:24:58.079
I mean, let's go to moonpig.com and I'm sending you.

328
00:24:58.079 --> 00:25:03.420
Pete, you are so much better than anything else I've got on this podcast.

329
00:25:06.539 --> 00:25:16.920
The other thing I noticed in there, which I forgot to mention is just before the Liberator arrives, just behind John Savaden, Fred Elliott, there's this little white dot that's moving.

330
00:25:16.980 --> 00:25:17.819
There is.

331
00:25:17.819 --> 00:25:19.019
It's a little white dot.

332
00:25:19.079 --> 00:25:20.339
I think that's a really nice touch.

333
00:25:20.400 --> 00:25:27.599
Even though, you know, you don't really, you know, they don't really do spaceships outside of windows, but they can do a little white dot approaching.

334
00:25:27.660 --> 00:25:29.099
I thought that was good.

335
00:25:29.460 --> 00:25:36.720
So the only thing that will say, you tell me whether this counts as a negative or not, or whether it's a deliberate thing to sort of throw us off.

336
00:25:36.779 --> 00:25:44.039
But the real abruptness with which suddenly, oh, actually, let's go and attack us, let's go and attack serve lands, headquarters.

337
00:25:44.099 --> 00:25:45.779
Oh, I wonder if there's a trial or something going on.

338
00:25:45.839 --> 00:25:48.119
Well, of course, they don't they don't even know, do they?

339
00:25:48.180 --> 00:25:49.980
As far as they're concerned, it's just a drive-by.

340
00:25:50.039 --> 00:25:51.480
It's like an egging, basically.

341
00:25:51.539 --> 00:25:54.180
They're just trying to buy chuckets of stuff in it and running away again.

342
00:25:54.240 --> 00:26:04.380
Um, and like they, uh, would it be better if they'd been, if they'd known, if they'd called picked up some signal and they're like, this is our chance to kill Servan and Travis.

343
00:26:04.440 --> 00:26:07.559
But then it's not that kind of episode, is it?

344
00:26:07.619 --> 00:26:12.000
It comes back to just as with Blake's mission to the planet not being a mission.

345
00:26:12.059 --> 00:26:21.240
This is an instance of them not having an intelligence tip off that they're behaving on. just doing something completely spurious, which is like the lesson he's learned from the previous...

346
00:26:21.240 --> 00:26:22.740
Yes, don't do spurious things.

347
00:26:22.799 --> 00:26:24.299
Let's go and do spurious things.

348
00:26:24.359 --> 00:26:26.700
Is he a conservative cabinet minister at heart?

349
00:26:26.700 --> 00:26:33.900
Because basically, what have I learned from the 1st day whereas if I go ahead with a plan, it will lead to disaster and kill someone?

350
00:26:33.960 --> 00:26:35.400
So I just won't bother having a plan.

351
00:26:35.460 --> 00:26:41.819
Ultimately ends with quite severe consequences, doesn't it, with the...

352
00:26:41.880 --> 00:26:45.660
Well, yeah, because...

353
00:26:45.720 --> 00:26:55.619
Well, the sort of irony is, if they hadn't gone and attacked space control when they did, Travis would have been put to death.

354
00:26:55.740 --> 00:26:57.720
And he would have been killed.

355
00:26:57.900 --> 00:27:03.119
But because of Blake's actions, actually, Travis ends up surviving this.

356
00:27:03.119 --> 00:27:04.920
It's good.

357
00:27:04.980 --> 00:27:06.180
It's irony.

358
00:27:06.240 --> 00:27:08.759
Yeah, dramatic irony, isn't it?

359
00:27:08.759 --> 00:27:09.000
Yeah.

360
00:27:09.059 --> 00:27:10.920
What do we think of Serverlands?

361
00:27:11.099 --> 00:27:13.799
reaction to his survival.

362
00:27:13.859 --> 00:27:15.900
She just seems amused by it.

363
00:27:15.960 --> 00:27:17.519
I was like, oh, go on then. off you go.

364
00:27:17.579 --> 00:27:18.480
That's a mute.

365
00:27:18.539 --> 00:27:23.579
I mean, well, she's doing it at gunpoint, so maybe that's just the way, just the demeanour she adopts.

