WEBVTT

NOTE
This transcript was created on 2026-06-07 at 21:54:54

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Maximal power.

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Welcome back to Maximum Power, a Blake 7 podcast.

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I'm Cy.

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I'm Colin.

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I'm Mark.

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And I'm Pete.

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So here we are at Pressure Point, episode 6 of Series B of Blake 7 and nothing really happens in this one, does it?

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So nothing of notes.

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We're in standard Federation versus Blake territory this week, and it's all going to be fine.

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Absolutely fine.

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But absolutely.

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Just as long as nobody tries to penetrate the forbidden zone.

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Or is it the Forbidden Zone?

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It's the security zone within the Forbidden Zone because you can tell it's a security zone because there's a sign on the floor underneath some grass that's catching fire, which isn't a clue in any way.

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So, we're back on the planet Earth.

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And as Jenna says, it's been a long time.

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How do we feel about popping back to the planet where it all started and is it just a little bit different to how we saw it originally in the way back?

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Well, I mean, the 1st thing is, for some reason, you get to see Arthur Dent's house, and I don't know what that, what that is.

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I don't know if Serverland's in there or Travis is in there.

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But it doesn't seem, it's like we've done this, a lot of this world building where everything's inside the dome.

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So why are these people outside the...

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You can't go free forbidden zones in dorms.

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It would be a forbidden dome.

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This is a forbidden zone.

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The forbidden zone zone.

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Look, they've obviously got interesting reasons for going back because obviously there's an underground bunker, so they must go.

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But moreover, it's this Blake's instincts versus risk taking versus sort of gambling.

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And it's in his instincts and like we've got to do this.

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I want to strike earth.

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I want to strike the Federation at its heart.

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It's fine.

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You just, yeah, I mean, it's not about perhaps world building on it.

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There's only one tiny bit of a world building where Gan goes, what's this?

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And he goes, oh, it's a church.

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They destroyed them all in about 200 years ago or something like that.

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Yeah, nothing nothing else has really happened since the left.

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I thought that was interesting.

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It sort of brings some elements of shading that the Federation isn't all bad, um, whereas before they'd sort of, uh, you know, been built up to, uh, you know, that they were just uniformly evil and all the rest of it, but it was nice to bring some nuance in, I thought.

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Yeah, because Kasabi gets that line, doesn't she, about?

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She says to serverland, you're the reason the federation's become degenerate, almost as if it used to be quite nice, really, until these people like serverland came along and ruined it all.

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Well, maybe it's one of those dictatorships that starts out with the very best of intentions, and they're going to make the world a better place for everyone, and then gradually people see ways of exploiting it, and yeah, it all changes and becomes a bit of a mess.

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We've all dreamed of a nice dorm-based secular society.

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And then a few bad apples come along and ruin it.

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Yeah.

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You talk about centre parks, basically, aren't you?

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Pretty much the difference.

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This is the way that people in Luke got centre parks. view people who go to ordinary campsites, I think.

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This is a very middle class podcast.

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It's the Eden Project.

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You come away from their completely drugged up.

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It's fine.

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Surrounded by about 20 feet of impenetrable unmowed grass, which is pretty much all that there is to it.

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But it's done with conviction because as our 2 little bits of cannon fodder in the opening sequence showers quite clearly.

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But, uh, yeah, you just tell that they're doomed from the 2nd that they come on, because you've seen teronation in the credits.

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It's nice to have terri nation back.

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I know they've been mixing it up a bit.

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But it's nice to have Terry Nation back writing an episode and throwing all of his Terry Nation stuff right at it for me.

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Except for the bit later on when the liberator crew are running across the, the sort of the deadly field.

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And when Gan runs with Villa, and he says, I thought it would save time, and I thought that was very unterrination, you'd normally have them all running one by one across the, across Atlantic rats.

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They should have bought a giant egg timer to turn over. to indicate countdown.

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Speaking of return to earth.

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It does give Jenna a chance to sing the theme to Star Trek Enterprise.

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It's been a long time.

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Getting from there to here.

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Getting from there to here in 8 seconds over that field.

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It's not 8 seconds.

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It's like 2 fucking seconds.

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Come on.

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No, no, no.

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My notes say it goes from total self-repair in 8 seconds, so it's definitely 8 seconds.

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Definitely 8 seconds.

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Wrong.

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I'm curious in the opening section with Blake.

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He's really going for it, isn't he?

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He's sudden, he's back to being messianic, determined, obsessed leader.

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I think he's kind of doing a little bit of a Paul Darrow impression at one point.

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There's the bit where he delivers that speech and then Avon sardonically claps him.

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And I thought that's like, is that Paul Darrow actually clapping him having, you've stolen my act, mate?

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I love that.

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No, it's really interesting, isn't it?

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Because everything he's doing and saying is I'd rather not try.

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I'd do this.

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I do that.

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Not we, not I want you with me.

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He's determined to do this because it's him and it's like he's brought into his myth.

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Yeah, it's a big change from the Blake of series 8, isn't it?

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Yes, and we've seen this sort of all the way through series B so far, so particularly in Shadow, where he's not concerned with Cali, when she's having her Aurac inspired breakdown, and he doesn't care about what's going on there because it's getting in the way of his plot with the Pterranostra, and in Horizon, he's playing the percentages, so that Avon won't run.

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He's thinking about all these things and how it affects him, but not necessarily how it affects the rest of the crew.

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Yeah, man with man with a mission.

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Yeah, I think I've watched this episode twice, and I think the 1st time the tragic finale, which obviously we'll get to, I felt like, well, that came from nowhere, but then watching it the 2nd time round, you see that it is seeded throughout where the whole crew are questioning him and saying it's not suicide mission.

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And then when they find out that his his contact with the resistance has already died, and Gan says, right, like, we should just pull out now, he's given opportunity after opportunity to not to go ahead with it as the risks stack up and still does it, doesn't he?

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Yeah, after promising them all.

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Are you sure none of us are going to get killed on this mission, but...

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Yeah, definitely no, nobody's going to like, what if we're probably going to get killed?

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No, if you're probably going to get killed, I'll call it all off.

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I absolutely promise.

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It's kind of like when you're the one person at work who's John upside everyone to go out for a few beers after work.

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I was like, are you sure?

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It's not going to be a messy night.

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It's definitely not going to be a messy night.

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No one's going to end up punched in a doorway.

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With everything collapsing around them.

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We haven't done a spoiler warning, have we?

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Have we done a spoiler warning?

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For our wonderful listeners. who may be watching along with us.

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I suspect they watched the episode 1st before listening to us. blather about it. would hope so.

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Well, if you haven't, you've got about 30.

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If you haven't, you've got 5 minutes to get out of this podcast or 8 seconds.

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Yeah, 8 seconds.

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Of course, because seconds have been probably been decimalized in this hellish future world, along with the new, they say it's the start of the new calendar.

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Maybe they have new seconds too, and that explains why it takes different amounts of time to run across a mineshield.

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It's still imperial measurements for the, for the distance across the minefield, though, isn't it?

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Noticed?

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Villa say it's 50 yards or something.

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Maybe that's because he's a rebel.

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He's not going to use that fancy European nonsense.

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The stuff with Blake leads to a really interesting conversation between Blake and Avon about what might happen after this.

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So, Pete, what do you think about that?

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The tension in that scene is fantastic.

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I've been shipping Blave on since the start and I honestly thought they were just going to give each other a kiss at one point.

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It was just so just a testosterone.

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You could smell the imperial leather.

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And, um, that kind of 70s maleness that you just don't get anymore.

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Uh, uh, yeah.

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So, no, seriously, that was a, it was a really well written scene and it's, it's, I know we have a tendency whenever any good line of dialogue comes out.

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We immediately go, oh, Chris Boucher, and maybe it will Boucher, but...

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Right, in normal conversation, I can say easily, not that I have to all that off. recording going on.

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Who played the 1st Travis, by the way, Pete, who played the 1st Travis?

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I don't know.

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Stephen Grief cry.

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A grief cry.

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Oh, yeah.

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Of course.

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I haven't got that written down on my notes.

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I've deleted that But, um, Grief Grief left to set up a mobile phone company, didn't he?

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Ladies and gentlemen, what was saying earlier about, I think Blake is deliberately doing an Avon to a certain extent, but in a different, for different reasons, when he says, while it exists, the Federation is invulnerable, and he really powers that word out, just like Paul Darrow would.

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Wait, hang on.

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While it exists, the Federation is invulnerable. impenetrable or whatever.

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That means you could just give up.

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I mean, clearly.

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No, we can destroy it.

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Well, control exists.

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Yes.

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Oh yeah, it could be in control in that sentence.

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Okay, good.

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Yeah, I thought that conversation was really key as well.

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It's the 1st felt like the 1st time that Avon's really spoken about it to Blake, I think, before he said to other members of the crew, there will be a day when Blake isn't in charge, but it feels like it's sort of, you know, dragged out into the open, what's been there between him and Blake, and it's, but it's quite civil.

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It's, it's sort of, you know, where you'll get what you want, you can unite all the rebels and I'll get the liberator, but it's not clear what he's going to do with it, is it whether he's going to continue the fight in space or whether he's just going to take this amazing ship off and rob people and just keep himself safe and from, I mean, imagine in the latter, but yeah, I thought it was weird that Blake didn't ask him what he would do with it.

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No, it's almost like Blake's assuming he will carry on doing this work out in the outer worlds or wherever and do that.

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But as we've seen in the previous episode in Horizon, Avon's definitely out for himself at this point or it feels like he is.

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I think in later seasons, he does hand over the mantle.

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I think Avon is trying to really take the Federation down, not just sort of go off to a desert island or anything or a space desert planet, but at this point he's still in the zone of thinking for himself.

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And they kind of overdo that a little bit, I think, but it still works.

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I do like the smile on his face as he says, and somebody has to take charge of all this looking round and liberate.

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Yeah, off you go, Blake.

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You can go do the admin work down on it.

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You'll be in charge of the shipping freight and everything.

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I'm off on a joyride.

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He's going to be doing donuts around Jupiter and the illberator as soon as he gets rid of Blake, isn't he?

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he So yeah, and there's a lot of tension between Blake and Avon all the way through.

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Avon is super suspicious all the way through this episode, isn't he?

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He's really pushing Blake and he's not at all happy about where this is going.

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He's the only one who seems to see through what Blake's doing.

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He's right to be suspicious because Blake has withheld the mission from them and then not told them about the Miss rendezvous and everything else that's happened.

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So it's not Blake isn't really, I think, inspiring much trust.

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Or loyalty in his crew at this time at this point.

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Yeah, and I think it's really well done because it's a really natural conflict.

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It doesn't, they just don't suddenly all start yelling at each other for no particular reason, which can happen sometimes when a scriptwriter is trying to shush things up a bit, but it has just, it's just grown out of their, their character's development and particularly Blake's frustration at not having been able to really make an impact.

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And so he suddenly sort of bit out of nowhere, but it's the story of the week.

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He gets this lead, which I think has been ceded before, but to go on this one mission that can suddenly make his eyes light up about making a difference.

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And he goes a bit mad basically, doesn't he?

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He's a bit off his rocker to put it in an unkind language.

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To help him in his quest to take down control, he's made contact with another rebel leader, Kasabi, who it turns out, was originally written as a man called Kasabian.

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So it's Terry Nation once again switching the gender of his his people, which is good.

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It's good to have it's nice and progressive to have another female freedom fighter.

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She's a bit tougher than Avalon last year.

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Colin, you're making faces.

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So you're not... not impressed with with Kasabi. awesome.

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I'm not impressed with Kasabi because I don't think rebel leader of the week thing that's just dropped in and then suddenly you're just here to talk to Servoland, but her performance is terrible.

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I mean, there's so many bad performances in this episode.

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Oh, sorry.

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That's really that's really mean of me.

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Does Lady Jennifer from the war games that you're blaspheming against?

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Is it?

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Oh God.

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Well, we haven't got we haven't got to Janet from Terror of the Vervoids yet.

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Not yet.

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We will.

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I thought it was Gene Marsh at 1st when she had a hair up and a cap on and she was out in the woods.

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I was like, oh, wow, it's Jesus.

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That would have been awesome.

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Yeah, and then when she was captured, I thought, oh, no, it's Jim Marsh.

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It didn't look like a bit like a from a distance.

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What I really liked is the relationship between Kasabi and Serverland, which is dropping some fascinating hints about Serverland past, which I think makes the character a bit more interesting than Rebel of the Week that you think you're going to meet.

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And, um, yeah, so, um, what do you think about that mark?

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Yeah, that was interesting.

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It was a little bit late, the sort of Darth Vader, Obi-Wan Kenobi relationship, wasn't it, of the trainee sort of, you know, rising up and betraying the mentor.

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And I suppose explains how Serverline has risen so high in the Federation, so young that she's just been willing to sort of stab anybody in the back and climb over anybody.

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But the line that Kasabi said, when they talked, she was asking Kasabi about Blake and she says, is he young more in your line, surely?

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I wasn't sure exactly what that was a reference to or what she was getting at there.

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Because, I mean, because Servan's so young herself, I think.

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Oh, I took that as a little digger, Serverland, sort of only being interested in sort of Toy Boys or something as if she had a reputation for that. not wanting to deal with anyone who might conflict with her or stand up to her.

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That's what I took from that line.

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Yeah, I thought it was something like that.

205
00:15:43.679 --> 00:15:46.559
But I mean, she's only, she only looks about like mid 20s herself.

206
00:15:46.620 --> 00:15:49.379
It's not like a cougar issue, you know what I mean?

207
00:15:49.440 --> 00:15:50.100
Yeah.

208
00:15:50.100 --> 00:15:57.840
Yeah, I wonder if it could be an overhang from an earlier, a very earlier version when, before Serviland was made female.

209
00:15:57.960 --> 00:16:03.899
Well, when we 1st meet Surverland, she's got her very young bit of stuff, Ray, hasn't she?

210
00:16:03.960 --> 00:16:05.580
Encyclocate destroyed.

211
00:16:05.639 --> 00:16:09.899
So maybe Terry Nation is thinking back to that perhaps.

212
00:16:09.960 --> 00:16:23.580
Well, it's just thought it was just one of those offhand lines that Kasabi is throwing out just to sort of try and get a rise out of Serverland, maybe, and so that she can battle her way then sort of out of this room or whatever.

213
00:16:23.639 --> 00:16:25.440
I mean, it's okay.

214
00:16:25.500 --> 00:16:30.120
It's a good bit of character building, but it's really not enough to justify this.

215
00:16:30.179 --> 00:16:31.799
It's just she's just a plot device.

216
00:16:31.860 --> 00:16:34.440
There's not really much to say, she's just captured.

217
00:16:34.500 --> 00:16:41.519
Uh, Servolan insists on um, injecting her, uh, herself. you know, a bit of exposition.

218
00:16:41.580 --> 00:16:44.879
You've just destroyed the entire format of Blake 7, I can't.

219
00:16:44.879 --> 00:16:49.139
Some people and they have a fight and they fly around in spaceships.

220
00:16:49.259 --> 00:17:01.620
That's right I just felt that Travis didn't need to be there in a way because he's, he's, it's just like unnecessary dialogue if you've got 2 of them there.

221
00:17:01.620 --> 00:17:07.680
And what they could have done is have a bit more interesting stuff with, I was going to say wasabi.

222
00:17:08.759 --> 00:17:12.599
She's probably named after, thanks to Google.

223
00:17:12.660 --> 00:17:23.220
Linda Kasabian, who was the getaway driver of the Manson family, who did all the murders in America in the late 60s, that whole cult murder thing.

224
00:17:23.279 --> 00:17:24.359
Yeah, which...

225
00:17:24.359 --> 00:17:25.559
Stop Googling that.

226
00:17:25.619 --> 00:17:28.980
Which is also where the band, Kazavian, get their name.

227
00:17:29.700 --> 00:17:34.259
There is one good line, I think, where Kasabi says I should have tried to help you.

228
00:17:34.319 --> 00:17:35.039
Yes.

229
00:17:35.099 --> 00:17:54.240
And it provokes a really interesting reaction from Servoland as well, where she looks almost hurt or upset just for and the camera just holds it just for a 2nd and you see this almost fragile moment from her, which you don't see very often.

230
00:17:54.299 --> 00:17:56.460
It's like she's got under her skin.

231
00:17:56.519 --> 00:18:05.880
Yeah, the Kasabi had a unsuccessful de-radicalization program, if she really thought that she could save serve one, but from her own nature, but could not.

232
00:18:06.059 --> 00:18:16.799
I love the, um, the, the, the, when the way Servlin appears in her, in her white, lovely white suit and hat in the woods, completely managing to sneak up on them somehow.

233
00:18:16.859 --> 00:18:39.359
I think that, that was originally written to be Travis capturing them, but, but this is, oh, by the way, this episode is the point where um, Serviland now gets top baddy billing after you've had all of the, all of the, all of the liberator crew credited. 2 or 3 weeks ago, it was still Travis, who was billed next and then Serviland, but this week she has well and truly usurped him and taken her place.