366
00:27:23.640 --> 00:27:35.279
But it's almost like it's occurring to her that having him out there being rogue could actually end up playing to her advantage because then she won't get blamed for anything he does and he might cause chaos that could be to her benefits.

367
00:27:35.339 --> 00:27:37.859
I don't know if I'm overthinking it or if that's where she's going.

368
00:27:37.920 --> 00:27:41.460
No, I think I think that's where she's thinking, yeah.

369
00:27:50.519 --> 00:27:54.299
So I was thinking a little bit about the themes of this episode.

370
00:27:54.359 --> 00:27:57.059
Obviously we've got trial versus trial.

371
00:27:57.119 --> 00:28:05.819
Um, The, and I haven't really got my head around what Zill is on about and with the planet and everything and how that is related.

372
00:28:05.880 --> 00:28:08.220
Is that linked or is it metaphorical as well?

373
00:28:08.279 --> 00:28:10.920
It's important to be woke. the main thing that she keeps saying.

374
00:28:10.980 --> 00:28:11.880
She did say that.

375
00:28:11.940 --> 00:28:13.140
Good, good for her.

376
00:28:13.200 --> 00:28:14.759
I agree.

377
00:28:14.819 --> 00:28:20.039
But the other thing you get is this, the whole concept of time to think.

378
00:28:20.099 --> 00:28:32.940
It's not really a massive theme, but Travis says he didn't have time to think. whereas Blake has gone down to the planet for 13 hours to think, but actually he's just going to do it in his room from now on.

379
00:28:33.000 --> 00:28:34.380
Theme wise.

380
00:28:34.440 --> 00:28:43.559
I think this is all about how the individual fits into their different societies or families.

381
00:28:44.279 --> 00:28:47.819
Uh, and so you've got, you've got Travis.

382
00:28:47.880 --> 00:28:50.759
He's somebody that was basically raised in the military.

383
00:28:50.880 --> 00:28:53.339
And that is his family.

384
00:28:53.400 --> 00:28:59.880
That's what he's used to, that's his entire life, and he's being rejected by his family.

385
00:28:59.940 --> 00:29:03.059
So it's about how him as an individual reacts to that.

386
00:29:03.119 --> 00:29:09.180
Blake has decided to basically leave his family unit of the liberator and the crew.

387
00:29:09.240 --> 00:29:13.799
And he then comes back and is reabsorbed back into the family.

388
00:29:13.920 --> 00:29:18.059
Um, and then, and then zeal on the planet.

389
00:29:18.119 --> 00:29:22.619
Can't be with her family because they have to be alone in order to survive.

390
00:29:22.680 --> 00:29:27.720
But ultimately, she then gets reabsorbed into the whole, the planet as a whole.

391
00:29:27.779 --> 00:29:32.460
Um, But that's obviously a negative consequence for her.

392
00:29:32.579 --> 00:29:35.640
So that theme runs across all 3 sections, I think.

393
00:29:35.880 --> 00:29:38.279
I've been thinking about that for a while.

394
00:29:38.400 --> 00:29:41.460
Ever since you stepped into that Japanese garden.

395
00:29:41.519 --> 00:29:42.779
What the fuck does this episode mean?

396
00:29:45.299 --> 00:29:58.559
But you're right also, Colin, about the thinking thing, because the judge, um, Fleetwall, um, thingy, John Sabadon, that suit. um, yes.

397
00:29:58.619 --> 00:29:59.700
Old Star Killer.

398
00:30:00.299 --> 00:30:04.859
Call Travis, a savage, unthinking animal.

399
00:30:04.920 --> 00:30:12.000
And then Serverland switches that round and says, oh, savage thinking animals have a way of surviving.

400
00:30:12.059 --> 00:30:24.059
That's an interesting line, though, because essentially what they're doing is they know that Travis is absolutely a product of their military, what they've created.

401
00:30:24.119 --> 00:30:35.039
And so by, they have to call him that because by, if they don't, then they are sort of admitting that, that they're a part of this and that they're equally responsible.

402
00:30:35.099 --> 00:30:39.900
So they have to say, you're this, this, this, this, this brute.

403
00:30:39.960 --> 00:30:45.660
Um, and not a product of your training or our military.

404
00:30:45.720 --> 00:30:49.559
Um, Yeah, because they're incredible guilty.

405
00:30:49.619 --> 00:30:53.700
Yeah, he's been bringing homicidal fascist dictatorships into disrepute, basically.