234
00:18:39.420 --> 00:18:44.640
She's been to the same space tailor as Skagra from Shada, hasn't she?

235
00:18:44.700 --> 00:18:47.460
Yeah, great big white hats.

236
00:18:48.480 --> 00:18:55.859
I like the way she's so dolled up, even though she's just been pacing around that room for 18 days waiting for something to happen.

237
00:18:55.980 --> 00:19:03.960
She hasn't sacrificed any of her kind of style or anything, actually, for that job, just to stand in a room with 3 other people.

238
00:19:03.960 --> 00:19:13.619
Perhaps she started off with the really practical stuff on day one, and it's got nothing practical, and she's gone along. and she's sort of gone through her wardrobe before.

239
00:19:13.680 --> 00:19:20.339
Oh, no, this is the only one that's clean. except it's not because she does change into another dress for the last scenes.

240
00:19:20.460 --> 00:19:22.079
At good point.

241
00:19:22.079 --> 00:19:22.980
Yeah.

242
00:19:23.039 --> 00:19:26.759
Genemous maker get changed at gunpoint because she's in one costume.

243
00:19:27.539 --> 00:19:33.900
And then when they arrive in the empty room, she's got changed into another one.

244
00:19:33.960 --> 00:19:36.720
Get it to your spaceball gown.

245
00:19:36.779 --> 00:19:49.019
Well, yeah, and I mean, and what, I've complained about Jenna not being piracy enough at times in the past, but this time she's, she's like, she's about to host the Eurovision song contest or something in that blue evening gown that she resplendently.

246
00:19:49.079 --> 00:19:54.299
And on the scenes on the on the liberator bridge at the start, she literally has to hoist it up because she can't run.

247
00:19:54.359 --> 00:20:01.079
She has to sort of grab it at her hips and pull it up a little bit so that she can totter excitedly to her control.

248
00:20:01.140 --> 00:20:03.240
I think Villa has the best costume.

249
00:20:03.299 --> 00:20:08.220
He's wearing a bib backwards. really bizarre.

250
00:20:08.279 --> 00:20:10.920
The rest of the costume is great.

251
00:20:10.980 --> 00:20:18.180
The gray top that he's got on is really nice, but the yellow thing is just bizarre.

252
00:20:18.240 --> 00:20:20.220
It's really odd.

253
00:20:20.400 --> 00:20:25.799
Jenna's got a handbag as well. what she'd brought in her handbag.

254
00:20:25.859 --> 00:20:28.319
It's full of teleport bracelets.

255
00:20:29.220 --> 00:20:30.599
Yeah.

256
00:20:30.599 --> 00:20:32.099
Why is there a teleport handbag?

257
00:20:32.759 --> 00:20:37.799
Don't see many space handbags, so everything is a good practical solution for her.

258
00:20:46.859 --> 00:20:56.579
As we mentioned, we've got Travis also in this episode, but is this the moment the character becomes completely and utterly redundant in the series?

259
00:20:56.640 --> 00:20:58.319
What do you think, Pete?

260
00:20:58.380 --> 00:21:02.519
I thought you were going to say completely and utterly deranged or something.

261
00:21:02.940 --> 00:21:05.099
He is he is utterly deranged as well.

262
00:21:05.160 --> 00:21:07.440
Yeah, it was never ranged.

263
00:21:07.500 --> 00:21:09.539
But, um, it's, um...

264
00:21:09.539 --> 00:21:22.200
Yes, but that, and, and that, I mean, we talked about it way back last year, you know, his sort of his impotence and his inability to do the one, his one job that, that Serverland increasingly wields all that power over him.

265
00:21:22.259 --> 00:21:29.640
But in this one, at least it's, it's really not his fault this time because it's, it's Servoland getting, well, jumping ahead to the end.

266
00:21:29.700 --> 00:21:30.960
But I don't think it's his fault this time.

267
00:21:31.019 --> 00:21:43.859
But yeah, he's he's really lost it, but I love the uh, the dynamic of that scene where he is calling on Servolan to lift the, uh, to deactivate the minefield. so that he can get in and chase them in and recapture them.

268
00:21:43.920 --> 00:21:59.640
And she has to put a call through to Federation HQ to get the minefield switched off, which just shows that the 2 of them are still a unit that has to succeed in order to impress someone else, you know, the, the, the, there are powers that be above the, above the 2 of them.

269
00:21:59.700 --> 00:22:06.180
And I think that makes their sparring and their, um, a little bit of their bickering, still have a, and a really entertaining dynamic to it.

270
00:22:06.240 --> 00:22:17.700
Like, particularly when he tries to stop her administering the final dose of the truth serum, of the likely fatal truth serum, to, uh, to, what you call it, Kasabi, and now.

271
00:22:17.940 --> 00:22:21.299
Which is so easy to capture because she's got a club foot, perhaps.

272
00:22:21.359 --> 00:22:24.839
But, um, that's the name of the Kazamian song.

273
00:22:24.900 --> 00:22:26.700
Okay.

274
00:22:26.700 --> 00:22:34.079
But that bit where she Tervlon goes and he tries to snatch it off her and she just slaps him back like a cat.

275
00:22:34.140 --> 00:22:35.940
It's very good.

276
00:22:36.000 --> 00:22:40.619
There's a bit of, speaking of Travis, some very odd dialogue delivery.

277
00:22:40.680 --> 00:22:43.500
What are you talking about?

278
00:22:43.559 --> 00:22:46.380
What is the matter with you?

279
00:22:46.440 --> 00:22:49.079
It's not well directed.

280
00:22:49.200 --> 00:22:56.880
No, well, I'm famously, the director, George Spenton Foster, had real problems with Brian Croucher.

281
00:22:56.940 --> 00:22:58.440
The 2 of them did not get on.

282
00:22:58.500 --> 00:23:07.079
So apparently he loved Jacqueline Pierce and he loved Paul Darrow and was not keen on a lot of the rest of the cast.

283
00:23:07.079 --> 00:23:13.859
And it caused major problems for Brian Croucher because he directed Weapon as well, which is Brian Cruncher's 1st story.

284
00:23:13.920 --> 00:23:16.440
And so he didn't get much direction.

285
00:23:16.500 --> 00:23:22.440
He was not favoured by the director, wasn't given a lot of help to start in the role.

286
00:23:22.500 --> 00:23:27.180
And I think it knocked his confidence in the park for quite a while.

287
00:23:27.240 --> 00:23:30.839
He doesn't really even have any good mutoids around.

288
00:23:30.960 --> 00:23:37.440
The mutoids this week to sort of say a couple of lines and they prod someone with their finger.

289
00:23:37.500 --> 00:23:39.180
It completely blocked.

290
00:23:39.240 --> 00:23:40.859
There's no way through.

291
00:23:43.500 --> 00:23:50.339
Nathan's observation back when they 1st came in that after a while the new toys just become people in hats has pretty much proved true, hasn't it?

292
00:23:50.400 --> 00:23:58.440
Speaking of direction, though, there was a couple of really ropey bits, I thought when the when Veron throws the grenade down into the basement.

293
00:23:59.519 --> 00:24:12.779
It just didn't, it was, it was really unclear what, what had happened at 1st because they all went down and then the gas started leaking and they just stayed down so there was no sort of like coughing or a scene of them being overcome by the gas.

294
00:24:12.839 --> 00:24:16.440
So I thought, are they out of range and they're faking?

295
00:24:16.500 --> 00:24:19.740
It was just, yeah, it was just kind of a really weirdly directed.

296
00:24:19.799 --> 00:24:22.500
Not only that, you can see her hair.

297
00:24:22.559 --> 00:24:31.680
And then they cut back to another shot and it's just like person walking indistinguishable person walking downstairs so may maintain some mystery.

298
00:24:31.740 --> 00:24:34.920
But it's like you can definitely see it.

299
00:24:34.980 --> 00:24:38.819
It's like, are they, they're trying really hard to conceal who it was.

300
00:24:38.880 --> 00:24:47.460
It's not like a Agatha Christie or anything, but it was just like, it's not like any kind of big reveal or mystery or who on earth could have done this or is she double crossing them?

301
00:24:47.460 --> 00:24:48.779
Because it, there's no surprise.

302
00:24:48.839 --> 00:24:49.980
All the surprises taken out.

303
00:24:50.039 --> 00:25:06.599
The surprises taken out where Blake and Gan are sort of, sort of shouting what they're going to do with each other. while she sort of, when they say after they've said to her, you know, get some rest, i.e. just sleep on the floor instead of like somewhere else in that room.