406
00:30:53.759 --> 00:30:55.019
Yeah, exactly.

407
00:30:56.279 --> 00:31:00.900
And it's what, again, Paul says it, doesn't it?

408
00:31:00.960 --> 00:31:08.160
Whereas where he's asked whether he thinks Travis is guilty and he says, yeah, he gave the orders.

409
00:31:08.220 --> 00:31:09.480
We just did the shooting.

410
00:31:09.539 --> 00:31:14.039
We just did what we were told and it's always comes back to that.

411
00:31:14.099 --> 00:31:16.140
Yeah, he's the one in command.

412
00:31:16.200 --> 00:31:18.480
So he takes the takes the can for this.

413
00:31:18.539 --> 00:31:19.859
We were only obeying orders.

414
00:31:19.980 --> 00:31:21.119
Yeah.

415
00:31:21.180 --> 00:31:24.359
When you're up to your neck in slime and lasers.

416
00:31:25.559 --> 00:31:27.900
I love that.

417
00:31:28.500 --> 00:31:30.539
That's my band name.

418
00:31:32.099 --> 00:31:36.779
I just want to go ask a question really.

419
00:31:36.839 --> 00:31:45.900
What do we make of the fact that he's that Travis is on trial for a massacre on Zacaster?

420
00:31:45.960 --> 00:31:53.940
But obviously when he's introduced in season A, he's done a similar massacre on a place called Oros.

421
00:31:54.059 --> 00:31:55.859
And I wonder...

422
00:31:56.160 --> 00:31:56.819
I thought it was the same.

423
00:31:56.819 --> 00:31:57.720
No, it's a different planet.

424
00:31:57.720 --> 00:31:59.220
What a bastard.

425
00:31:59.279 --> 00:32:05.279
Yeah, so he's he's done it twice and there's some continuity era where they've forgotten the name of the...

426
00:32:05.279 --> 00:32:06.900
Oh, it's probably continuity era.

427
00:32:06.960 --> 00:32:07.380
No.

428
00:32:07.380 --> 00:32:13.559
I guess they forgot that they'd mentioned it, but maybe hadn't checked back.

429
00:32:13.619 --> 00:32:14.700
Did they not watch script box?

430
00:32:14.759 --> 00:32:15.599
We'll find out.

431
00:32:15.660 --> 00:32:17.279
Fuck out.

432
00:32:17.279 --> 00:32:23.579
Either that or Brian Croucher did one and Stephen Grife did the exact game.

433
00:32:24.359 --> 00:32:33.480
I mean, I guess I guess there's an idea that the Zacaster could have been earlier than the other one.

434
00:32:34.500 --> 00:32:40.799
And I think you, there's some justification for that because that wouldn't have been on Serverland's watch.

435
00:32:41.039 --> 00:32:43.559
She wouldn't have been supreme commander.

436
00:32:44.400 --> 00:32:44.700
Oh, yeah.

437
00:32:44.880 --> 00:32:50.160
So I don't know if they just decided that the Oros one was too...

438
00:32:50.160 --> 00:32:51.480
And hadn't he...

439
00:32:51.539 --> 00:32:54.059
Yeah, hadn't he already been punished?

440
00:32:54.119 --> 00:33:00.539
He'd hadn't he faced some kind of punishment or stripping of his rank because of that when Servalam 1st brought him in and she was bringing him into the cold?

441
00:33:00.599 --> 00:33:06.420
She was, I think she was bringing, like bringing him in from the cold, this disgraced man who'd been disgraced because of that massacre.

442
00:33:06.480 --> 00:33:09.420
And so maybe now it's like, oh, here's another massacre. he's done.

443
00:33:09.660 --> 00:33:11.940
He just can't stop the massacre.

444
00:33:12.000 --> 00:33:12.839
And I guess...

445
00:33:12.960 --> 00:33:14.279
You got to have a hobby.

446
00:33:14.339 --> 00:33:16.680
And it is, of course, the point with the...

447
00:33:16.799 --> 00:33:19.259
The point of the trial is that it is a stitch up.

448
00:33:19.319 --> 00:33:26.099
It's her trying to get him out of the picture before he can take, before he can call, be called as a witness against her.

449
00:33:26.160 --> 00:33:29.160
So, yeah, it's a blame storm.