304
00:25:06.660 --> 00:25:13.140
And she's obviously sort of looks up and, you know, so it's just felt like a wasted thing to...

305
00:25:13.140 --> 00:25:17.039
I think I'd just have a walk outside and get some fresh air.

306
00:25:17.099 --> 00:25:17.339
Yes.

307
00:25:17.400 --> 00:25:19.619
Going for a walk in the danger zone.

308
00:25:20.519 --> 00:25:23.759
Kenny Loggins song.

309
00:25:23.759 --> 00:25:31.319
That's the moment where Travis could have just gone in and captured Blake.

310
00:25:31.380 --> 00:25:37.140
He's forced asleep on the floor about probably a mile away from where he is.

311
00:25:37.200 --> 00:25:39.960
He could have just popped over there and captured him then.

312
00:25:40.019 --> 00:25:42.720
But to escape this room.

313
00:25:42.779 --> 00:25:45.839
What we're going to do is not use the guns that we have.

314
00:25:47.519 --> 00:25:54.599
Consistently, they've left us with because the plot needs us to do some shooting, but we can't, but they take away our teleport break.

315
00:25:54.779 --> 00:25:55.140
What?

316
00:25:55.259 --> 00:25:56.279
Yeah, yes.

317
00:25:56.339 --> 00:26:01.500
And so, you know, they do have their perfect one, but it's like, look, guys, this is Gan's last episode.

318
00:26:01.559 --> 00:26:07.259
So let just let him bash things up a little bit. like open doors, hold over door.

319
00:26:07.319 --> 00:26:08.940
He is Hodor.

320
00:26:09.000 --> 00:26:12.779
Yeah, in this episode, he's really become Hodor, hasn't he?

321
00:26:12.839 --> 00:26:15.960
I know we get plenty of Gang jeopardy.

322
00:26:16.019 --> 00:26:19.740
So every time there is there is something dangerous.

323
00:26:19.799 --> 00:26:22.140
Gan's the one who is in danger.

324
00:26:22.200 --> 00:26:33.839
So like we said earlier, we've got the moment where he runs off the villa, um, when they're um, running to control to the entrance through the through the danger zone or whatever it's called this week.

325
00:26:34.079 --> 00:26:37.200
It's the security zone within the...

326
00:26:37.259 --> 00:26:39.420
Through the security site.

327
00:26:39.480 --> 00:26:41.519
So we've got a moment where it can.

328
00:26:41.579 --> 00:26:43.440
And is something going to happen again?

329
00:26:43.500 --> 00:26:53.700
And then you've got the moment where they're on the space monkey bars in the city of the Exilon sequence, which I know, we're going to come back to in a moment, Colin, for you, especially.

330
00:26:53.759 --> 00:26:54.119
Okay.

331
00:26:54.119 --> 00:26:57.420
My favourite bit of like 7th...

332
00:26:57.480 --> 00:26:58.799
I just want to get out of there.

333
00:26:58.859 --> 00:27:06.539
Everyone's crossed the cross, apart from Gan, and suddenly, oh, no, the bar's broken and he's going to fall on the electric floor.

334
00:27:08.039 --> 00:27:09.660
Go on, then.

335
00:27:09.720 --> 00:27:11.220
What do I, what do you have for me on that?

336
00:27:11.279 --> 00:27:17.579
We've got some of the very best corridor action here in this story, haven't we, Colin?

337
00:27:17.640 --> 00:27:19.079
Come on, tell us all about it.

338
00:27:19.259 --> 00:27:23.039
Oh, Jesus, it's my least favourite thing in Blake 7.

339
00:27:23.099 --> 00:27:26.880
They're on a fucking A frame from PE at primary school.

340
00:27:27.960 --> 00:27:30.539
It's just...

341
00:27:30.539 --> 00:27:32.279
What?

342
00:27:32.339 --> 00:27:36.420
Is it like a game show or something where you just, you know, you can't touch the floor.

343
00:27:36.480 --> 00:27:45.779
I mean, how, how would you design a building, which is totally impenetrable in Forbidden Zone, in the security zone, with lots of wires that are radioactive and explode?

344
00:27:45.839 --> 00:27:50.940
But when you get inside, you're okay just hanging onto a couple of bars which seem to be conveniently there.

345
00:27:50.940 --> 00:27:52.859
And not electrified.

346
00:27:52.920 --> 00:27:56.640
Find some other way. get it right?

347
00:27:56.700 --> 00:28:00.839
I want to see how Jenna got Servoland to go over those monkey bars.

348
00:28:00.960 --> 00:28:03.480
I'm jumping ahead of it.

349
00:28:04.019 --> 00:28:07.019
I think you got the high council to turn them off.

350
00:28:07.079 --> 00:28:10.319
Oh, yeah, just a button that nobody noticed.

351
00:28:10.380 --> 00:28:12.299
They're not the brightest cookies.

352
00:28:14.160 --> 00:28:26.039
But yes, and we've got our favourite Blake 7 trope back from Mission to Destiny of the same corridor filmed in the same way, but it's a different coloured light on it.

353
00:28:26.099 --> 00:28:28.559
That's just how the universe works.

354
00:28:28.980 --> 00:28:34.740
Even if they just had a couple of different camera angles to try and sell it for you.

355
00:28:34.799 --> 00:28:38.880
But there's, it's in the same shot, but with a different lights.

356
00:28:39.359 --> 00:28:52.019
Well, it's like what they, you know, when they, uh, in aliens when they're going down to sub-level 3 to find those colonists, they do actually change the numbers on the pillars and things.

357
00:28:52.079 --> 00:28:59.579
So you could have just put like a 9 and then like a -10 or something just to prove that they've been down.

358
00:28:59.640 --> 00:29:00.900
But we've built this.

359
00:29:00.960 --> 00:29:03.420
We've built this ladder and we're going to fucking use.

360
00:29:03.539 --> 00:29:09.000
But they've got these great big blank walls that they could have easily stuck a big number on.

361
00:29:09.839 --> 00:29:12.180
Would that really have made a difference?

362
00:29:12.240 --> 00:29:16.980
No, that sometimes looks a bit laboured.

363
00:29:17.039 --> 00:29:19.259
That looks too obviously. trying too hard when they do that.

364
00:29:25.319 --> 00:29:27.599
Hey, let's talk about everything Kelly does in this episode.

365
00:29:28.559 --> 00:29:30.059
Anyway.

366
00:29:33.000 --> 00:29:38.460
She does some very good bored acting when she sat at the Liberator.

367
00:29:38.519 --> 00:29:41.579
Yeah, ever since she got her job as liberator receptionist.

368
00:29:41.819 --> 00:29:43.440
She's really.

369
00:29:43.619 --> 00:29:51.240
She doesn't use a telepathy to contact them and find out where they are, which they established the other week that she can do from the liberator.

370
00:29:51.299 --> 00:29:55.319
Mark, stop thinking this through because it's not supposed to make sense.

371
00:29:55.380 --> 00:29:57.119
It's an adventure.

372
00:29:57.180 --> 00:29:57.599
That the thing.

373
00:29:57.779 --> 00:30:05.460
But yes, we are now beginning the long, long run of Jenna and Callie are relegated to the liberator.

374
00:30:05.519 --> 00:30:20.400
They act like they've never teleported on an away mission before, which is really, it's just funny, because after the, after everything we've seen them go through, and I haven't quite how Terry Nation has forgotten that, but then you could argue he's setting it up for it to be a twist.

375
00:30:20.460 --> 00:30:27.900
The last thing we would have expected at the end is for genitor just teleported down and pulled a gun on server land, which anyone could have done from the beginning of the episode.

376
00:30:27.960 --> 00:30:31.559
I appreciate if you're obsessed with the minutiae plot mechanics.

377
00:30:31.619 --> 00:30:35.160
But that wouldn't be much fun, would it?

378
00:30:35.220 --> 00:30:37.799
So, yeah, and they have their ball gown off.

379
00:30:37.859 --> 00:30:42.599
It is another example of shonky directing, though, I will concede, when there's that scene.

380
00:30:42.660 --> 00:30:48.119
I mean, it is meant to be to startle you, where Servolan suddenly looks at the opening door and says, what does she say?

381
00:30:48.180 --> 00:30:48.720
Something like that.

382
00:30:48.779 --> 00:30:49.680
Oh, it's you.

383
00:30:49.740 --> 00:30:50.640
Yeah, who were you?

384
00:30:50.700 --> 00:30:53.400
Um, because they haven't met before, I don't think.

385
00:30:53.460 --> 00:30:57.119
I think Gener is the last one to actually meet Servoland.

386
00:30:57.180 --> 00:30:58.559
I think she's seen her before about it.

387
00:30:58.619 --> 00:30:59.400
I think they've met.

388
00:30:59.460 --> 00:31:00.839
She's probably seen her vid files.

389
00:31:00.900 --> 00:31:01.680
Yeah, yeah.

390
00:31:01.740 --> 00:31:07.079
On the odd subject of teleporting, the music has gone from when they beamed out, beamed down.

391
00:31:07.140 --> 00:31:14.339
When they teleport down, from bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom.

392
00:31:14.400 --> 00:31:15.779
It's like the Muppet show, isn't it?

393
00:31:16.079 --> 00:31:18.000
It's got really happy.

394
00:31:19.259 --> 00:31:26.099
And Gareth Thomas is still very assiduously insisting on doing something interesting.

395
00:31:26.160 --> 00:31:28.680
Like he beams down into the middle of the woods with his foot on a rock.

396
00:31:28.740 --> 00:31:31.859
So he sort of stood proudly as if he's a statue or something.

397
00:31:31.920 --> 00:31:35.099
He won't just be stood there on a flat bit of ground.

398
00:31:35.160 --> 00:31:36.839
He's determined to make it more interesting than that.

399
00:31:36.900 --> 00:31:41.819
No, he still does a little bit of teleport wobble every time, just to show that he's down.

400
00:31:42.119 --> 00:31:44.279
I think they workshopped that.

401
00:31:44.339 --> 00:31:46.619
But most of the others can't be bothered after a while.

402
00:31:46.680 --> 00:31:55.440
Did you notice by, um, Villa getting his uh, David Tennant moment in with her, I don't want to go on the um, uh, to be dragged down to the surface by Avon.

403
00:31:55.500 --> 00:32:05.460
I did notice that he does knock the sophisticated key locking mechanism on the door and it kind of wobbles about a bit like it's about to fall off.

404
00:32:05.759 --> 00:32:12.599
But they weren't a lot of effort in putting the Federation logo on that door to an empty room.

405
00:32:12.660 --> 00:32:21.180
Yes, but that shows you the lengths that they're prepared to go to, these evil maniacs, that it's the one door in the Federation that's got the official logo on it.

406
00:32:21.240 --> 00:32:22.440
Carved into it.

407
00:32:22.500 --> 00:32:23.700
I just, as well.

408
00:32:23.759 --> 00:32:24.359
Yeah.

409
00:32:24.420 --> 00:32:25.680
I mean, that's a special door.

410
00:32:25.740 --> 00:32:29.880
And I think that is a really good moment with Dwight just bursting in there and absolutely losing it.

411
00:32:29.940 --> 00:32:31.140
Yeah.

412
00:32:31.140 --> 00:32:31.799
We've done it.

413
00:32:31.859 --> 00:32:32.460
We've done it.

414
00:32:32.519 --> 00:32:34.259
I've done it.

415
00:32:34.319 --> 00:32:34.980
Yeah.

416
00:32:34.980 --> 00:32:37.619
It's a good part of the episode.

417
00:32:37.680 --> 00:32:55.799
It's like, I mean, it's a continual theme of Travis versus Blake, but it's also hubris or instinct or gambling, bad decisions has bad outcomes. you've got to take a risk if you're trying to destroy an evil federation that's completely enslaved your planet and loads of other planets.

418
00:32:55.920 --> 00:32:57.539
You've got to take gamble.

419
00:32:57.599 --> 00:33:00.720
Otherwise, you're just not going to get anywhere, but it does have that.

420
00:33:00.779 --> 00:33:16.140
It was all for nothing type thing and it is foreshadowing something mark that will happen perhaps later, maybe, or maybe not, that, like, this empty room and, well, they, Travis does say it all got moved 30 years ago, you know, so who knows?

421
00:33:16.200 --> 00:33:20.220
I've had that experience myself when trying to collect a new chair at work, actually.

422
00:33:20.279 --> 00:33:22.500
I got sent to a place to work.

423
00:33:22.559 --> 00:33:26.640
Yeah, I got sent to the place where the chairs were supposed to be and they're like, no, we've never had chairs here.

424
00:33:26.700 --> 00:33:31.319
I didn't, I fell to my knees screaming.

425
00:33:31.380 --> 00:33:32.519
Obviously.

426
00:33:32.579 --> 00:33:34.559
It was the appropriate thing to do.

427
00:33:34.619 --> 00:33:39.960
Pete has not been sitting down for over 7 years now. on an old chair.

428
00:33:40.019 --> 00:33:40.500
That the problem.

429
00:33:40.559 --> 00:33:42.180
We've got site to site.

430
00:33:42.240 --> 00:33:43.200
Teleport all of a sudden.

431
00:33:43.259 --> 00:33:44.039
That was a twist.

432
00:33:44.160 --> 00:33:44.880
What, in your office?

433
00:33:44.880 --> 00:33:50.759
I wanted the paperwork is a complete...

434
00:33:50.759 --> 00:33:51.779
Red tape.

435
00:33:51.839 --> 00:33:53.279
Someone needs to sort this world out.

436
00:33:53.339 --> 00:33:55.980
But yeah, they can do site to site teleport.

437
00:33:56.039 --> 00:33:57.059
That suddenly struck me watching this episode.

438
00:33:57.119 --> 00:33:58.619
I don't know. that's a new thing.

439
00:33:58.680 --> 00:33:59.279
I think.

440
00:33:59.940 --> 00:34:07.019
I wonder if Aurak's done that because other than that, yeah, Aurak does it even less than Callie in this episode by virtue of not being in it, doesn't he?

441
00:34:07.079 --> 00:34:14.519
But apart from being there at the start, being quoted by Blake at the start and say, oh, yeah, he checked it all out and all access, it's all real.

442
00:34:14.579 --> 00:34:15.539
So let's let's go die.

443
00:34:15.659 --> 00:34:17.280
Not that clever, is he?

444
00:34:17.340 --> 00:34:17.820
No.

445
00:34:17.820 --> 00:34:24.420
He didn't find the secret files, which revealed it been moved 40 years ago.

446
00:34:25.440 --> 00:34:29.880
Now, who actually knows within the Federation that this is all a scam.

447
00:34:30.000 --> 00:34:34.980
Servolan and Travis clearly do, although it's possible they didn't know before they got there, but I suspect they did.

448
00:34:35.039 --> 00:34:39.000
But maybe it's one of those things where like they've only written, it's only like written on post-it notes.

449
00:34:39.059 --> 00:34:40.980
No one's typed the truth into a computer anywhere.

450
00:34:41.039 --> 00:34:42.840
So that way, all right, I can't get at it.

451
00:34:42.900 --> 00:34:46.559
Um, so we're trying to get around the indexing of data systems.

452
00:34:46.679 --> 00:34:49.199
So Mark, did you find that a shock?

453
00:34:49.260 --> 00:34:51.059
That there was nothing there?

454
00:34:51.360 --> 00:34:53.099
Yeah, I did.

455
00:34:53.159 --> 00:34:54.659
I thought that was a good reveal.

456
00:34:54.719 --> 00:34:57.480
I thought they could have done with a shot showing the empty room.

457
00:34:57.539 --> 00:34:59.940
Not just their reaction to it.

458
00:35:00.000 --> 00:35:04.139
I felt like that was slightly odd that we didn't get to see what they could see.

459
00:35:04.199 --> 00:35:07.320
But I suppose it follows.

460
00:35:07.380 --> 00:35:12.840
Yeah, that would be really, yeah, that would really be...

461
00:35:12.840 --> 00:35:15.119
A bunch of people smoking and looking at them, yeah.

462
00:35:15.659 --> 00:35:18.119
Talk ticking towards 10 p.m.

463
00:35:18.179 --> 00:35:26.159
But I suppose it was good that you, it just stayed entirely on their faces as, as, Blake realised and then and then you heard Travis's voice as well.

464
00:35:26.219 --> 00:35:27.239
Yeah.

465
00:35:27.300 --> 00:35:32.159
It does take him a long time to realise after he's walked into this room and gone, I've done it.

466
00:35:32.219 --> 00:35:32.760
We've done it.

467
00:35:32.820 --> 00:35:33.420
I've done it.

468
00:35:33.480 --> 00:35:33.960
We've done it.

469
00:35:34.019 --> 00:35:36.780
It's like, you did have your eyes open when you were saying that.

470
00:35:38.159 --> 00:35:45.300
I think we've seen plenty of examples of leaders refusing to accept the evidence of their own eyes in recent times.

471
00:35:45.360 --> 00:35:47.280
Because, because obsession.