450
00:33:29.220 --> 00:33:32.400
It's typical large organisation.

451
00:33:32.460 --> 00:33:34.259
Exactly the same in local government.

452
00:33:34.319 --> 00:33:35.099
Well, not exactly the same.

453
00:33:35.700 --> 00:33:37.440
Mash, yeah.

454
00:33:49.559 --> 00:34:02.460
And, of course, well, Brian Crucher gets his, as I believe it's pronounced, gets his amazing, amazing moment in the spotlight.

455
00:34:02.519 --> 00:34:09.119
So are all of you, moment, which I don't know how anyone could deliver that dialogue, really.

456
00:34:09.179 --> 00:34:13.559
I can't imagine Travis Wond doing it. even as it's written.

457
00:34:13.559 --> 00:34:14.940
Well, it'd be a bit more rather, wouldn't it?

458
00:34:15.000 --> 00:34:15.960
Yes.

459
00:34:15.960 --> 00:34:21.420
I think it's very much Brian Croucher's best performance in the role here.

460
00:34:21.480 --> 00:34:23.159
He is absolutely wonderful.

461
00:34:23.219 --> 00:34:27.360
I really like the, stop pulling faces, Colin, myself.

462
00:34:27.420 --> 00:34:28.980
Shut up, my love turn is great.

463
00:34:29.039 --> 00:34:33.119
No, when I saw Blake 7 the 1st time.

464
00:34:33.179 --> 00:34:40.619
I saw Travis Mark II before I saw Travis Mark I. So he always feels like proper Travis to me.

465
00:34:40.679 --> 00:34:42.960
So I've got my hands up there.

466
00:34:43.019 --> 00:34:45.239
Do you feel like about that with canine as well?

467
00:34:45.960 --> 00:34:49.139
He's got better hair than the other Travis as well.

468
00:34:49.739 --> 00:34:51.300
That's true.

469
00:34:51.420 --> 00:34:52.019
Yeah.

470
00:34:52.019 --> 00:34:57.000
And he's a bit vainer because he's had the face bit tidied up, so, you know.

471
00:34:57.000 --> 00:35:00.420
Yeah, he's got slightly less of an eye patch, hasn't he?

472
00:35:00.480 --> 00:35:06.539
And he does the Roxy music tribute act on the space station at the Christmas party as well.

473
00:35:06.960 --> 00:35:09.239
Is Brian Ferry impression?

474
00:35:09.599 --> 00:35:11.639
He doesn't.

475
00:35:11.639 --> 00:35:19.079
Did you spot the amazing in the midst of the trial room decompressing and or havoc breaking loose?

476
00:35:19.139 --> 00:35:22.380
He still managed to do a karate chop on someone as he walks back to him.

477
00:35:22.440 --> 00:35:23.699
Yes, does.

478
00:35:23.760 --> 00:35:25.500
That's the mark of a pro.

479
00:35:25.500 --> 00:35:31.079
On a par with the one Beryl Reed gives to a cyberman in Earthshock.

480
00:35:31.139 --> 00:35:32.340
Oh, Miss Pick.

481
00:35:34.139 --> 00:35:38.039
But no, I really like the Muppet Blake 7.

482
00:35:38.099 --> 00:35:39.000
Sorry.

483
00:35:39.059 --> 00:35:40.679
The must have played seven.

484
00:35:40.739 --> 00:35:43.139
Colin, what have you unleashed to our brains?

485
00:35:43.199 --> 00:35:44.099
What?

486
00:35:44.099 --> 00:35:46.260
The Muppets do blank seven.

487
00:35:46.320 --> 00:35:48.059
Miss Piggy's got to be Servolan, really, hasn't she?

488
00:35:48.119 --> 00:35:49.559
Yeah, absolutely.

489
00:35:49.619 --> 00:35:50.039
Yep.

490
00:35:51.480 --> 00:35:54.179
Kermit is obviously Blake.

491
00:35:54.239 --> 00:35:57.539
It's not easy being a massacre.

492
00:35:58.260 --> 00:36:00.179
It's not easy.

493
00:36:00.239 --> 00:36:01.860
It's not easy doing a massacre.

494
00:36:01.920 --> 00:36:02.579
Also, Tom.

495
00:36:02.579 --> 00:36:05.159
Fozy is definitely finner.