472
00:35:47.340 --> 00:36:06.480
I think, I don't know if I'm going over the top because it's Terran Ocean script, but it has, does got that theme of obsessions going all the way through it, like, um, with uh, with Servoland, I'm sort of obsessed with them wanting revenge on, on Kasabi, and Blake being obsessed with the idea that this one fell swoop will, uh, will destroy the, the federation.

473
00:36:06.539 --> 00:36:10.380
It's like they're all, and Travis obsessed with Blake and so forth.

474
00:36:10.440 --> 00:36:16.500
The theme of gambling that you mentioned just before as well, because Travis has a line where it says about the look has changed.

475
00:36:16.559 --> 00:36:33.659
It's my turn now as well, which I think it's felt a little bit sort of superstitious. for his character where he seemed quite kind of, just practical and down the line up until then, but I suppose it makes him more of a mirror of Blake, doesn't it, if it's about sort of gambling and odds and that kind of thing.

476
00:36:33.780 --> 00:36:40.199
And of course, Gan is the one person who is quite keen for them to crook to pull out of this whole thing once the odds are going against them.

477
00:36:40.199 --> 00:36:42.000
And Blake's having none of it.

478
00:36:45.059 --> 00:36:50.940
Yes, well, I suppose now is the time, really, to talk about Gan.

479
00:36:50.940 --> 00:36:53.460
And what happens to Gan?

480
00:36:53.519 --> 00:37:03.840
I can remember watching this episode for the 1st time and being absolutely shocked because I had no idea what was going on in Blake 7 when I 1st saw this episode.

481
00:37:03.900 --> 00:37:09.179
So, because I saw 4 random episodes of series B of Blake 7.

482
00:37:09.239 --> 00:37:14.639
A long many years after I saw series D on the BBC.

483
00:37:14.639 --> 00:37:22.079
So, C Blake 7, A with Blake, was really, really bizarre and beat all this crew.

484
00:37:22.139 --> 00:37:23.460
I had no idea what was coming.

485
00:37:23.579 --> 00:37:26.699
And suddenly, the roof is falling in.

486
00:37:26.760 --> 00:37:30.659
We've had sorry, we've had the most magnificent slap.

487
00:37:30.719 --> 00:37:41.340
Crevice has thrown his strontium grenade, which is too powerful to bring the roof in, and it literally does bring the roof in and down on Gan.

488
00:37:41.340 --> 00:37:43.079
Gan, but not forgotten.

489
00:37:44.400 --> 00:37:46.559
I'm sorry, Mark.

490
00:37:50.159 --> 00:37:54.000
But yeah, they're all trying to get through that door.

491
00:37:54.059 --> 00:38:02.219
And if Gan just got out of everyone's way, they would have all made it through in plenty of time, but he has to say, no, I'll hold the door. like, we're fine.

492
00:38:02.280 --> 00:38:02.940
We're getting through it.

493
00:38:03.059 --> 00:38:14.820
Um, but yeah, he gets his like, and that, that lovely moment as he, um, as he's quietly dying on the floor and Blake lifts him up for a 2 shot so that his face is in, is in, is in shot and we get to see him breathing his last.

494
00:38:14.880 --> 00:38:15.780
It's very moving.

495
00:38:15.840 --> 00:38:17.039
And it was a surprise.

496
00:38:17.099 --> 00:38:19.920
I kind of, I remember when I 1st watched it, similar to you, I think.

497
00:38:19.920 --> 00:38:24.059
I, you know, as a kid, I only remembered series D mainly, maybe bits of the one before.

498
00:38:24.119 --> 00:38:27.480
So I didn't know who Gan was when I came to them on video.

499
00:38:27.539 --> 00:38:31.739
And it was more of a surprise that he was still in it, to be honest.

500
00:38:31.980 --> 00:38:36.179
No, we know you're like David Jackson on gender Pete.

501
00:38:36.599 --> 00:38:47.280
It's not an agenda. pure ignorance on my part and I still have nightmares about the time I said who the hell is David Jackson when he was stood behind me for anyone who didn't.

502
00:38:47.880 --> 00:38:50.099
He'd still know.

503
00:38:51.780 --> 00:38:54.059
Where no Gan has gone before.

504
00:38:54.119 --> 00:38:56.519
Yeah, do we think it's a good...

505
00:38:56.579 --> 00:38:59.280
I think it's moving, despite being somewhat clumsily edited.

506
00:38:59.340 --> 00:39:01.260
I don't think it's moving.

507
00:39:01.320 --> 00:39:03.300
I don't think it's particularly shocking.

508
00:39:03.360 --> 00:39:05.340
I think it's quite surprising.

509
00:39:05.400 --> 00:39:06.960
I think it's done reasonably well.

510
00:39:07.019 --> 00:39:17.159
I think they do a bit to sort of try and beef up Gan's usefulness in the episode, in a sense, by sort of bashing doors down and holding doors open, which we've talked about.

511
00:39:17.219 --> 00:39:24.719
But it just sort of reinforces the fact that he hasn't got too much to do normally, although he does come out with some good stuff occasionally.

512
00:39:24.780 --> 00:39:26.760
Like, you know, he does challenge Blake on this.

513
00:39:26.820 --> 00:39:29.699
He's challenged him a couple of weeks before.

514
00:39:29.760 --> 00:39:41.400
So I think it's, I think it's kind of there, but it's to reinforce the fact that it was all a complete waste of time and a mistake and it was all based on Blake's sort of instinct to do something.

515
00:39:41.460 --> 00:39:48.179
But he doesn't even have dying words about his woman or Blake, Blake doesn't even close his eyelids.

516
00:39:48.360 --> 00:39:49.139
Do you notice that?

517
00:39:49.199 --> 00:39:51.780
It's normal. you know, there's people that sort of could do that.

518
00:39:51.840 --> 00:39:55.860
Yeah, I guess that's that must be deliberate that they don't, you know, there must be a choice.

519
00:39:55.860 --> 00:39:57.300
Let's not do that thing that they always do.

520
00:39:57.360 --> 00:39:57.900
I don't think it is.

521
00:39:57.960 --> 00:39:59.400
I think it's my direction again.

522
00:39:59.460 --> 00:40:06.119
Oh, I think it's I think that's Blake being just being too stunned to do anything like that.

523
00:40:06.179 --> 00:40:06.659
Right.

524
00:40:06.659 --> 00:40:10.980
Just he just wanders off to, you know, goes over to degenerate and says, he's dead.

525
00:40:11.039 --> 00:40:11.579
He's dead.

526
00:40:12.539 --> 00:40:17.340
Yeah, he doesn't dress that up nicely for the rest of the crew, does he?

527
00:40:17.400 --> 00:40:18.719
I'm really sorry guys.

528
00:40:18.780 --> 00:40:24.420
I'm really sorry But that climbing frame he was on earlier. broke again.

529
00:40:24.480 --> 00:40:29.159
So Mark, as a 1st time viewer, was that a surprise for you?

530
00:40:29.219 --> 00:40:31.139
Yeah, a completed prize.

531
00:40:31.199 --> 00:40:34.619
I didn't feel like it was it was telegraphed in any way.

532
00:40:34.679 --> 00:40:43.320
I think the 2nd time I was watching it, I sort of picked up a few bits, but I didn't think that I didn't expect any of them to die really, particularly mid-series.

533
00:40:43.380 --> 00:40:47.579
I think I probably thought things like that would be in a series finale.

534
00:40:47.639 --> 00:40:50.159
Maybe they'd be contracted for the full series or something.

535
00:40:50.219 --> 00:40:53.400
But yeah, I really liked the bits that he had with Veron.

536
00:40:53.460 --> 00:41:04.500
I thought they brought out a side of him that you don't see that often with Gan, where Blake wasn't particularly sensitive with her, you know, given that a much, your mum's just died and I think she, well, they think her mum's dead.

537
00:41:04.559 --> 00:41:06.239
She doesn't know her mum's dead, but she is.

538
00:41:06.300 --> 00:41:14.039
But again, he's very, very, you know, kind of sensitive with her and caring towards her, which was a nice kind of gentle giant side that you see with her.

539
00:41:14.099 --> 00:41:20.699
Blake was not particularly interested in her other than to get information out of her about Kasabi and stuff.

540
00:41:20.760 --> 00:41:21.239
So that was good.

541
00:41:21.300 --> 00:41:24.599
And like you say, and then we got to see his strength as well in breaking the door down.

542
00:41:24.659 --> 00:41:26.579
So it was he had a few good scenes.

543
00:41:26.639 --> 00:41:33.659
Yeah, he didn't make anyone any drinks this week, so it wasn't quite his greatest hits because he obviously takes drinks around on the hole.

544
00:41:33.719 --> 00:41:41.099
But yeah, you get to sort of reminding that he's a good sort and is it only the limiter in his brain that's making him be nice to people and do all of that stuff.

545
00:41:41.159 --> 00:41:45.599
And inside, he is still a deranged killer trying to get out.

546
00:41:45.659 --> 00:41:46.980
Now we'll never know.

547
00:41:47.039 --> 00:41:55.199
Maybe a good ending for him would be when if they were sort of trapped and the mutoids have gone from and they could have pulled the limiter out and he could have gone berserk.

548
00:41:55.320 --> 00:42:00.659
While they left, he could have been, you know, holding them off and, you know, knowing that it was going to blow up anyway.

549
00:42:00.719 --> 00:42:03.420
That is much...

550
00:42:03.539 --> 00:42:06.780
Quick, right, back to 1979.

551
00:42:06.900 --> 00:42:08.099
We'll sort this out.

552
00:42:08.519 --> 00:42:12.480
They'd be that sadistic, knowing that it's all going to come to an end or something.

553
00:42:12.539 --> 00:42:15.480
You'd go, come on, should we just pull his plug?

554
00:42:15.539 --> 00:42:17.460
Well, he could have done it to himself, I suppose.

555
00:42:17.519 --> 00:42:20.219
That would have been a bit more of a noble self-sacrifice, wouldn't it?

556
00:42:20.340 --> 00:42:33.179
But yeah, and it's going back to what you said, Colin, it is unusual, isn't it, to have a, if you're going to kill a main character to do it in a sort of mid-season episode rather than as a finale thing, but I suppose it does get people talking and it's to give it a mid-series boost, I suppose.

557
00:42:33.239 --> 00:42:35.280
Contermination did that in survivors quite a lot.

558
00:42:35.340 --> 00:42:39.900
They're getting bumped off left, right, and centre. as you go through that a couple of years earlier.

559
00:42:39.960 --> 00:42:41.880
So I suppose he's uh, He bringing it back.

560
00:42:41.940 --> 00:42:42.780
And that's actually the right way.

561
00:42:42.780 --> 00:42:44.639
It is more exciting.

562
00:42:44.699 --> 00:42:47.340
I read that Terry Nation, I don't know if this is just a fan rumour.

563
00:42:47.400 --> 00:42:51.119
I don't know if any of you know better that I read somewhere that Terry Nation actually wanted to get rid of Villa.

564
00:42:51.179 --> 00:42:53.699
He thought that Villa didn't have enough interesting stuff to do.

565
00:42:53.760 --> 00:42:54.119
Is that true?

566
00:42:54.179 --> 00:42:55.199
that's absolutely true.

567
00:42:55.260 --> 00:42:59.099
He went to David Maloney and said, well, the character I don't like is Villa.

568
00:42:59.159 --> 00:43:02.099
Let's kill him, and David Maloney said, absolutely not.

569
00:43:02.159 --> 00:43:06.900
The BBC has done audience research and Villa is really popular with the audience.

570
00:43:06.960 --> 00:43:09.059
So we are not killing Villa.

571
00:43:09.119 --> 00:43:10.800
And think, hang on.

572
00:43:10.860 --> 00:43:14.820
Villa, Gan, Villa, Gan.

573
00:43:14.880 --> 00:43:16.260
Who are you going to choose?

574
00:43:16.320 --> 00:43:18.480
Yeah, it seems really bizarre.

575
00:43:18.539 --> 00:43:27.539
Well, I think Villa only starts getting really good again after they left room for him, in a sense, because he'd had fuck all to do these last few episodes.

576
00:43:27.599 --> 00:43:31.920
So the comedy comes back, the lines come back and I think it comes back.

577
00:43:31.980 --> 00:43:40.559
You've got more time, if Blake's 7, for the moment, are Aurak plus N plus the rest, there's more space for him.

578
00:43:40.619 --> 00:43:46.019
There's a nice bit at the end where they zoom in on Gan's space chair and it's empty.

579
00:43:46.079 --> 00:43:47.099
Yeah, I like that.

580
00:43:47.159 --> 00:43:49.079
It's quite understated.

581
00:43:49.260 --> 00:44:01.320
I quite like the depth because it's so pointless, but it shows how much Blake has really not project managed to go back to our previous theme from last series.

582
00:44:01.380 --> 00:44:06.420
Project managed his his adventures, again, because he's been so self-obsessed.

583
00:44:06.480 --> 00:44:13.980
He's not thought of the details and it ends up in the death of one of his crew and he's going to have to sort himself out after this.

584
00:44:14.039 --> 00:44:20.460
There's something quite tragic about Gan's last words or I think those last words when he said, I'm not worth dying for as well.

585
00:44:20.519 --> 00:44:24.539
That's, um, I've written, or are you next to my name?

586
00:44:26.099 --> 00:44:32.880
And just compare and contrast a few moments later, we get where Servolan and Travis realise that they're buried in together.

587
00:44:32.940 --> 00:44:38.400
And I just love that scene where my life was at risk and you hesitated.

588
00:44:38.460 --> 00:44:40.739
And then I'll bury you.

589
00:44:42.000 --> 00:44:44.340
And we've got this far.

590
00:44:44.400 --> 00:44:49.260
Podcast member James will be spitting tax that we've got this far without mentioning her dragonfly dress.

591
00:44:49.260 --> 00:44:49.739
Oh, my God.

592
00:44:49.739 --> 00:44:52.559
That amazing metal. is so rude.

593
00:44:52.619 --> 00:44:55.500
If you look, where the hands are gripping.

594
00:44:55.559 --> 00:44:57.420
And where the tail is pointing.

595
00:44:57.480 --> 00:44:58.980
Oh my god.

596
00:44:59.039 --> 00:45:01.440
June Hudson was having a laugh that day.

597
00:45:03.360 --> 00:45:06.179
I've seen that dress in the flesh.

598
00:45:06.239 --> 00:45:07.500
It's still it's still around.

599
00:45:07.559 --> 00:45:08.940
In whose flesh?

600
00:45:09.000 --> 00:45:10.500
How are you wearing that, friend?

601
00:45:10.559 --> 00:45:11.820
I couldn't fit into that.

602
00:45:11.880 --> 00:45:17.099
What really struck me looking at it was just how thin Jacqueline Pierce was.

603
00:45:17.159 --> 00:45:19.199
Her waist was tidy.

604
00:45:19.260 --> 00:45:23.219
She was a tiny woman, but you wouldn't think it on TV at all.

605
00:45:23.280 --> 00:45:25.320
It's the presence she got presents.

606
00:45:28.380 --> 00:45:31.079
I have a question for Mark here.

607
00:45:31.139 --> 00:45:33.300
As a 1st time viewer of Blake 7.

608
00:45:33.360 --> 00:45:37.380
How do you think Dan's death will affect where we go next?

609
00:45:37.440 --> 00:45:41.039
Do you feel this will have repercussions sort of going forward?

610
00:45:41.219 --> 00:45:43.860
Yeah, I'm interested in the effect.

611
00:45:43.920 --> 00:46:14.219
Obviously, it has on Blake, whether it rains in that reckless side, that sort of gambling with the lives of his crew and himself to strike at the Federation, and also, I suppose, how the crew now respond to him, you know, whether I suppose they'll switch allegiance to Avon a little bit or be less inclined to go along with these with his missions, especially when he just springs, them on them at the last minute and says, oh, we've arrived at this place and we're going to go and do this without really consulting them 1st and talking it through.

612
00:46:14.280 --> 00:46:18.480
So, yeah, I'm interested to see where it goes.

613
00:46:18.539 --> 00:46:25.500
You'd have to have a heart of glass not to be moved by this, which is exactly what Debbie Harry had at number one in the UK hip parade that week.

614
00:46:25.559 --> 00:46:26.760
Well, Gumpy.

615
00:46:26.820 --> 00:46:27.659
Well, hang on.

616
00:46:27.719 --> 00:46:29.400
That was that was a song that was number one when I was born.

617
00:46:29.460 --> 00:46:31.860
Oh my god, this is your Blake's birth episode.

618
00:46:31.920 --> 00:46:33.840
Yeah, it must be, yeah.

619
00:46:34.320 --> 00:46:37.440
Well, depending depending on how long that was at number one.

620
00:46:37.500 --> 00:46:38.340
I mean, it might have been that.

621
00:46:38.400 --> 00:46:46.619
It had a a song that entered the UK chart that week at number 47 and had a long way to get it to number one was unfittingly.