496
00:36:08.219 --> 00:36:09.059
I don't know.

497
00:36:09.059 --> 00:36:13.679
Avon would be both the guys at the back who watch.

498
00:36:13.739 --> 00:36:15.000
Oh, Statler and Waldo.

499
00:36:15.300 --> 00:36:18.059
I don't like this episode at all, Bill.

500
00:36:19.260 --> 00:36:22.079
Ah, generous is Janice.

501
00:36:23.760 --> 00:36:28.199
He apologise for the breakdown in your maximum power podcast.

502
00:36:29.340 --> 00:36:33.960
So anyway, Ryan Croucher gives some really good performance here.

503
00:36:34.019 --> 00:36:53.219
And I really like the fact that he's playing it like he knows exactly how this is going to play out and he plays it very blank and not giving anything away in the trial until he loses his rag finally. and shouts at, at, um, Thania, doesn't he?

504
00:36:53.280 --> 00:37:00.719
So, yeah, until then, he's been very restrained and very, and then suddenly you get the full Brian Croucher.

505
00:37:00.900 --> 00:37:10.500
And that's great because they all shout over each other, which is sort of, I think, quite unusual in these programs of this sort of era.

506
00:37:10.559 --> 00:37:14.039
But that, yeah, it's, I think it's really effective.

507
00:37:14.340 --> 00:37:26.940
You know, the other thing that's effective is when Blake leaves the message for them, he leaves sufficient time for Avon to come in and make a comment.

508
00:37:27.179 --> 00:37:29.159
That's the only other thing.

509
00:37:30.179 --> 00:37:33.000
It's like he knows one is going to come.

510
00:37:33.059 --> 00:37:34.440
So I just wait, yeah.

511
00:37:43.739 --> 00:37:54.119
So then we get the verdict and it is delivered most amazingly, like, you shall, in ascending order, lose your library card, have no lunch ticket. for tomorrow.

512
00:37:54.179 --> 00:37:56.519
Have to hand in your uniform and be murdered.

513
00:37:58.380 --> 00:38:00.719
You could have just cut straight to that.

514
00:38:00.780 --> 00:38:03.599
But I guess they're trying to make it. was growing up okay for you?

515
00:38:06.239 --> 00:38:09.119
I wasn't very good at karate chopping people.

516
00:38:09.179 --> 00:38:10.199
So, no.

517
00:38:10.260 --> 00:38:14.340
But, um, did you think, I mean, watching this for the 1st time?

518
00:38:14.400 --> 00:38:19.980
I've only seen it once before, and I do remember thinking, oh, well, this probably is going to be it for him.

519
00:38:20.039 --> 00:38:26.039
It did surprise me when he got away at the end, but it's an exciting ending.

520
00:38:26.099 --> 00:38:28.260
He is jam-packed this episode.

521
00:38:28.320 --> 00:38:32.699
It's full of, you know, you're not bored through any of it, really.

522
00:38:32.760 --> 00:38:41.940
I had this memory that the whole scene's on Sarcaster, Zencaster, whatever, on Genesis, went on for ages.

523
00:38:42.000 --> 00:38:43.500
But they don't really.

524
00:38:43.559 --> 00:38:47.159
It's only like kind of 10 minutes interspersed.

525
00:38:47.280 --> 00:38:49.619
And it's very much to the point.

526
00:38:49.679 --> 00:38:51.840
And then it's out on his back.

527
00:38:51.900 --> 00:38:57.719
I still want to do my, um, I still think it is Planogenesis, so I can do my, I want Genesis.

528
00:38:57.780 --> 00:38:59.219
Impression.

529
00:39:00.059 --> 00:39:02.519
Give me...

530
00:39:02.519 --> 00:39:03.059
Phil Collins.

531
00:39:04.739 --> 00:39:07.260
Oh, dare you set bastards.

532
00:39:07.320 --> 00:39:08.340
Sorry.

533
00:39:08.340 --> 00:39:32.400
And it's interesting because I always remember it seeming to take forever for Blake and everyone to turn up, but actually, it's only 5 minutes, but it always feels like a lot longer before they turn up, and I'm always willing it to be a lot longer because all the stuff with the Federation is still more interesting this week, particularly the politicking and everything else is going on.

534
00:39:32.460 --> 00:39:36.059
It's a twist that it's Travis who's on trial, isn't it?