622
00:46:46.679 --> 00:46:47.519
I will survive.

623
00:46:47.579 --> 00:46:49.860
I suddenly scammed.

624
00:46:54.179 --> 00:46:57.960
Overall, how do you feel about pressure point?

625
00:46:58.019 --> 00:46:59.880
So Colin will go with you first.

626
00:46:59.940 --> 00:47:01.019
I like it.

627
00:47:01.079 --> 00:47:15.179
I think it's, I think it's really good, but it's probably squeezing a bit too much out of the Project Avalon dual model of Travis and Serverland sort of scheming or something in a room, Blake and Avon arguing, them going out to the planet.

628
00:47:15.239 --> 00:47:18.719
It's to the point where, you know, God, we've done that so many times now.

629
00:47:18.780 --> 00:47:21.719
But I think it, you know, it has lots of different things.

630
00:47:21.780 --> 00:47:26.639
It has, I enjoy all the explosions in the in the, the grassy field of death.

631
00:47:26.699 --> 00:47:29.340
And it moves pretty fast.

632
00:47:29.400 --> 00:47:33.119
I think the direction could be a little bit better, like the way the dialogue's delivered.

633
00:47:33.239 --> 00:47:36.179
I think Jacqueline Pierce sort of holds it up, kind of gets nothing to do.

634
00:47:36.239 --> 00:47:37.500
Villa gets nothing to do.

635
00:47:37.559 --> 00:47:39.659
Jenna gets very little to do.

636
00:47:39.719 --> 00:47:43.500
It's um, not particularly balanced, but it's good. enjoy it.

637
00:47:43.559 --> 00:47:44.880
What about you, Pete?

638
00:47:44.940 --> 00:47:50.039
Yeah, I think, I mean, I take Tomlin's point about it being it's very much a...

639
00:47:50.099 --> 00:47:54.659
Well, you could spin it as a saying, it's a quintessential episode of the Terry Nation variety that we've had so far.

640
00:47:54.719 --> 00:47:59.460
It's teronation hitting a lot of the things that he's already worked out for this, but I think it does come together generally.

641
00:47:59.519 --> 00:48:01.139
Well, I like all the cast.

642
00:48:01.199 --> 00:48:05.340
We haven't talked about Yolanda Palfrey, Janet from Terror of the Vervoids.

643
00:48:05.400 --> 00:48:07.980
But once again, is there killing everyone?

644
00:48:08.400 --> 00:48:11.340
Yes, just like a terror of the world.

645
00:48:11.400 --> 00:48:16.019
She's a traitor and that's exactly and poison gas was probably involved in that too.

646
00:48:16.139 --> 00:48:19.980
I think, Colin, were you less impressed than me, but from something you said earlier.

647
00:48:20.039 --> 00:48:23.039
Wait, what did Janet do with the poison gas?

648
00:48:23.579 --> 00:48:26.159
Oh, it's just a popular fan theory that actually...

649
00:48:26.159 --> 00:48:32.880
Oh, the voids has an unrival narrator, and actually it was Janet, the hostess who murdered everybody, not the vervoids. doesn't really hold up.

650
00:48:32.940 --> 00:48:34.980
We need to put it under too much scrutiny.

651
00:48:35.039 --> 00:48:35.880
Okay good.

652
00:48:36.539 --> 00:48:43.980
No, yeah, no, she's kind of, I mean, what is it, 7 years difference or something like that?

653
00:48:44.039 --> 00:48:45.179
Yeah, 7 years later.

654
00:48:45.239 --> 00:48:46.860
I think she'd been a child starter.

655
00:48:46.920 --> 00:48:48.480
She had been in lots of things when she was really young.

656
00:48:48.539 --> 00:48:51.780
She's playing much younger than she actually is isn't she?

657
00:48:51.840 --> 00:48:53.460
Yeah, but she's been being children.

658
00:48:53.460 --> 00:48:55.559
Sort of... quite breathlessly.

659
00:48:55.559 --> 00:49:01.860
Sort of talk when she's very upset and more...

660
00:49:01.860 --> 00:49:04.380
She's much better in verboids, I think.

661
00:49:04.380 --> 00:49:06.840
Sadly, very sadly, no longer with us.

662
00:49:06.960 --> 00:49:09.360
Yes, she died very young. a real shame.

663
00:49:09.420 --> 00:49:13.920
Yeah, and she had loads of, you know, she was doing she was doing really, really well.

664
00:49:13.980 --> 00:49:16.199
You know, she would have gone on to do lots more things, I'm sure.

665
00:49:16.260 --> 00:49:22.739
Yeah, she was someone who made the sort of fairly rare career jump from being a child actress to being an adult one.

666
00:49:22.800 --> 00:49:25.619
But yeah, so anyway, in summary, yeah, I really like this episode.

667
00:49:25.679 --> 00:49:26.460
I think it's fun.

668
00:49:26.519 --> 00:49:27.539
Well, thank you, Pete.

669
00:49:27.599 --> 00:49:29.760
How about you, mom?

670
00:49:30.360 --> 00:49:32.820
Yeah, I really enjoyed it as well.

671
00:49:32.880 --> 00:49:35.880
So far, I'm enjoying the 2nd series more than the 1st series.

672
00:49:35.940 --> 00:49:40.139
I think the stories are a bit a bit better, a bit less repetitive.

673
00:49:40.199 --> 00:49:42.239
There just seems a bit more substance to them.

674
00:49:42.300 --> 00:49:51.059
And yeah, the big shock of Gandhi and I think adds weight to it makes it feels like the stakes, that it's not just sort of scrape of the week and they all escape.

675
00:49:51.119 --> 00:50:02.940
And I suppose the other thing I didn't mention before about the effects of this. whether a new character will be introduced to bring the number back up to 7 as it sort of is, if you include the computers.

676
00:50:03.000 --> 00:50:04.619
And whether Blake counts.

677
00:50:04.679 --> 00:50:08.099
I remember, is Blake one of Blake 7 or is it Blake plus?

678
00:50:08.159 --> 00:50:09.659
is it Blake 7 brackets inclusive?

679
00:50:10.500 --> 00:50:12.659
They really don't specify.

680
00:50:12.719 --> 00:50:13.619
Holy shit.

681
00:50:13.679 --> 00:50:14.039
Yeah.

682
00:50:14.159 --> 00:50:16.679
All these people belong to Blake.

683
00:50:16.739 --> 00:50:18.059
Well, there's no apostrophe.

684
00:50:18.119 --> 00:50:18.780
So they don't.

685
00:50:20.159 --> 00:50:23.460
Is Danny Ocean included in Ocean's Eleven?

686
00:50:23.940 --> 00:50:26.460
But no, I really enjoyed it, yeah.

687
00:50:26.519 --> 00:50:27.840
I mean, I agree.

688
00:50:27.900 --> 00:50:40.860
Some of the plotting is a bit clumsy in this one, but it's so easy just to get swept along with it because it moves at a fair enough rate that you don't think about it the 1st 6 or 7 times you watch it.

689
00:50:40.920 --> 00:50:42.179
However many it's been.

690
00:50:42.239 --> 00:50:50.219
The twist of the empty room is really brilliant and scans death being pointless after that.

691
00:50:50.280 --> 00:50:55.440
The last sort of 10 minutes are so superb that it's really brilliant.

692
00:50:55.500 --> 00:50:59.280
Servolan is now top dog in the villain stakes.

693
00:50:59.340 --> 00:51:00.539
This is her show.

694
00:51:00.599 --> 00:51:04.739
Yeah, it's going to be very interesting to see where this leads us to.

695
00:51:04.800 --> 00:51:08.940
Yeah, yeah, you can tell that things are definitely going to change among the dynamic of the crew.

696
00:51:09.000 --> 00:51:17.820
This is not a, now we've just got one less cast member and it's going to carry on, I assume and hope, but they're going to have real questions about Blake's leadership now. which isn't a thing that will definitely get you back next week.

697
00:51:17.880 --> 00:51:21.599
Yes, and as we said, what will happen to Blake?

698
00:51:21.659 --> 00:51:23.880
I guess he's going to feel like he's on trial somewhere.

699
00:51:23.940 --> 00:51:26.460
I think that might be where we end up.

700
00:51:33.599 --> 00:51:37.500
Thank you very much for joining us for Pressure Point.

701
00:51:37.559 --> 00:51:44.340
We'll be back next week when, as Pete says, there'll be lots and lots and lots of trials.

702
00:51:44.579 --> 00:51:48.420
So, thank you very much for listening and goodbye.

703
00:51:48.480 --> 00:51:49.739
Goodbye.