535
00:39:36.119 --> 00:39:42.840
Coming into it straight out of the previous episode, you just, I just would have assumed that they'd been captured and it was going to be Blake on trial.

536
00:39:43.619 --> 00:39:45.059
Yeah.

537
00:39:45.119 --> 00:40:00.780
But yeah, no, I think this is really nice and it, I love the, the idea that it, it puts Travis and Blake on equal footing and that Travis is now an outlaw in the same way Blake is, um, they, yeah, they do make that very clear.

538
00:40:00.840 --> 00:40:04.260
It's like, we choose the code word outlaw.

539
00:40:04.320 --> 00:40:10.139
Yeah. should flash the word outlaw at the front of the screen as well.

540
00:40:10.199 --> 00:40:13.019
Just make doubly sure.

541
00:40:13.079 --> 00:40:14.400
But I quite like that.

542
00:40:14.460 --> 00:40:19.260
I think maybe that the season then doesn't make the most of that.

543
00:40:19.320 --> 00:40:22.800
Um, at least not right away.

544
00:40:23.400 --> 00:40:46.500
No, and I think this is, because next time we see Travis, Um, he has done some bits, but he's also back in league with Serverland almost straight away, and it feels like a missed opportunity that they haven't explored Travis on his own and how he's going to survive and what he's going to do to Blake, as well as the Federation being on Blake's tail.

545
00:40:46.559 --> 00:40:50.159
You could have had the 2 of them coming at him from different angles.

546
00:40:59.519 --> 00:41:11.519
So, uh, thank you very much for joining us for trial, and um, I hope you've enjoyed the thoughts of my friends, my savage thinking animals, and my philosophical fleas.

547
00:41:11.579 --> 00:41:13.920
This is the stuff that legends are made of.

548
00:41:13.980 --> 00:41:17.760
So thank you very much for listening and goodbye.

549
00:41:17.820 --> 00:41:18.360
Goodbye.

550
00:41:18.420 --> 00:41:19.559
Bye.

551
00:41:19.619 --> 00:41:20.880
Goodbye.

552
00:41:23.940 --> 00:41:25.800
Switching to manual.

553
00:41:25.860 --> 00:41:27.960
Maximum power on all drives.

554
00:41:31.079 --> 00:41:32.820
Maximal power.

555
00:41:45.599 --> 00:41:53.159
For him, it did surprise me when he got away at the end, but it's an exciting ending.

556
00:41:56.219 --> 00:41:56.760
Yeah.

557
00:41:57.239 --> 00:41:58.619
Yeah.

558
00:41:58.679 --> 00:42:00.659
He's got his...

559
00:42:00.659 --> 00:42:04.079
I said something so bland and it completely killed the conversation.

560
00:42:06.719 --> 00:42:14.820
Well, thank you for your opinion, there, Pete. is jam-packed this episode.

561
00:42:14.880 --> 00:42:17.219
It's full of, you know, you're not bored.

562
00:42:17.880 --> 00:42:20.940
This is the stuff that legends are made of.

563
00:42:21.000 --> 00:42:29.340
So hope you'll join us next week for next week's episode, which is...

564
00:42:29.400 --> 00:42:30.000
Killer.

565
00:42:30.659 --> 00:42:39.420
Join us next week for killer, which I won't be on, but everyone... do insincere and over the top laughing.

566
00:42:40.800 --> 00:42:42.900
Oh, yeah, let's do that.

567
00:42:42.900 --> 00:42:44.400
Let's do play space at the end.

568
00:42:44.460 --> 00:42:45.780
Oh my god.

569
00:42:45.840 --> 00:42:47.039
That's amazing, Colin.

570
00:42:47.760 --> 00:42:50.940
Fortunately, you can't see that.

571
00:42:54.000 --> 00:42:57.119
So thank you very much for listening and goodbye.

572
00:42:57.179 --> 00:42:57.599
Goodbye.

573
00:42:57.599 --> 00:42:57.960
Goodbye.

574
00:42:58.019 --> 00:42:58.559
Goodbye.

575
00:42:58.860 --> 00:43:00.239
Bye.

576
00:43:00.300 --> 00:43:05.460
I think I'll correct that. edit. and we'll re record.

577
00:43:05.519 --> 00:43:06.480
You may read course.